Who "speaks" to us in The Sorcerer's Apprentice, in Wagner's operas, in a Mahler symphony? In asking this question, Carolyn Abbate opens nineteenth-century operas and instrumental works to new interpretations as she explores the voices projected by music. The nineteenth-century metaphor of music that "sings" is thus reanimated in a new context, and Abbate proposes interpretive strategies that "de-center" music criticism, that seek the polyphony and dialogism of music, and that celebrate musical gestures often marginalized by conventional music analysis.
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Abbate establishes a critical dialogue between music's desire to convey narrative information and its sensual resistance to such signification.... Abbate is the most original writer on Wagner to appear since Dahlhaus.... Her essay `Brünnhilde Walks by Night' is a tour de force of imaginative interpretation. -- David Schiff, The New Republic
This important book concerns not only particular operas but certain general aspects of the way in which we hear music.... We will ... want to reflect further on a good many of its arguments ... because what Abbate offers in Unsung Voices is not only ... a set of conclusions but a powerful machine to think with. -- Lawrence Rosenwald, Opera Quarterly
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Inside This Book
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First Sentence:
WE BEGIN with a scene that explores the power of narration, by showings us how a certain Hindu priestess comes to tell the "Tale of the Pariah's Daughter": Nilakantha (avec beaucoup de sentiment): Read the first page Key Phrases - Capitalized Phrases (CAPs): (learn more)
Siegfrieds Tod, Rome Narrative, The Sorcerer's Apprentice, Eric's Dream, Bell Song, Immolation Monologue, Der Vampyr, Second Symphony, German Romantic, Rimbaud's Ballad, Walkiire Act, Don Giovanni, Goethe's Apprentice, Mahler's Todtenfeier, World Ash Tree, Edward Cone, Joseph Kerman, Meyerbeer's Robert, Stegfrieds Tod, Alte Weise, Anthony Newcomb, Das Rheingold, Emmy's Romanza, Mickiewicz's Todtenfeier, Tristan Act New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
WE BEGIN with a scene that explores the power of narration, by showings us how a certain Hindu priestess comes to tell the "Tale of the Pariah's Daughter": Nilakantha (avec beaucoup de sentiment): Read the first page Key Phrases - Capitalized Phrases (CAPs): (learn more)
Siegfrieds Tod, Rome Narrative, The Sorcerer's Apprentice, Eric's Dream, Bell Song, Immolation Monologue, Der Vampyr, Second Symphony, German Romantic, Rimbaud's Ballad, Walkiire Act, Don Giovanni, Goethe's Apprentice, Mahler's Todtenfeier, World Ash Tree, Edward Cone, Joseph Kerman, Meyerbeer's Robert, Stegfrieds Tod, Alte Weise, Anthony Newcomb, Das Rheingold, Emmy's Romanza, Mickiewicz's Todtenfeier, Tristan Act New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
Citations (learn more)
This book cites 62
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books
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- Reading Opera by Arthur Groos on 7 pages
- On Narrative (A Critical Inquiry Book) by W. J. T. Mitchell on 7 pages
- The Birth of Tragedy (Dover Thrift Editions) by Friedrich Nietzsche on 4 pages
- Narrative Discourse: An Essay in Method by Gerard Genette on 4 pages
- Prose Works (8 Volumes) (Music Book Index) by Richard Wagner on 4 pages
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- Wagner's Musical Prose: Texts and Contexts (New Perspectives in Music History and Criticism) by Thomas S. Grey on 8 pages
- Theory, Analysis and Meaning in Music by Anthony Pople on 7 pages
- Siren Songs : Representations of Gender and Sexuality in Opera by Mary Ann Smart on 6 pages
- Siren Songs by Mary Ann Smart on 6 pages
- Richard Wagner, Fritz Lang, and the Nibelungen by David J. Levin on 5 pages
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