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10 of 10 people found the following review helpful:
5.0 out of 5 stars Just a taste of one great band, June 25, 1999
By 
Robert C. Topper (Richardson, Texas) - See all my reviews
This review is from: Uptown (Audio CD)
Great collection of sides recorded by Gene Krupa in the 40's for OKeh and Columbia. Selected primarily to feature Roy Eldridge and his trumpet, but also spotlighting Anita O'Day, including the hits "Let Me Off Uptown" and "The Walls Keep Talking". Also includes a couple of cuts where Anita and Howard Dulany were doing their Helen O'Connell/Bob Eberly impersonations, as well as some vocals by Dolores Hawkins. Altogether a fine demonstration of why Krupa had one of the best bands of the era. I'm waiting for a Volume 2 from this group; there's plenty more from where these came from.
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9 of 9 people found the following review helpful:
5.0 out of 5 stars A must for your CD collection, January 20, 2004
By 
Gene DeSantis (Philadelphia, PA United States) - See all my reviews
(VINE VOICE)    (REAL NAME)   
This review is from: Uptown (Audio CD)
It's a measure of the record industry's incompetence in selling its back product that you really have to hunt down Gene Krupa's Columbia/OKeh output, currently divided among four official albums: a set of early Krupas from after the drummer flew the Goodman coop, an album featuring that surpassing chanteuse Anita O'Day, a recent Collectables package of the band's postwar years, and the present CD, head-scratchingly listed in the Sony catalog under Roy Eldridge. This is by far the best, and an absolute must for any music collection. The Krupa band is never less than electrifying, especially with Eldridge, a direct heir to Satchmo's legacy, perhaps jazz' second greatest trumpeter -- and a saucy vocalist to boot, who generates enduring heat in his vocals with the equally enduring Miss O'Day. Odd too because many of the best titles here would be sneered at as "novelties," like "Watch the Birdie" or the thoroughly beguiling early Frank Loesser "Murder! He Says." These songs are anything but gimmicky in the presentation.

I suspect it was an accident, or perhaps a rare record-company longing to be generous, that compelled the album's producer to add four tracks from Krupa's 1949 band. The drummer had been through a lot -- the trumped-up pot charges, Miss O'Day's nervous breakdown, several years in the wilderness -- before settling down with a bop-oriented group that recorded all too little. If anyone could have made a commercial go of bop, it was Krupa. These four tracks are as sensational as big bands ever got. Listen to "Watch Out!" with the sultry notes of Dolores Hawkins, a vocalist who seems to have come and gone without much of a trace, and you'll know that the sex very broadly hinted at in "Let Me Off Uptown" becomes quite explicit. Gene Krupa knew what he was doing.

Technical note: the sound is very good, save for an unaccountably rejected Jule Styne tune, "Barrelhouse Bessie from Basin Street," taken from a poor-quality transfer of a test pressing. Legacy rectified this in the later Anita O'Day album, which is essential for other reasons.
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7 of 7 people found the following review helpful:
5.0 out of 5 stars the best krupa band ever (and that's saying a lot.), December 14, 2000
By 
Raymond Leach (AUSTIN, TEXAS United States) - See all my reviews
(REAL NAME)   
This review is from: Uptown (Audio CD)
This is one of the cd's that must be in my truck at all times. Any one that does not tap their toes simply does not have a pulse. Included in this album are wartime cuts `Harlem On Parade', and `Keep Em Flying'. My personal favorites are `Green Eyes', `Watch The Birdie', and ANY other cut from this album. The best!
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5 of 5 people found the following review helpful:
5.0 out of 5 stars Well, Blow Roy Blow!, April 5, 1999
By A Customer
This review is from: Uptown (Audio CD)
The best version of 'Let Me Off Uptown' available! I was introducted to 'Let Me Off Uptown' at and Auburn University, History of Jazz class in '91. It is one of the funnest jazz songs I've heard. (Next funnest is Benny Goodman(Live at the Tahoe) singing 'Gotta Be This or That' and forgetting the words with Lionel Hampton subsequently going crasy on the the vibes.)
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3 of 3 people found the following review helpful:
5.0 out of 5 stars Sorry It Is Out Of Print But Get It If You Can circa 1940-1949, June 10, 2005
By 
Amazon Verified Purchase(What's this?)
This review is from: Uptown (Audio CD)
Swinging music with a great band..The greatness of Gene Krupa's Orchestra with Roy Eldrige intact remains a staple of jazz history as UPTOWN remains one of the defining songs of the genre,, I was able to locate a CD copy consoling myself with Anita O Day's Sony's collection...also a great one..Still, the sound is fine and a real treat of a CD with many tracks obviously not on O'Days collection since this Cd is a composite long playing Cd that spans about 10 years..It is considered a big band classic featuring Krupa and Eldridge,and the gutsy voiced Anita O'Day..there are other tracks with vocalist Delores Hawkins as well and listening to this CD one can hear the greatness of Krupa and this band in particular despite the fiery natures of the major players..
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5 of 6 people found the following review helpful:
5.0 out of 5 stars I can't get enough of this CD, March 10, 2001
By A Customer
This review is from: Uptown (Audio CD)
This is a wonderful CD. It's upbeat and fun. You'll fall in love with Krupa and Anita O'Day's unique styles as you listen. I plan to order more Gene Krupa CD's, and consider Anita O'Day an added bonus.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars A Big Band Fanatic What Can I Say, May 23, 2006
This review is from: Uptown (Audio CD)
All the other reviews have said a lot about the cd and the only thing i can add is find it get it and enjoy.
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