Luis Perdomo's "Universal Mind" is simply a stunning achievement. The trio of Luis Perdomo (piano), Drew Gress (bass) and Jack DeJohnette (drums) bring Perdomo's original compositions to life with their profound sensitivity, focused interplay and skillful improvisation. Playing with the passion and intensity of young starving artists, there can be little doubt that these veteran musicians have wrapped one of the best straight-up jazz recordings of the year.
Perdomo brings a highly refined technique, maturity and energy to his piano playing and original compositions. DeJohnette supports Perdomo's leads with an age-defying level of creativity and intensity, turning in what should be regarded as one of his best performance in years. Gress, who played with Perdomo in Ravi Coltrane's band, is the glue that holds it together with his versatile work on acoustic bass.
"Tetragon" is a strong opening statement featuring outstanding solos from piano, bass and drums. "Langnau" showcases Perdomo's melodic piano stylings and Gress' soulful, note-bending bass work. "Rebellious Contemplation" is propelled by DeJohnette's scintillating, near-athletic performance on the drums which provides plenty of fuel to fire up amazing bass runs and piano leads from Gress and Perdomo. "Just Before" features nice interplay as the musicians stretch out over a more relaxed musical space.
"Unified Path I" and "Unified Path II" tend more towards the avant garde; especially in the latter song where Perdomo's shimmering piano and Dejohnette's rythmic drum patterns lead us on a bold, dramatic and rewarding musical adventure.
"Tin Can Alley" recalls a classic bebop that has been revisited with modern attitude including great bass solo, inventive stick work and extended, tricky piano runs and flourishes.
"Above the Storm" slows the pace down a bit for only a moment as Perdomo shows a softer but no less inventive side with superb support from DeJohnette. "Gene's Crown" is a textbook trio performance defined by Perdomo's spare, left-hand piano line with improvisation inspired by his deft right-hand leads. "Dance of the Elephants" is a reflective tune that presents Gress with ample opportunity to show what he can do on bass while Perdomo strikes a series of beautiful tones and playful notes. "Doppio" closes the set with yet another fast-paced, smoking performance including colorful bursts from Perdomo's piano and an amazing, extended drum solo from DeJohnette.
I highly recommend this outstanding recording to eveyone who appreciates great music.