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Unlikely Collaboration: Gertrude Stein, Bernard Fa˙, and the Vichy Dilemma (Gender and Culture Series) [Hardcover]

Barbara Will
4.0 out of 5 stars  See all reviews (4 customer reviews)

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Book Description

September 13, 2011 Gender and Culture Series

In 1941, the Jewish American writer and avant-garde icon Gertrude Stein embarked on one of the strangest intellectual projects of her life: translating for an American audience the speeches of Marshal Philippe Pétain, head of state for the collaborationist Vichy government. From 1941 to 1943, Stein translated thirty-two of Pétain's speeches, in which he outlined the Vichy policy barring Jews and other "foreign elements" from the public sphere while calling for France to reconcile with Nazi occupiers.

Unlikely Collaboration pursues troubling questions: Why and under what circumstances would Stein undertake this project? The answers lie in Stein's link to the man at the core of this controversy: Bernard Faÿ, Stein's apparent Vichy protector. Faÿ was director of the Bibliothèque Nationale during the Vichy regime and overseer of the repression of French freemasons. He convinced Pétain to keep Stein undisturbed during the war and, in turn, encouraged her to translate Pétain for American audiences. Yet Faÿ's protection was not coercive. Stein described the thinker as her chief intellectual companion during her final years.

Barbara Will outlines the formative powers of this relationship, noting possible affinities between Stein and Faÿ's political and aesthetic ideals, especially their reflection in Stein's writing from the late 1920s to the 1940s. Will treats their interaction as a case study of intellectual life during wartime France and an indication of America's place in the Vichy imagination. Her book forces a reconsideration of modernism and fascism, asking what led so many within the avant-garde toward fascist and collaborationist thought. Touching off a potential powder keg of critical dispute, Will replays a collaboration that proves essential to understanding fascism and the remaking of modern Europe.


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Unlikely Collaboration: Gertrude Stein, Bernard Fa˙, and the Vichy Dilemma (Gender and Culture Series) + Two Lives: Gertrude and Alice + The Autobiography of Alice B. Toklas
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Editorial Reviews

Review

Barbara Will's Unlikely Collaboration is a beautifully written and engaging work that illuminates the lives and works of Gertrude Stein and Bernard Faÿ, their friendship, and the fascinating and troubled times in which that friendship formed and flourished. Will's book, penetrating in its psychological, literary, and historical insights, will appeal especially to readers interested in literary modernism and its often disturbing political connections.

(Richard J. Golsan, author of French Writers and the Politics of Complicity: Crises of Democracy in the 1940s and 1990s )

An unlikely collaboration indeed. One was perhaps America's most celebrated avant-garde writer, living in France; the other a French biographer of Benjamin Franklin turned anti-Masonic zealot and collaborator with the Nazis from 1940 to 1944. Gertrude Stein wanted to persuade Americans that the Vichy collaborationist leader Philippe Pétain was a French George Washington; Bernard Faÿ helped save Stein's art collection, and maybe Stein herself, from the Nazis. Barbara Will brings alive their association and ponders the compatibility of literary modernism with political reaction.

(Robert O. Paxton, author of Vichy France: Old Guard and New Order, 1940--1944 )

Brilliant and fascinating.... This exceptional study provides new insights into previously hidden corners of Stein's life.

(Publishers Weekly (starred review) 7/18/11)

Barbara Will's story is well told...

(Phyllis Gaffney Irish Times 9/17/2011)

A revealing and absorbing work of scholarship.

(Robert Fulford National Post 10/18/2011)

...revisited the relationship of Stein and Faÿ, offering the fullest account to date of their professional and personal ties.

(Eric Banks Chronicle Review 10/23/2011)

[ Unlikely Collaboration] reveals a considerably more complex, and perhaps devious, Gertrude Stein than currently accepted legend would dictate.

(T.L. Ponick Washington Times 10/13/2011)

A tenacious work of literary detection and analysis

(Jerome Boyd Maunsell Times Literary Supplement 4/13/12)

A fine-grained, unflinching, and nuanced history.

(Michal Kimmelman New York Review of Books 4/26/12)

Exceptionally well researched and elegantly written, this book is certain to make an important contribution to and beyond Stein studies.... Highly recommended.

(Choice 1/1/12)

Unlikely Collaboration is a fascinating book that explores a sensitive topic with solid documentation.

(The Gay & Lesbian Review Worldwide 4/1/12)

Extremely detailed and erudite.

(Eitan Kensky Jewish Ideas Daily 2/29/12)

She has given us a fuller, more realistic picture of a multilayered Stein who was fairly talented, but who also, in Will's own words, was in morally significant ways a 'despicable individual.'

(Gerald Sorin Haaretz 12/1/2011)

...fascinating...

(Yale Alumni Magazine 12/1/2011)

[An] absorbingly detailed and even-handed book.

(Christopher Benfey The New Republic 6/7/12)

Will's most significant contribution is to challenge the assumption that an individual with a liberal personal lifestyle and/or creative interests will inherently be someone with liberal political views.

(Miriam Intrator French History Vol 26, No 3, September 2012)

Her study is a valuable and well-informed portrait of a troubled and troubling literary and political relationship.

(Angela Kershaw French Studies Vol 66, No 4 October 2012)

A brilliant, disturbing, even shocking historical saga about modernist icon Gertrude Stein.

(Phillipe Mora WeHo News 12/1/11)

About the Author

Barbara Will is professor of English at Dartmouth College and the author of Gertrude Stein, Modernism, and the Problem of "Genius." She has written extensively on modernist literature and culture and is a specialist on the work of Gertrude Stein.


Product Details

  • Hardcover: 320 pages
  • Publisher: Columbia University Press (September 13, 2011)
  • Language: English
  • ISBN-10: 0231152620
  • ISBN-13: 978-0231152624
  • Product Dimensions: 6 x 0.9 x 9 inches
  • Shipping Weight: 1.1 pounds (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #175,501 in Books (See Top 100 in Books)

More About the Author

Barbara Will is professor of English at Dartmouth College. She has written extensively on literary and cultural modernism, and is a specialist on the work of Gertrude Stein.

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10 of 11 people found the following review helpful
5.0 out of 5 stars Important and Disturbing December 27, 2011
Format:Hardcover
This well-written and exhaustively researched study demonstrates that Gertrude Stein brought to her relationship with Bernard Fay a predisposition to sympathize with fascism that she shared with other high modernist writers. But this is not a simple story. Barbara Will, whose earlier book on Stein included revelatory close readings, here casts a cold eye on both Stein and Fay. Stein's combination of arrogance and naiveté led her to the incredible decision to stay in Vichy France during the war. That Fay was able to protect her was by no means a sure thing. Fay, as the lesser known of the two protagonists, is in some ways the most interesting. His enthusiasm for America (and his Harvard education) were easily accommodated in his royalist and right-wing predispositions. His willingness to be a part of Vichy and collaborate with the Nazis no doubt saved Stein. His strong anti-Masonic prejudice was tinged with anti-semitism, and he found a sympathetic partner in Stein who disliked her own sex and Jewish identity.

It is not a simple story, as I said. Stein surrounded herself with anti-fascists at the same time that she (and Toklas) relished Fay's friendship and protection. Fay, a collaborator and fascist, was genuinely drawn to this peculiarly and quintessentially American author. She brought out the best in him, while he brought out the worst in her. Neither, however, comes out well in this telling.

Readers should know that the extensive notes at the end of the book add essential information to the narrative.
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21 of 30 people found the following review helpful
Format:Hardcover|Amazon Verified Purchase
There is a 4-page Preface, a 2-page Acknowledgments section, a 3-chaptered Part I called "Stein, Fay and the Making of a Friendship" that is 102 pages long, a 2-chaptered Part II called "The Vichy Dilemma" which is 76 pages long, and an Epilogue that is 30 pages long, and a Notes section full of footnote references that is 70 pages long, and 16 pages of an Index. There are also 21 black and white illustrations, one of which is of a photograph of Gertrude Stein giving the Hitler salute along with American soldiers.

The dreaded, controversial topic of Gertrude Stein's affiliations with Fascism is finally and openly dealt with here and the dilemma of it all is clearly and judicially explained -- at least insofar as Gertrude Stein is the concern. Things are not so nearly clearly or fairly explained here in terms of Bernard Fay's affiliations with Fascism and his anti-Semitism, I'm sorry to say.

Nonetheless, the book is absolutely gripping and cutting-edge in terms of what politically was going on in the minds of Gertrude Stein and Bernard Fay back in the 1930s and 1940s and what was going on around them and their lives during this time. The parallels with today's controversies and conspiracies are unmistakeable, although don't count on Barbara Wills to acknowledge this fact or even have an historical conscience about it.

Who hasn't had a major fascination with the Founding Fathers of the 18th century (though, today, they now are regarded as Terrorists in some FEMA circles) and the agrarian life of the 18th century and its values? Who hasn't valued privacy, hard work, land ownership, freedom (all of which are slowly being eroded by forms of Socialism and Communism disguised under pleasant-sounding names both in the U.S. and globally as "sustainable development" through UN's Agenda 21) ? Gertrude Stein and Bernard Fay had this fascination and this passion in spades, enough so that Gertrude Stein would dress up in Benjamin Franklin costume and Bernard Fay would wear 18th century breeches! They loved the ideas and values of the 18th century and made the ideals of the 18th century their own vision and values in the 20th century, but each took a slightly different approach and each also suffered drastic consequences as a result of her or his intellectual choices.

Barbara Will writes an absolutely absorbing account of how and why Gertrude Stein, a self-hating Jew (not really a weakness or neurosis), became friends with Bernard Fay, a Roman Catholic and royalist. In essence, they both had a number of values and interests in common, one of which had to do with the 18th century view of life and politics, and another of which involved the uses and abuses of power in business as well as in friendships. But there were other values they shared as well, but you will have to read the book to discover them.

After Barbara Will's thorough examination of Gertrude Stein's sado-masochistic psychology and weakness for authoritarianism as well as Stein's vision of an 18th century individual living in the 20th century and how to respond to the decay of individualism and the tragic development of the mass-man, the reader is left with a wholly exonerating understanding that Gertrude Stein was not a voluntary and volitional conscious Fascist. The reader comes away feeling that Gertrude Stein had many good ideas but that she simply made some bad choices, saw certain events incompletely, even inadequately.

After Barbara Will's extensive but certainly not thorough examination of Bernard Fay (largely superficial rather), the reader is lead to feel much more equivocal and may be tempted to judge the man as a narrow-minded, misanthropic, anti-Semitic throwback of Louis XVI -- if only because Bernard Fay is a man, not a woman like Gertrude Stein. It only seems fair to say that the author stacked the cards against Fay, the man, from the very beginning of her story when she describes Fay in ad hominem terms as "obsessed" with Freemasonry as some form of evil since the author FEELS that Freemasonry today "has a largely philanthropic air about it, closer to the Rotary Club, or even a college fraternity than to the Trilateral Commission." In other words, though Freemasony has a long history of vicious skullduggery, the author chooses to ignore its past and the facts of this hidden and secret organization's dealings in politics and the economy and assigns it a fraternal "air" --- based on no examination and no thought at all. This was an egregious, non-scholarly and unprofessional mistake that ought not to happen in the ranks of academia. Her writing here openly displays the opinion that Ms. Will clearly has no problem with the lack of transparency with any government or government official and certainly no problem with layers of secrecy among America's political elite.

The author piles on and delivers one ad hominem attack after another on Bernard Fay's shoulders soon after that, referring to Jacques Lacan's theories of obsession, as if offering by reference proof that Bernard Fay was a doomed and an inadequate soul to begin with -- before an actual historical and factual investigation is attempted. If Barbara Will had been hired by the Freemasons themselves to defend them against Bernard Fay, she could not have done better. This was the saddest and most disappointing aspect of the book for me. Barbara Will's omission of any investigation into the blood-soaked secrets of 33rd degree Freemasonry and what Bernard Fay knew about the Freemasons (all of it evidencing factual evidence of murder and political scheming) was just outrageously stupid or viciously cunning on the author's behalf. (Now that I'm thinking more about it, I think it was simply the author's most stupid move.) Bernard Fay was a serious researcher into the internal organization and wrote books and even gave public lectures about it. Barbara Will verbally spits on all of it and doesn't show the reader anything that lies within the pages of Fay's extensive work on the subject. This is not research. This is censorship. She dismisses his interest, his pursuit, his writing and all of his historical significance in relation to the facts about Freemasonry as "obsessive" merely and sweeps everything under the rug of amnesia and ignorance concerning Freemasonry and Fay's writings on the subject. Does she realize that by her sanction of freemasonry, she sanctions the Bolshevik Revolution in Russia and other revolutions fomented from the demented minds of the Freemasons who forced untold millions of innocent men, women and children to die? {See the documentary "In the Shadow of Hermes" or the book "Under the Sign of Scorpio" for factual details of Freemasonry's skullduggery.) Probably not, because Barabara Wills is a half-assed academic, I'm sorry to state. This kind of academic perversity she displays in this book, ostensibly laying claim to a trustworthy level of historical investigation is preposterous and a lie on its face.

The chapters and pages revealing the politics of the Vichy regime with Bernard Fay as the center of focus, however, were very challenging reading and very informative. It was somewhat painful or disconcerting to find that one's progress through this section was heavily impeded by footnotes at nearly every sentence or every other sentence. Reading the entire section of "Fay's War" was like being at an infinite number of check points where one has to secure one's identity again and again and obtain passports and validate one's citizenry again and again through copious footnotes in order to learn more of what was really going on and how and why.

I felt sad at the ending of the book, both because it ended and couldn't go on any more and because it ends with Gertrude Stein dying of uterine cancer and Bernard Fay aging out at 85 as a kind of lonely, historical fossil.

On an unambiguous, clear and unmistakably positive note, Barbara Will nails, for me, the whole controversy that Janet Malcolm initiated now almost a decade ago with her New Yorker magazine articles insinuating Gertrude Stein was a secret fascist, although because she didn't keep her focus, other reviewers find themselves unwittingly led to the opposite point of view because of ambiguities in Ms. Will's written presentation. Barbara Will's book , however, is so full of enriching facts and interpretations on Gertrude Stein that this reader feels it makes more of an important contribution to Stein studies than does or did Ulla Dydo's dull and mammoth official work called "Gertrude Stein: The Language That Rises."
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10 of 14 people found the following review helpful
5.0 out of 5 stars Tough book to actually rate. October 18, 2011
Format:Kindle Edition|Amazon Verified Purchase
One of the most difficult decisions a reviewer of non-fiction has when reviewing a book for Amazon is how many stars to award a book. Do you review the author's writing, the subject, or a bit of both? If I were rating both, I'd have given Barbara Will's new book about Gertrude Stein and Bernard Fay three stars; an average of five for her writing and one for the subject. As I believe the correct way to rate this book, "Unlikely Collaboration" is strictly by the author's writing, I've given it five stars. This review is also one of the few I've written without having quite finishing the book. I hope to return to it sometime, but not too soon.

Barbara Will's book, written after impeccable research, is about author Gertrude Stein's "alleged" collaboration with French Vichy officials during WW2, when she and her companion, Alice B Toklas, were living in France. They'd been living in France since the 1920's - true American ex-pats - who'd put together a group of admirers from all artistic areas. Stein was both a patron of the arts, as well as contributor with her own work. They were gay and many of those gathered around them were also gay. Bernard Fay, a gay Frenchman with ties to American academic communities where he had taught and written, was a close friend, and acolyte. Fay was also an anti-Semite, which could have complicated relations with Stein and Toklas but managed not to, mostly because of the two women's own ambivalence about their faith. (In fact, Toklas converted to Roman Catholicism after Stein's death).

But if Gertrude Stein was ambivalent about her religious identity, she also seemed so about her political identity. Part of the post WW1-generation whose lives were turned upside down by the war and it's purposeless waste, both Stein and Fay were leery of more liberal forms of government and definitely approved of a more totalitarian approach to governing. Both were admirers of Phillipe Petain and Stein translated much of his writing from French to English. Both worked with the governing Vichy government in France; were Stein and Toklas's lives at stake at the time? Certainly they didn't want to leave France for safer areas elsewhere but at what point does "accommodation" to occupying powers end and "collaboration" begin?

Neither Stein nor Fay come across in Will's book as anything but odious individuals, living completely unsympathetic lives both before and during WW2. (Stein died of uterine cancer in 1946; Fay, younger than Stein by 19 years, lived another 20 or so years). Will has written an excellent book that does take into account every reason for "accommodation" and basically calls it what it was, willful "collaboration" with the enemy. It's a very good study of Stein and Fay and the times they lived in. Will's also a very smooth writer.

Please also read the review right above mine by G Charles Steiner, who has written an excellent review of Will's book. He has put into words much of what I could not.
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