From Publishers Weekly
Based on a real diary that the author found in a Vegas bathroom in 1995, this episodic collection is an alternately hilarious and exhausting trip through the inner monologue and outer turmoil of overweight high school sophomore Tammy Pierce. Tammy struggles with body image (and body odor), pines for the cute boys who torment her, steals money from her mother's purse and spends way too much time chasing her next fix of French fries from Sonic. Given the source material, it's not surprising that much of the book is self-absorbed, repetitive and insufferable; it is also genuinely poignant. The highlights of the collection are the stretches where Tammy's situation is too excruciatingly painful
not to be funny: practicing kissing with her pillow, not shaving her legs sufficiently for prom, dealing with a surprise hair on her chin at school. The art style is jagged in the extreme—sometimes it doesn't look like ink was placed on the page so much as thrown—but it's a perfect fit for conveying the chaos Tammy is so desperately trying to put down in words.
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Watson says this panel-per-page graphic novel draws directly on a diary found in a gas-station washroom. If that’s disingenuous, the protagonist’s voice and candid but awkward self-perception are impressively authentic. Texas high-school sophomore Tammy is overweight, boy crazy, and underdeveloped in social skills when it comes to dealing with her younger brother, her “best” friend (a skanky jerk), and anyone else in her small, nasty circle. Watson’s scratchy, turquoise-and-white art, reminiscent but not imitative of Lynda Barry’s style, amplifies Tammy’s physical and character flaws as well as her pathetic emotional life. Unlike the four Notebook Girls (2006), who are her age-mates, Tammy appears all alone in dealing with social and cultural nemeses she doesn’t recognize. Her insider perspective is just as shocking as those of the notebook girls. Unlovable is a fine example of how art and narrative can be combined to make a potentially trivial book compelling and insight-provoking. In particular, Gen Xers ready for an unvarnished backward glance at the concerns and the cruelties of their high-school years will recognize Tammy with stark clarity. --Francisca Goldsmith