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The Unsayable: The Hidden Language of Trauma [Hardcover]

Annie Rogers (Author)
4.2 out of 5 stars  See all reviews (6 customer reviews)


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Book Description

August 8, 2006
In her twenty years as a clinical psychologist, Annie Rogers has learned to understand the silent language of girls who will not–who cannot–speak about devastating sexual trauma. Abuse too painful to put into words does have a language, though, a language of coded signs and symptoms that conventional therapy fails to understand. In this luminous, deeply moving book, Rogers reveals how she has helped many girls find expression and healing for the sexual trauma that has shattered their childhoods.

Rogers opens with a harrowing account of her own emotional collapse in childhood and goes on to illustrate its significance to how she hears and understands trauma in her clinical work. Years after her breakdown, when she discovered the brilliant work of French psychoanalyst Jacques Lacan, Rogers at last had the key she needed to unlock the secrets of the unsayable. With Lacan’s theory of language and its layered associations as her guide, Rogers was able to make startling connections with seemingly unreachable girls who had lost years of childhood, who had endured the unspeakable in silence.

At the heart of the book is the searing portrait of the girl Rogers calls Ellen, brutally abused for three years by her teenage male babysitter. Over the course of seven years of therapy, Rogers helped Ellen find words for the terrible things that had happened to her, face up to the unconscious patterns through which she replayed the trauma, and learn to live beyond the shadows of the past. Through Ellen’s story, Rogers illuminates the complex, intimate unraveling of trauma between therapist and child, as painful truths and their consequences come to light in unexpected ways.

Like Judith Herman’s Trauma and Recovery and Kay Redfield Jamison’s An Unquiet Mind, The Unsayable is a book with the power to change the way we think about suffering and self-expression. For those who have experienced psychological trauma, and for those who yearn to help, this brave, compelling book will be a touchstone of lucid understanding and true healing.


Editorial Reviews

From Publishers Weekly

A clinical psychologist, Rogers (A Shining Affliction) has spent 15 years researching girls and young women, and here she uses those case studies, along with her own experiences-part I details how, as a teenager, Rogers was treated for schizophrenia with weekly electroconvulsive therapy-to demonstrate how discovering the "unsayable" helps unlock the psyche of sexual abuse victims. Skeptical of the traditional therapy paradigm for treating sexual trauma, Rogers came to practice Lacanian psychoanalysis, which builds on "the logic of Freud's unconscious which links language, bodily symptoms, slips of the tongue and failed or incomplete acts-to 'say' things the conscious mind didn't want to know anything about." The second part delves into the Lacanian technique, examining its application in real-life subjects. Rogers goes in depth into several particularly disturbing and resonant cases-a multi-generational tragedy and a quartet of abusive victims among them-before returning to her own story, in which she came to believe she was Joan of Arc. Powerful and often tragic, Rogers conveys her stories with a poetic attention to words, making a compelling and heartbreaking case for the value of psychoanalysis and the restorative power of the human mind.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist

Adolescent-onset schizophrenia with attendant delusions and dissociation landed a teenage Rogers in a locked ward of a mental hospital. For five months she did not speak, wordless in the face of her anguish. Today Rogers is a psychoanalyst who treats children traumatized as she was by using a structure for listening developed by the French -clinician-theorist Jacques Lacan in art and other expressive therapies. She bookends her report on him with her own experience of trauma, first regarded from the viewpoint of the hospitalized girl, then revisited from the perspective of that girl's present knowledge. In between she discusses imaginative play approaches and presents a number of traumatized children's cases. Her accounts of shock treatments with attendant losses of memory and skills, nightmares, and "messengers" (such as angel voices who sang to her when she was delusional) and gut-wrenching descriptions of her own and others' childhood molestations, body terrors, and ultimate disclosures ring with painful authenticity and immediacy and suggest that many more than professional readers may be enthralled by this worthy book. Whitney Scott
Copyright © American Library Association. All rights reserved

Product Details

  • Hardcover: 320 pages
  • Publisher: Random House; First Edition edition (August 8, 2006)
  • Language: English
  • ISBN-10: 1400061954
  • ISBN-13: 978-1400061952
  • Product Dimensions: 9.3 x 6.2 x 1.1 inches
  • Shipping Weight: 1.2 pounds
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #774,104 in Books (See Top 100 in Books)

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Customer Reviews

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Average Customer Review
4.2 out of 5 stars (6 customer reviews)
 
 
 
 
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30 of 32 people found the following review helpful:
5.0 out of 5 stars Illuminating, August 21, 2006
This review is from: The Unsayable: The Hidden Language of Trauma (Hardcover)
With an emphasis on words and the associations we make with them, Rogers unveils how some children continue to re-experience and re-live past trauma. First, she describes her own childhood crises in a narrative that is both revealing and intimate. She describes her state in ways that allow one to experience it as she had, instead of something simply as foreign and "over with." Then, through example, we follow her as she tries to understand what the children's gestures and words are trying to "say" without their being able to verbalize it. However, she uses the children's own meanings of things (instead of simply standard symbolic meanings) to re-explain to them what has happened and how it continues to persist in their lives, unwittingly. This is what keeps it fresh and real. Moreover, throughout the book, there is an unstated underlying stream of empathy and relatedness. A great book.
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11 of 12 people found the following review helpful:
5.0 out of 5 stars At a loss for words, February 23, 2007
By 
Deb (Palo Alto, CA) - See all my reviews
This review is from: The Unsayable: The Hidden Language of Trauma (Hardcover)
It's probably not a coincidence that it is difficult to put into words what Annie has communicated in her book about the hidden language of trauma. Through her entrancing and lyrical use of language, she somehow magically illustrates how the invisible marks of trauma on the body repeatedly surface through the spoken--and more importantly non-spoken--language. In her work with traumatized children, Annie mirrors back traces of their unconscious she remarkably detects in both their words and silences, and ultimately helps the child to give voice to the haunting "unsayable."

Admittedly, I am still trying to process all that was said in this book. And as I do so, I take comfort in Annie's final words of the book when she said: "..if your body in pieces has begun to speak, and if you are now brimming with words and their sounds--and you're no longer sure of what you're hearing or saying...you are the one person I've written this for, the one to whom I entrust these words."
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2 of 3 people found the following review helpful:
4.0 out of 5 stars Something missing for me..., November 2, 2007
By 
Robin (LORIENT, France) - See all my reviews
(REAL NAME)   
I really enjoyed this book and learned from it, but found it less compelling than "A Shining Affliction". Possibly I felt that Rogers was trying very hard to convince me of the validity of Lacanian theory. It felt a tad defensive - as though somehow she was warding off a critical audience in her use of Lacan to understand what some of her patients were going through. And yes, at times the word-play felt a bit excessive and the meaning forced.

However the reason I loved this book and Rogers' work is her ability to tolerate ambiguity and nuance, and find a way into relationship with patients who are desperately alone in their experience and their minds. I always learn from her, and so appreciate her willingness to share the struggle for understanding in the name of healing and connectedness.
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Joan of Arc, Sister Mark, Name of the Father, Shakespeare Company, Miss Mason, Ted Bundy, New England, Sister Bianca, Ely Brooks
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