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Ma Mere' (Unrated)

2.6 out of 5 stars 79 customer reviews

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Editorial Reviews

Based on George Bataille's posthumous and controversial novel: When his father dies, a young man is introduced by his attractive, amoral mother to a world of hedonism and depravity.

Special Features

  • Alternate ending
  • A deleted scene
  • Interviews with director Christophe Honore and actress Emma de Caunes
  • Trailer

Product Details

  • Actors:  Louis Garrel, Emma de Caunes  Isabelle Huppert
  • Directors: Christophe Honoré
  • Format: Multiple Formats, AC-3, Closed-captioned, Color, Dolby, NTSC, Subtitled, Surround Sound, Widescreen
  • Language: French (Dolby Digital 2.0)
  • Subtitles: English
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • Rated: NC-17
  • Studio: TLA Releasing
  • DVD Release Date: May 19, 2004
  • Run Time: 110 minutes
  • Average Customer Review: 2.6 out of 5 stars  See all reviews (79 customer reviews)
  • ASIN: B000AYELEC
  • Amazon Best Sellers Rank: #33,845 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "Ma Mere' (Unrated)" on IMDb

Customer Reviews

Top Customer Reviews

Format: DVD
'Ma mère' is a film on the edge. Director Christophe Honoré (who gave us the little jewel 'Closer to Leo') has adapted a tough book by Georges Bataille that explores incest, sadomasochism, love, family dysfunction, and nebulous moral values of conflicted adolescents caught in the web of sexual investigation. It is filled with difficult scenes and ideas and certainly is not a film for the faint of heart or spirit, but at the same time it is a brave film depicting the dissociative state of sexual mind to which we've come after the influences of such thinkers as Bataille, Foucault, Derida, Gide, and others. Christophe Honoré captures an impossible story extremely well on the screen!

17-year-old Pierre (Louis Garrel of `The Dreamers') is a spiritually challenged adolescent home from his Catholic school to be with his mother Hélène (Isabelle Huppert) whom he idolizes and loves and see his father (Philippe Duclos) who is distant in every sense. Hélène finds it necessary to inform Pierre of her background (her husband raped her when she was very young, causing such anguish that she has become addicted to a life of immorality as a means of escape), a means of warning him of what close association with her could mean. Pierre is blind to all things negative about Hélène and with the news of his father's death, he demands to be included in the wild sexual life of Hélène and her female lover Réa (Joana Preiss). Hélène is sexually attracted to Pierre and elects to include him in her games of voyeurism (watching Pierre during intercourse with Réa, introducing him to the shallow and compulsive Hansi (Emma de Caunes), mutilation, and all forms of debauchery.
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You've got to respect Isabelle Huppert. She does not avoid shock or controversy in her choice of films and her performances in them. "Ma Mere" could not have been made without her, or at least not made as unblinkingly. Heterosexuality in all its permutations, save that of love and commitment, provides the subtext for this adaptation of Georges Bataille's postwar French novel. A teenager is just coming of age and coming home from boarding school where his hedonist mother is, literally, laying in wait. The novel's narrative, updated to today on a sandy vacation island, would be right at home in an ancient Greek theatre.

As she was in "The Piano Teacher," Huppert is cast opposite a man (Louis Garrell) young enough to be her son, which is precisely the point. The picture is really about him and how he is pimped out and ultimately seduced by his mother. He parades about naked and, in some perverse way, seems to be asking for it. Indeed, all the sexual couplings occur in full view of others. The eroticism (S&M, bondage, incest) never crosses over into pornography, but it just might at any time, giving "Ma Mere" a momentum it otherwise lacks. The bodies and locales are so beautiful it's hard to take your eyes away, even if your mind is off wandering a bit.
Comment 29 of 34 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
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Format: DVD
Underneath all the incest, sadomasochism, drugs, and orgies is a terrible tragedy. It is the tragedy of a young man in need of the love and guidance of supportive parents who is then cast into a world of wild hedonism by his mother.

A young man returns from Catholic boarding school in France to visit his parents in the Spanish Canary Islands. With the death of his father, the young man is swept up into the world of off-beat sexuality in which his mother engages on a nightly basis. We see a range of sexual adventures Pierre engages in first with his mother's girlfriend,Rea. His mother then sets him up with a young heart breaker beauty, wise beyond her years, named Hansi, with whom he falls in love. Thus, the mother insures he is initated into sexual intercourse and then falls in love as part of her plan to fully initiate her son into the adult world of sexual desire and fantasy.

Yet, the strength of the screenplay and the acting of Louis Garrel is that underneath it all we see a young adolescent man trying to seek his parents love and coming up shorthanded. As Pierre makes love to Rea in an after-hours shopping mall, his eyes follow his mother watching the public intercourse from a distance.

I did not find the film especially erotic, despite the vast range of sexual acts and nudism. Instead, I found it profoundly tragic and sad. The film breaks many taboos, but the most painful taboo broken was a mother who substitutes sexual initiation instead of affection and love for her only child. At one point you realize that Hlne, played very well by Isabelle Huppert, wants her son to experience all this hedonism so that he might understand her. If only she had made the slightest effort to understand him.
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By Fiddler on May 15, 2013
Format: Amazon Video
I love French films. The French have created a cinema that is comedic, deep, philosophical and beautiful. Their best films combine these elements. This film is not one of them. It takes itself too seriously, even for a movie with this theme, and has characters who say the most ridiculous jibberish while trying to convince themselves, each other and us that they are thinking, intelligent people. They are not. They are merely boring. And so is this film.
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