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Unquestionable Presence Original recording remastered, Extra tracks


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Audio CD, Original recording remastered, Extra tracks, August 30, 2005
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Product Details

  • Audio CD (August 30, 2005)
  • Original Release Date: 2006
  • Number of Discs: 1
  • Format: Original recording remastered, Extra tracks
  • Label: Relapse
  • ASIN: B000AL8VNC
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (25 customer reviews)
  • Amazon Best Sellers Rank: #152,427 in Music (See Top 100 in Music)

1. Mother Man
2. Unquestionable Presence
3. Retribution
4. Enthralled in Essence
5. An Incarnation's Dream
6. The Formative Years
7. Brains
8. And the Psychic Saw
9. Enthralled in Essence [*][Demo Version]
10. The Formative Years [*][Demo Version]
11. Unquestionable Presence [*][Demo Version]
12. An Incarnation's Dream [*][Demo Version]
13. Retribution [*][Instrumental][Demo Version]
14. Brains [*][Instrumental][Demo Version]
15. Enthralled in Essence [*][Demo Version]
16. Mother Man [*][Demo Version]
17. And the Psychic Saw [*][Demo Version]

Editorial Reviews

ATHEIST UNQUESTIONABLE PRESENCE

Customer Reviews

4.8 out of 5 stars
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See all 25 customer reviews
Florida's death metal in your essence!
Rafael
What you get on this album is the original 8 tracks, which show the band's uniqueness and how they can perfectly fit in technical metal and jazz together.
Bill Lumbergh
I really had a rough time trying to decide which album to start out with, so I went and bought all three of them, and I was sure glad I did.
Jeremy Brackeen

Most Helpful Customer Reviews

17 of 18 people found the following review helpful By General Zombie on September 4, 2005
Format: Audio CD
Man, I'd been waiting to get this album for a damn long time, but it proved to be worth the wait. (Good thing I just don't have it in me to pay 60 frickin dollars for a used cd) Atheist are inevitably mentioned in the same breath as Death and Cynic when they talk about the roots of the modern tech-metal and jazz-metal movements. Atheist often seem to be considered the least of the 3, but listening to this album, they predict modern musical trends better than either of those bands. Both Death and Cynic could be exceedingly technical, and displayed plenty of jazz influence, but they are more melodic and less chaotic than modern tech bands(and Atheist). Simply put, while listening to 'Unquestionable Presence' you can hear something closer to 'Calculating Infinity' or `The Design' than you'll here in anything from Death or Cynic. (This is still definitely death metal, however, not metalcore)

Still, the Death and Cynic comparisons are appropriate, with this album sounding somewhere between 'Human' and 'Individual Thought Patterns' but, again, jazzier and more chaotic than either of those albums. Unsurprisingly, this album can take a bit of effort to get into, as there isn't much to latch onto at first. Frankly, I was a bit disappointed in this album initially, but after about 10 repeated listens it's definitely living up to it's reputation. Now quite a few things stick out: The somewhat more mellow, bass-driven instrumental section at the end of 'Mother Man'; the title tracks memorable chorus; The stunning solo around minute 2 of 'Retribution'; the atmospherics and brief acoustic workin 'An Incarnation's Dream'; the more melodic trem riffs of 'The Formative Years' and the swirling, memorable licks that fill 'And the Psychic Saw'.
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10 of 11 people found the following review helpful By David Schroder on September 7, 2005
Format: Audio CD
About 7 years ago I managed to find all the original Atheist albums in my good old home country of South Africa for the amazingly low price of only R100 (about $15) each. They soon became my favourite band, and started me on a quest to find the most technical metal bands in the world.

All these years later, after sampling the best from bands such as Death, Dream Theater, Spiral Architect, Andromeda, Cryptopsy, and Necrophagist, Atheist still ranks at the top. The only two of those others that even come close are Necrophagist and Spiral Architect, though the line-up on Death: Individual Thought Patterns is a truly formidable one.

The sound of these new remastered editions is truly remarkable; the original albums weren't perfect, but they had a rough element that I hold close to my heart, but now I possess the albums in the way that Atheist probably wanted us to hear them. Included are some great bonus tracks. I couldn't believe it when I heard the demos from 1990 featuring Roger Patterson. I think he must be the most talented musician that the metal scene has ever produced. Tony Choy is amazing, and did a capable job of filling Patterson's shoes, but I can only imagine what would have happened had Patterson not died and lived on to grace us with his musical ingenuity.

Thank you Atheist and Relapse for reissuing these albums so that more people can grow to appreciate just how influential this band really was. Here's hoping that a reunion tour comes around soon.
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7 of 7 people found the following review helpful By M. Kinney on September 14, 2005
Format: Audio CD
These are long overdue re-issues. Hats off to Relapse for finally having the sense to finally do it. Haven't got Piece of Time yet but this one and Elements have undergone some major sound improvements. The original of this sounds fine, but the remaster seems to present everything much clearer and with more punch. The demos with Roger Peterson are a treat to hear. What an amazing bass player and writer, who knows where his career wouldv'e gone if he were still alive today. My only complaint is the printing job on this and especially Elements. Maybe it's just my copies, but the printing is horrible. I know most people probably think it's a minor detail, but being a graphic designer and somewhat of a anal critical perfectionist when it comes to printing, I'm pretty dissappointed with the reprinted artwork. Looks like it was just scanned from the original without any color correction, not reprinted from the original plates. The artwork on both covers lack the clarity of the originals and they seem much darker with a bit of blurriness to them. About the only people that seem to be able to get it right when it comes to printing is the Japanese. Anyway, that minor point aside, these re-issues are awsome. Essential for any prog rock/metal fan or simply fan of eclectic mmusic in general. Can't wait to get Piece of Time.
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4 of 4 people found the following review helpful By Jeremy Brackeen on October 24, 2007
Format: Audio CD
Good lord, I love Atheist, they are truly one of the most unique, amazingly talented, and most influentual and original sounding technical death metal bands on the planet. Being a huge fan of technical death metal and all, I've heard from so many metal fans how amazing this band truly was, I knew at firsthand I had to get into them, and I did just that, and I sure didn't regret it one bit. I became a fan of Atheist over the summer when I bought "Piece of Time", "Unquestionable Presence", and "Elements" at FYE down in Eau Claire. I really had a rough time trying to decide which album to start out with, so I went and bought all three of them, and I was sure glad I did. So afterwards Atheist quickly became one of my all time favorite death metal bands as of right now.

I definately got to say, of all three albums, "Unquestionable Presence" is Atheist's all time best album, and it's also a landmark in technical death metal as well as jazz-fusion death metal. "Unequestionable Presence" is an amazing out of this world techical death metal assault loaded with out of this world techical guitar riffs and dazzling scorching solos, incredible odd time signatures, mindblowing tempo changes, awesome jazzy bass lines and fantastic drumming that can be fast and at other times downright funky as well. The lyrics on here deal with outer space, nature, politics, corruption, and other things like that.

Please keep in mind, that the bass lines here on Unquestionable Presence were all written by Roger Patterson whom I consider to be one of the most incredibly gifted, sickest, and most talented bassists in heavy metal. But on Feburary 12, 1991, fate would strike a cruel blow when Roger died in a tour van accident in Louisiana before the recording sessions for the album even took place.
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