Customer Reviews

Universe Will Provide

5 star:		(3)
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This is not Symphonic Rock. This is not a typical "Guitar + Orchestra" thing. This is not a String Quartet Tribute to Keneally. This is a roughly 60 minute composition commisioned by and featuring Holland's Metropole Orkest. I find it tough to describe this album, other than to say that it is simultaneously quite surprising and just what you'd expect if you're a Keneally fan. That is, as you're listening, you'll be astounded, and when you're done, you'll say, "Of COURSE it sounds like that!"

There is variety in emotional tones, in timbre and in texture, yet the composition maintains its feel as a whole work. Rock audiences may find more to love here than classical audiences, as the orchestra features a top-notch rock/jazz rhythm section that is exploited in many pieces; that alone may alienate classical fans by virtue of contextual unfamiliarity. With that said, there are guitar solos, but guitar is not necessarily "the featured instrument" of the piece. Indeed, there are several solos by a variety of instruments throughout, and the melodies are likewise carried by a variety of instruments throughout, not just guitar.

Overall, do not expect the "a few minutes of symphony followed by guitar cadenzas or bands jamming out" format you may have heard in other genre-crossing albums of this nature. This is a fully realized, impeccably recorded composition shining proudly in the Keneally canon.

Special note: the tune "Worrywart Spoonguy" may be among Keneally's best: a triumphant theme, rich layering, wicked banjo, a pretty nifty solo, and that insanely cool recurring arpeggiated riff (often played by wicked banjo). Plus, at the end of the tune, a fully orchestrated visit to "Spoonguy" from the album hat!

It started with me finding out that Mike Keneally played with Steve Vai and Frank Zappa. From there I went to his web site and "Radio Free Keneally" where you can hear Mike whenever you'd like. Then I ordered "Dog" and "The Universe Will Provide". I don't usually like to mix rock and classical. In fact, other attempts I've heard don't really mix at all. I don't really know how to describe this. It's classical music with electric guitar or jazz with a fifty piece orchestra jamming full bore. The Metropole Orkest proves beyond a shadow of a doubt that they can get down as much if not more than any rock and roll band. The whole album is just cool and unusual and a rewarding listen every time through. 5 big stars for the best thing I've heard this year.

Never one to rest on his Laurels Mike Keneally takes a complete left turn and records this symphonic rock album with Metropole Orkest. This is truly a collaborative symphonic work and not just a guitarist with symphony type of album. Although Keneally guitar and vocals are featured throughout plenty of room is also left for various symphony instruments to take their turn at lead. The percussion section is especially vibrant in several of the sections here. I would think that this disc could appeal to both classical and rock fans. The music and lyrics are based on the children's story and for the most part works fantastically. Kenally, of course throws in some terrific guitar work throughout the disc. The album is divided into 13 different parts, but it is really one 60 minute symphonic work. Kenally's output for me is somewhat inconsistent and I was a bit hesitant buying this one, but it turns out to be a delightful album and another interesting chapter in Keneally's varied career. If you are looking for a true symphony / rock collaboration pick this one up.