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Unveiling Kate Chopin [Paperback]

Emily Toth (Author)
4.0 out of 5 stars  See all reviews (3 customer reviews)

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Book Description

March 1, 1999

This is the true, unvarnished life story of the girl who grew up to write The Awakening, a masterpiece published 100 years ago. With its portrayal of a woman whose sexual desires take her outside marriage, it rocked American literature's cozy conception of womanhood.

In Unveiling Kate Chopin Emily Toth, the foremost authority on Chopin's life and works, creates a sharply revealing portrait of a modern woman in a Victorian world. Born in St. Louis in 1850, Kate O'Flaherty was raised by wealthy, feisty widows and educated by brilliant nuns. She endured a mysterious "outrage" committed against her by Union soldiers in her teens and suffered what moderns now call a "loss of voice." But she survived to become a lively, dangerously clever social observer.

She had the talent and then the life experiences to become a writer. Her Louisiana-born husband, Oscar Chopin, had grown up in France and did not restrict her. In New Orleans (where she gossiped with the painter Edgar Degas) and then in rural Louisiana (where the neighbors hated her), Kate produced six children in nine years. Yet she retained her individuality and her wicked sense of humor. After her husband's sudden death, Kate's affair with another woman's husband was a village scandal--but following the lessons of the French women who raised her, she knew when to leave.

After the death of her mother, Kate reinvented herself as the author of engaging short stories set in Louisiana. Many had unusual social messages. "In Sabine" opposed domestic violence. "At the 'Cadian Ball" supported sexual expression for women. "Odalie Misses Mass" suggested that interracial friendships between African American and white women were possible. She condemned the idle rich and celebrated single mothers. To promote her own career, she created the first salon in St. Louis and became the first woman in the city to become a professional fiction writer. Although she claimed to be un-serious about her craft, newly discovered manuscripts, which Toth mines for the insights they offer, reveal her as a dedicated artist who wanted to reach her readers' hearts.

Toth portrays Chopin as a bright, ambitious woman who ruffled staid souls, and when she published The Awakening, her foes pounced. Many reviews of the novel were uncomprehending; many were vicious and her next book was canceled. Her family suffered; her health declined; and Chopin died in 1904, silenced ahead of her time. Now, a century later, Toth sees Chopin as a woman of unique wit and astonishing talent and as the daring author who wrote the most radical, notorious American novel of the late nineteenth century.

Emily Toth, a professor of English and Women's Studies at Louisiana State University, is the author or editor of ten books, including Kate Chopin's Private Papers, "A Vocation and a Voice": Stories by Kate Chopin, and Ms. Mentor's Impeccable Advice for Women in Academia.


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Editorial Reviews

From Publishers Weekly

Widely admired today for her sensitive portrayals of women whose desires transgressed accepted norms, and for her wry commentary on the institution of marriage, turn-of-the-century author Kate Chopin was viewed by her contemporaries as an iconoclast, and they alternately praised and reviled her fiction. In this lively biography, Toth (LSU professor and author of Kate Chopin's Private Papers and Ms. Mentor's Impeccable Advice for Women in Academia) presents strong evidence that the groundbreaking, unconventional qualities of Chopin's fiction derive less from feminist conviction than from the unconventional nature of Chopin's own life. Telling the "true story of a St. Louis society belle who... became the author of the most radical American novel of the 1890s" (that is, 1899's The Awakening), Toth argues that, as the child of a Creole mother and a first-generation Irish father, as a St. Louis "Yankee" who spent much of her adult life in New Orleans and rural Louisiana, and particularly as a girl who grew up in a house full of strong women and who was never subjected to the will of a male authority figure (her father died when she was five), Chopin was simply acclimated to unconventional perspectives on female destiny and traditional cultural values. But as inattentive as she may have been to the dictates of "proper" femininityAshe smoked cigarettes in public, for example, and was a shrewd business womanAeven Chopin recognized the need to restrain the more flagrantly "improper" themes of her fiction, and here Toth is particularly insightful. Ably blending biographical information with pithy analysis of Chopin's fiction, this book makes a convincing case for the writer's life as her richest source of material and inspiration.
Copyright 1999 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Library Journal

Published on the centennial of The Awakening, Toths insightful biography of Kate Chopin uses recently discovered manuscripts to give us the sharpest picture yet of this daring artist, bent on a career as a professional writer with unpopular and unsettling views on marriage. Toth, a leading Chopin scholar, has built her biography on new inquiries: Why did Chopin do what she did? How did she become her true self? Toth credits the French women of Chopins family with nurturing her independence and helping her repudiate the innocence (ignorance) that was thought to be a feminine virtue. Toth gives us a Chopin who preferred to be solitary but who also raised six children, outlived her husband, Oscar, participated in social and literary clubs, and saw herself as a contributing member of the national literary community, even when her masterpiece, The Awakening, received wretched reviews. Toth pays particular attention to the connections between the individuals in Chopins life and the characters in her fiction. A definitive biography.Charles Crawford Nash, Cottey Coll., Nevada, MO
Copyright 1999 Reed Business Information, Inc.

Product Details

  • Paperback: 290 pages
  • Publisher: University Press of Mississippi (March 1, 1999)
  • Language: English
  • ISBN-10: 1578061024
  • ISBN-13: 978-1578061020
  • Product Dimensions: 8.9 x 5.8 x 0.9 inches
  • Shipping Weight: 1.2 pounds (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #978,102 in Books (See Top 100 in Books)

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24 of 27 people found the following review helpful:
4.0 out of 5 stars The Awakening: the rest of the story, April 5, 2000
By 
This review is from: Unveiling Kate Chopin (Paperback)
Emily Toth wrote Unveiling Kate Chopin after the remarkable recent discovery of Chopin's diaries and manuscripts. This intimate perspective paints a whole new picture of her life and work. Throughout this biography, Toth draws parallels between actual experiences from Chopin's life to characters and incidents in her writing. Suddenly, her stories have new depth of meaning. Toth begins her saga when sixteen-year-old Eliza Faris, a genuine Creole, married thirty-nine-year-old Thomas O'Flaherty, a wealthy businessman in St. Louis. A domineering patriarch, O'Flaherty sent his daughter Kate away to boarding school at age five. Although the reason why is unknown, Toth suggests "a dark family drama triggered sending Kate away." Shortly after this, Thomas O'Flaherty died in a tragic train wreck, and Kate came home to stay. This incident of her father's death closely parallels Chopin's "The Story of an Hour," with a different twist at the end. Toth describes Chopin's childhood as a paradise dominated by women. Life bloomed until the Civil War brought the invasion of the Union army to St. Louis. Speaking out against the Union, Kate herself narrowly escaped imprisonment. Union soldiers intruded the family's home, committing, what Toth refers to as, an "outrage." Chopin married a sensitive and wealthy young Louisiana Frenchman, Oscar Chopin. A non-conformist, Kate never quite fit in with his people, displaying such radical behavior as smoking, walking alone, riding bareback and astride, and lifting her skirts to provocatively show her ankles. It is no wonder that she felt like an outsider, similar to Edna Pontellier in The Awakening. After her husband's death, Kate began developing as a professional writer, following the classic rule of "Write about what you know," and submitting her stories to newspapers and magazines. She learned that as long as her heroines never triumphed over their men, they were accepted. Her passion was for exposing the realism of social problems women faced in a world where men wrote the rules. Audiences embraced her book Bayou Folk, yet they looked past the courageous qualities of the women characters, seeing only the quaint local color. In April, 1899 Chopin published her finest work, The Awakening. The crushing reviews of her masterpiece labeled it "morbid," "unhealthy," "not wholesome," "shocking," "crude" and "sex fiction." Thus the novel modern audiences celebrate Kate Chopin for writing, brought her career to a scandalous end. Like Edna in The Awakening, naked and unveiled to the world, she had swum out too far. Chopin died a few years later in 1904. Toth portrays Chopin as a brilliant creative woman with the courage to brave the controversy against conventional traditions of Victorian America. She captures the sensitive world where Chopin bloomed and relates how it cultivated the genius who wrote of subjects nearly a century ahead of her time.
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5.0 out of 5 stars Wonderful resource!, September 17, 2011
This review is from: Unveiling Kate Chopin (Paperback)
Helpful resource for a project on Kate Chopin! What an interesting woman she was - one who wasn't afraid to think and live outside the box.
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2 of 5 people found the following review helpful:
3.0 out of 5 stars unwarranted conclusions, June 16, 2007
This review is from: Unveiling Kate Chopin (Paperback)
I hope this is a good biography of Kate Chopin, an author whose work I admire. However, if you read this book, I suggest you be very careful of trusting any conclusions the author reaches based on anything less than complete evidence.

Emily Toth makes many assumptions and interpretations which are shaky at best. For example:

Bud Aiken is a representation of Albert Sampite because they share an initial (A). That's weak at best.

Alcee Arobin is a representation of Albert Sampite because the first and last pieces of Albert Sampite's name make Alcee, thus: Al---- -----e becomes Alcee ... say what?

Early on, Toth says evidence suggests that Oscar Chopin helped his mother escape from her husband's (his father's) house. Most of her evidence is based on her interpretation of Oscar's character and what he would have done. Later in the book, she states Oscar's assistance to his mother as an established fact!

I could go on and on but that's enough to give you the idea.

Also, Toth's writing is overblown and florid, especially at the ends of paragraphs where she states her conclusions.

Probably Toth's underlying research and scholarship are sound. It's a pity she marred the book with conclusions she seems to want to be true, and writing that doesn't serve the subjecct.
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Inside This Book (learn more)
First Sentence:
WHEN KATE O ' FLAHERTY was five years and seven months old, her parents packed her off to boarding school. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
bayou folk
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Kate Chopin, The Awakening, New Orleans, Kate O'Flaherty, Sacred Heart, New York, Eliza O'Flaherty, Albert Sampite, Thomas O'Flaherty, Cane River, Oscar Chopin, Katie O'Flaherty, Madame Charleville, United States, Loca Sampite, Natchitoches Parish, Youth's Companion, Billy Reedy, Mademoiselle Reisz, Maria Normand, Madam O'Meara, Madame Ratignolle, Wednesday Club, Edna Pontellier, Children of Mary
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