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Upside Down [Mass Market Paperback]

John Ramsey Miller (Author)
3.7 out of 5 stars  See all reviews (6 customer reviews)

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Book Description

June 28, 2005
In the rain-slick streets of New Orleans, a twelve-year-old girl is running out of time. Hours before, Faith Ann Porter hid under a desk while her attorney mother was murdered for photographs that could rock the city. Now Faith Ann is being hunted by a pair of killers with a very powerful boss. Because she has the negatives of the photos her mother died for, Faith Ann has only hours to live–and only one person who can save her....

Winter Massey is an ex—U.S. marshal whose career pitted him against some of the world’s most ruthless criminals. Now Massey is drawn by a horrifying cycle of murder–and the plea of one terrified young girl. But awaiting Massey is a chilling surprise...and an assassin with a secret mission, a secret motive, and the perfect plan....

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About the Author

John Ramsey Miller's career has included stints as a visual artist, commercial photographer, advertising copy writer, and photojournalist. A native son of Mississippi, he has lived in Nashville, New Orleans, and Miami, and now resides in North Carolina, where he writes fiction full-time, and is at work on his third Winter Massey thriller, which Dell will publish in 2006.

Excerpt. © Reprinted by permission. All rights reserved.

1  Baton Rouge, Louisiana
Friday / 4:01 a.m.


From ground level, the automobile graveyard looked boundless. The moon was like an open eye that, when it peered through holes in the clouds, was reflected in thousands of bits of chrome and glass. After the four figures passed under a buzzing quartz-halogen lamp set on a pole, long shadows ran out from them, reaching across the oil-stained earth like the fingers of a glove.

The quartet entered a valley where rusting wrecks, stagger-stacked like bricks, formed walls twenty feet tall. One of the three men carried a lantern that squeaked as it swung back and forth.

The woman's tight leather pants showed the precise curve of her buttocks, the rock-hard thighs, and the sharply cut calf muscles. A dark woolen V-neck under her windbreaker kept the chill at a comfortable distance. The visor on her leather ball cap put her face in deeper shadow.

They stopped. When the man fired up his lantern, hard-edged white light illuminated the four as mercilessly as a flashbulb.

Marta Ruiz's hair fell down the center of her back like a horse's tail. In an evening gown she could become an exotic, breathtaking creature that made otherwise staid men stammer like idiots. "How far now?" she asked. Her accent had a slight Latin ring to it.

"Not too far," Cecil Mahoney said, looking down at the much shorter woman. An extremely large and powerfully built man, Mahoney looked like a crazed Viking. His thick bloodred facial hair so completely covered his mouth that his words might have been supplied by a ventriloquist. He wore a black leather vest over a black Harley-Davidson T-shirt, filthy jeans with pregnant knees, and engineer boots. His thick arms carried so many tattoos that it looked like he was wearing a brilliantly colored long-sleeved shirt. Silver rings adorned his fingers, the nails of which were dead ringers for walnut hulls.

The other two men were dull-eyed muscle without conscience or independent thought. Cecil Mahoney was the biggest crystal methamphetamine wholesaler in the South and the leader of the Rolling Thunder Motorcycle Club. Stone-cold killers pissed their pants when a thought of Cecil Mahoney invaded their minds. Few people could muster the kind of rage required to use their bare hands like claws and literally rip people into pieces like Cecil could.

The three men didn't see Marta as a physical threat. How could such a small woman harm them--kick them in the shins, bite and scratch? They had seen that she was unarmed when she stepped out of the car and put on a nylon jacket so lightweight that any one of them could have wadded up the garment, stuffed it into his mouth, and swallowed it like a tissue.

They turned a corner, moved deeper into the yard.

"Over there," Cecil said.

They stopped at the sharply angled rear of a Cadillac Seville with its front end smashed into a mushroom of rusted steel. Marta's sensitive nose picked up the sickly sweet odor, folded somewhere in the oily stench of petroleum and mildewed fabric, of something else in decay. One of the henchmen lifted the trunk lid while the other held up the lantern so Marta could see inside.

"Careful you don't puke all over yourself, little girl," Cecil warned.

Marta leaned in, took the corpse's head in her bare hands, and twisted the face up into the light. The way the skin moved under her fingers told her a great deal. There were two bands of duct tape surrounding the head; one covering the mouth and nose and another over the eyes and both ears. It made the features impossible to read, which was now irrelevant. Other than hair color, this corpse was not even close to the woman she had come to identify and to kill.

"Where's the reward?" Cecil grunted.

"The money is in my car's trunk, but whether or not it belongs to you is a question I can't yet answer," Marta told him.

"That's her, and I'm getting that reward."

"Perhaps, perhaps not."

"Okay, gal, you've seen her enough."

The low position of the lantern made Cecil look even more menacing--his small water-blue eyes glittering. He used a lot of what he sold. From the start he had made it abundantly clear to Marta that dealing with a woman was beneath him. His first words to her had been that he didn't know why anybody would send a "split tail" to do important business. He had referred to her as a "juicy little thang." If she played this wrong, she would be raped and murdered in some unspeakable manner. She knew the piece of trunk cheese was no more Amber Lee than Cecil Mahoney was the Son of God. The needle marks on the dead woman's arm alone were enough to tell her this girl was some overdosed waif. It followed that the envelope Amber had in her possession would not be there. Marta hoped Arturo was having luck tracking the woman in New Orleans.

"You failed to mention that she was dead. Why is that?"

Cecil's patience was thinning. "Bitch choked on her own vomit. Look, honeypot, a hundred thousand clams was the deal. So stop with the questions. Let's go get my money."

"It wasn't a dead-or-alive offer, Mr. Mahoney. There were questions that we needed to ask her, and can't now. My boss expects accuracy in the information he receives from me. You said that she was alive. When did she die?"

"It's damn unfortunate. Boomer found her dead yesterday evening choked on puke. Ain't that right, Boomer?"

The man holding the lantern nodded. "I found her dead yesterday. Choked on her puke."

"I wonder how she gained so much weight in so few days."

"Well, she's just bloating up 'cause it's hot in a car trunk."

"Hot in there," Boomer agreed.

The temperature had not risen above fifty-five degrees in the past two days. "Take it out," Marta told the men.

"What the hell for?"

"It will be abundantly clear to you, Mr. Mahoney, when they take it out."

"Get old Amber out, then," Cecil ordered. Boomer put the lantern on the ground and both he and the third man reached in, wrestled the body from the trunk, and dropped it to the oil-crusted black dirt like a bag of trash. In the lantern light the men looked like depraved giants. As Marta squatted beside the corpse, she pinched her cap's brim as if pulling it down and withdrew from it a wide matte-black double-edged ceramic blade that fit inside the bill. She palmed it, holding the blade flat against her forearm. She knew what was going to happen in the coming few seconds just as surely as if they had all been rehearsing it for days. "You are right, Cecil, it doesn't smell so good. Like it's been dead longer than one day."

"Bodies," Cecil said. "Who can account for spoil rates?"

She shrugged. "You have a knife?" She held out her right hand, palm up.

"Knife for what?" he asked.

"A knife, yes or no?"

She didn't know how much longer Cecil would allow this charade to run. Still entertained, he reached into his vest pocket and placed a stag-handled folding knife in her hand. She opened it using her teeth and tested the edge for sharpness with the side of her thumb. Much better than she would have hoped. A man and his tools.

"You could shave your little pussy with it," Cecil muttered.

Nervous snickers--six fiery, obscene pig eyes.

She reached out suddenly and sliced through the duct tape, laying the corpse's cheek open from the jaw to the teeth twice to form parentheses that crossed at the top and bottom. She jabbed the blade into the flesh and lifted out the plug in the same way one might remove a piece of pumpkin to make a jack-o'-lantern's eye. The dark purple tissue was crawling with what looked like animated kernels of rice.

"Aw, man!" Boomer exclaimed.

"You're trying to pull one over on me," she chastised.

"Hell, honey," Cecil said, "I never was too good with times and days and all. I'm better with arithmetic like adding up you and this corpse and getting a hundred thousand in cash money." Cecil and the other two men had her boxed in, the open trunk at her back. That was fine, she wasn't going anywhere.

Marta remained on her haunches, tightened her leg muscles, and bounced up and down gently so maybe they believed that she was nervous. She would have preferred to be barefoot, because she had gone without shoes for most of her life and felt more secure that way. The sharp clutter in the junkyard made that impractical. "You think you are getting a dime for this fraud, you're even a bigger moron than people say you are."

"How about I dump you and the maggoty little whore in the trunk and take the cash?"

"What will you tell my boss's men when they come to find me?"

Cecil slipped a revolver from behind his back and held it by his side, barrel down. He cocked the hammer, probably imagining the sound intimidated her. "That you never showed up. Must a run off with his cash. Or I'll say, 'Just kiss my ass.' Boys, I think it's gonna be plan two."
"What is plan two?" she asked. She was aware that the man on her left had pulled a pistol from his coat pocket. The man called Boomer had something in his right hand. She didn't care what it was, because unless they all had grenades with the pins already pulled, they might as well be holding tulips. She turned Cecil's Puma knife in her hand so the blade was aimed up.

"Plan two is the old 'snuff-the-Beaner-cunt' plan."

"You aren't man enough to snuff this Beaner, Cecilia Baloney." Her next words were hard as Arkansas stone, certain as taxes. "And as a woman I resent the C-word coming from the rotten-tooth stink-hole mouth of a stupid, syphilitic, dog-fucking redneck puke." Keeping her left fi...

Product Details

  • Mass Market Paperback: 368 pages
  • Publisher: Dell (June 28, 2005)
  • Language: English
  • ISBN-10: 0553583409
  • ISBN-13: 978-0553583403
  • Product Dimensions: 4.2 x 1 x 6.9 inches
  • Shipping Weight: 6.4 ounces (View shipping rates and policies)
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #1,179,390 in Books (See Top 100 in Books)

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Average Customer Review
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4 of 4 people found the following review helpful:
1.0 out of 5 stars Not Recommended, November 6, 2006
This review is from: Upside Down (Mass Market Paperback)
I read a lot of thrillers, and this book is one of the weakest I've read in a while.

UPSIDE DOWN isn't badly written, but has significant plot and character problems. The storyline is ridiculous and grows increasingly absurd as the book progresses. It is based on a huge coincidence that would never happen in the real world. The ending was confusing, anti-climactic and unsatisfying. There are too many characters in UPSIDE DOWN and all of them are two-dimensional and uninteresting.

There are much better suspense novels out there. Look for books by Michael Connelly, Lee Child, John Sanford, Tess Gerritsen, Greg Isles, and Jan Burke. Unlike UPSIDE DOWN, these novels have compelling characters and interesting plots that actually make sense.
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4 of 5 people found the following review helpful:
4.0 out of 5 stars Bad out of order, May 19, 2006
This review is from: Upside Down (Mass Market Paperback)
I read this book before reading his other book with the same main character, Inside Out, and I think that was a big mistake. This book reads very much like a sequel, with allusions to the previous story and characters already limping from bullet wounds suffered before the start of the action.

Winter Massey is a U.S. Marshal, someone who protects witnesses from killers of various sorts. He's apparently already been involved in a very bloody violent case that left him and his best friend, Hank, wounded, and they both are trying to take a break by going on vacation in New Orleans (pre-Katrina). In the middle of their preparations to go, a young female attorney, a relative of Hank's is killed in New Orleans. Seems she represented clients on Death Row, handling appeals for them, and she and a woman she met were killed by killers unknown. The crime was witnessed by her daughter, a 12-year-old with an instinct for survival. The kid runs with important documentation that could blow the lid off a major corruption scandal in the city, even the state, and with her mom's killers on her trail. Once he finds out what's going on, Winter must of course intervene, and stop the killers before they find her.

There are several plot twists in this book, and I'll confess that a few of them left me more than a bit confused. The author moves with ease between various points of view, and frankly that can be confusing also. Other than those two complaints, though, this is a good book and I would recommend it.
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3 of 4 people found the following review helpful:
3.0 out of 5 stars Mixed Up, January 29, 2006
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This review is from: Upside Down (Mass Market Paperback)
I've read it, but I don't get it. It left me with more questions than answers. Bad guys that are good guys, for awhile, and good guys that are bad most of the time. I felt like I stepped into an ongoing story and didn't catch up. I don't think I'll rush out to get any more by this author.
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Inside This Book (learn more)
First Sentence:
From ground level, the automobile graveyard looked boundless. Read the first page
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Faith Ann, Horace Pond, New Orleans, Nicky Green, Kimberly Porter, Jerry Bennett, Tin Man, Amber Lee, Winter Massey, Detective Manseur, North Carolina, Canal Street, Hank Trammel, Captain Suggs, Canal Place, Marta Ruiz, United States, Paulus Styer, Harvey Suggs, Sister Ellen, Aunt Millie, Millie Trammel, Agent Adams, Arturo Estrada, Charles Avenue
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