Customer Reviews

Usa: 30th Anniversary Edition

5 star:		(12)
4 star:		(8)
3 star:		(2)
2 star:		(0)
1 star:		(1)

 

 

This is the single best record of the 72-74 Crimson line up, arguably their finest. Everyone's playing is strong and focused, especially Fripp, Bruford and Wetton. The live versions of their songs have much more drive and power and are a more accurate reflection of the artists' intentions than the studio versions.

I worried that Fripp's long laboring over this CD would result in a radically different mix than the original. But other than the expected clean up work, the mix is very, very close to the old vinyl mix. I think some punch was taken out of Bruford's drums (Fripp always hated how Bill's syncopated style overlapped his guitar parts), but not enough to detract.

For fans of the original USA, there are now 2 additional tracks - Fracture and Starless. Taken as a whole, USA now includes the finest songs from this version of Crimson (absent Red). However, the version of Fracture is lamentably disjointed in the middle section and overall not as crisp as the version on Starless and Bible Black. And Starless doesn't quite have the power and presence at its climax that the Red version has. Nonetheless, they are great songs and it's wonderful to hear live versions of them.

If you like Crimson, this is a no brainer. If you like Progressive Rock, and haven't heard this version of Crimson, grab this album, but be prepared. This is hard core stuff - dark, ominous, loud. Turn it up!

As soon as I heard that this was released I rushed out to the record store to buy it. I had looked for this album before and was frustrated with the lack of availability of it. Let me tell you that I was not disappointed in my purchase.

Wetton's bass and vocals have never sounded better than on this live release. In fact, the entire band was in fine form; very tight and loud. The last track, "Starless" is the most compelling track in this set - a treat, since most songs from the Red album aren't available on the various Crimson live recordings.

The packaging was great (cardboard sleeve with a more than ample amount of liner notes and pictures from the period) and the audio was mixed very well. The only down side was the fade out of Easy Money - I don't quite know why that was done, but the inclusion of Starless makes up for it, in my opinion.

If you like John Wetton era King Crimson, your collection cannot lack this essential component.

This is a high fidelity, butt-kicking record, so my reservations are based on fine points and on my view that there are other, better representations of the 1973-74 Crimson. What's odd about this record are the violin overdubs by Eddie Jobson. As others here point out, David Cross, the violinist on site, was dialed out of the mix (perhaps because he wasn't loud enough in the original), and Jobson brought in. Jobson is an excellent player, mind you, and he sounds great on a record like Roxy Music's live "Viva." But overdubbing a live record is tricky business at best, and the ambiance of the violin is rather obviously not that of Crimson's locale: it sounds mailed-in. The best live set from this period remains "The Great Deceiver;" in second place I'd put the double set "Night Watch." The production of the "Great Deceiver" performances, many also made in America, is drier and "realer" sounding overall (there's either ambient echo or a tad added to "USA"), and the violinist Cross is fine on those records. Still, "USA" remains the only single-disc live Crimson from this period.

Imagine being a side man in your own band. Now imagine that you've reformed the band taken the reins and control the direction the band was going in....only to become a sideman in your own band. This was Robert Fripp's dilemma. The Islands era KC veered into blues and jazz territory. Fripp wasn't pleased and dissolved the band. Looking back on it, maybe he was a bit hasty. Still, it allowed him to recruit Yes' Bill Brufford, bassist John Wetton (Family, Roxy Music and many others) and newcomer David Cross on violin. Live this was one of the most potent version of KC you could imagine.

Two years and three albums later Fripp disbanded KC. He didn't like the road, didn't want to work with Brufford and was generally annoyed with the oneupmanship that came to dominate the band (Wetton having the mix engineer turn up the volume of his bass; Brufford having his drums louder and poor talented Cross lost in the mix of electric instruments and percussion).

At the very end Wetton and Fripp put together USA. The only "offical" live album at the time of its release, USA still sounds pretty good. There are still a couple of minor problems. Exiles fades out like on the vinyl version prior to what promised to be an outstanding Fripp solo. 21st Century Schzoid Man is technically quite good but the vocals lack the fire of the original line up and Lake's icy delivery. The only live version that has done justice to the song live is probably the version recorded by the Fripp-Burrell-Collins-Wallace Islands era KC.

My only complaint is the song line up. I realize Fripp meant to duplicate the vinyl presentation of the original album but 21st Century Schzoid Man was the encore. The other two songs (I could be mistaken about this) come from earlier in the performance. They still provide a fine coda to the album but Schzoid Man is a tough act to follow even when played less than perfect.

Still, the version included here is quite good and Eddie Jobson's overdubbed violin part could easily compete with Collins' sax part on the Earthbound version. It's not a perfect live performance but it's quite powerful nevertheless. There are a number of KC live albums available at the KC website disciplinemobile.com. Many of these feature this edition of KC in top form(including the Live at the Zoom Club release despite being sonically challenged. It's also the only recording available of the 5 piece Lark's line up featuring the antics of percussionist Jamie Muir).

Taken as an aural document of the last incarnation of KC, USA is a splendid album. Not every song here is the definitive version but so what? They play with fire throughout most of the performance. It's well worth having if you're a KC fan.

This long-delayed reissue of King Crimson's 1974 live album may seem superfluous to those who already own "The Night Watch," 1997's double CD taken from the same era (Bruford/Cross/Fripp/Wetton lineup). It's true that the track listing overlaps that of "The Night Watch." But "USA" remains essential for Crimso aficionados, due to the inclusion of material unavailable elsewhere, as well as its presence in the original EG Crimson discography.

It took Fripp & Co. a long time to reissue this one; perhaps they were looking for a complete take of "Easy Money," which fades out abruptly here. But the wait is justified by an excellent remastering job. The mix is clear, allowing the band's prodigious talents to shine through. Many consider this incarnation of King Crimson to be the greatest progressive rock lineup of all time; "USA" will only reinforce that belief.

The powerful, improvised instrumental "Asbury Park," a more confident and focused relative to "Starless and Bible Black" and "Providence," highlights the disc. There's also a rare live performance of "Starless," with alternate lyrics and a slightly different intro melody. Finally, the truncated "Easy Money" features a radically different guitar solo from the original version.

The generous CD booklet features a plethora of live pictures, scribbled set lists, and articles and reviews of the band and tour - even some negative ones!

So Crimheads will definitely want "USA" for their collections. This is also a decent place to start exploring live mid-70s Crimson - although "The Night Watch" does offer a more complete picture of this brilliant band at their peak.

This album is fantastic. While not as technically proficient on this album as on the Nightwatch, the band exudes pure energy, making this one of their most loud and raucous performances. Exiles is done particularly well on this set and Asbury Park is a fantastic improv. Improv was what this version of Crimso were all about making every live performance completely different. I highly recommend The Nightwatch and The Great Deceiver box if you like this version of the band.
Note: Easy Money ends halfway through because of the tape running out; however the middle solo is worth lstening to because it is so different from other versions of this song.

Best Features:
- The musical style is much closer to RED than it is to Starless and Bibleblack
- Bill Bruford's drumming (IN-CRE-DI-BLE)
- The great improvs
- The length of the CD
- The sound quality

Worst features:
- The unfortunate fade out to a brilliant instrumental version of Easy Money

Best Tracks:
- LTIA II
- Exiles
- Easy Money
- Asbury Park

Not-as-good Tracks:
- 21st Century Schizoid Man (Not comparable to G. Lake's versions or Belew's version in VROOM VROOM)
- Lament (doesn't work as well live)

I've listened to it frequently and I think I like it more now than I did when I first listened to it.
This KC incarnation really grows on you with time.

Overall, a great buy for the KC lover.

Recently I started listening to the live material by the 1973-74 King Crimson. This band sometimes reminds me of other bands I like while simultaneously remaining unique. I have spent the last few months playing "USA", "Nightwatch" and "Great Deceiver". I can't help but wonder if this version of King Crimson and their approach were influenced by The Grateful Dead's Europe 1972 tour, and the formation of the Mahavishnu orchestra a year earlier- who introduced a killer electric guitar/violin sound to the world on 1971's "inner mounting flame". Wetton actually refers to the Grateful Dead in "The Great Deceiver" booklet notes. Some of Crimson's spacey improvisations remind me of the Dead, some of their instrumental flights remind me of Mahavishnu, and there are moments which harken a sound similar to Black Sabbath's first two records...yet Crimson is still entirely their own animal. The music on this 1974 concert is heavier than "the Nightwatch" disc (from 1973). Both are excellent and may be all the live King Crimson you'll need. The recording is good (for the time) and the performance is powerfull. The bonus tracks make this the one to get (if you have to pick just one)...after an insane version of "21st century schizoid man", there are excellent versions of "Fracture" and "Starless". Robert Fripp does some ferocious solos on this album. The whole band is great. Bruford seems to be more at home in Crimson and he became a more versatile percusionist, adding to his choice of instruments. Wetton lays down some heavy bass (with intentional fuzzy distortion) and fine vocals, his performance on "Exiles" being among the highlights. The musical talent and genius of this group comes through on the "USA" disc. Though the general emotive response on most of these tracks is fear, anyone who appreciates impressive musicianship will want to own it.

Playing as swiftly as the liquid metal creature from T2, this edition of Crim was outstanding. Although tensions were brewing during the Fripp-Wetton-Brufford-Cross edition of the band, it's clear that they were still making incredible music together.

John Wetton and Robert Fripp went back to their live tapes to put together this fine album after the band broke up. Augmented by additional bonus tracks, this edition of USA sounds better and has more to offer Crim fans. While the Starless line up didn't last very long, they produced three terrific studio albums (minus a member with each album)and burned brightly within a short span of time. USA functions as their testimonal.

I can't help it, and I won't argue about it. I love the Wetton-Bruford rhythm section above all others. And I can't help but believe that the Lark's Tongues line-up marked King Crimson's high point in writing, playing, recording and performing. I like to say that, in those days, the group played BEYOND their instruments, to something extra-musical.

Which makes "USA" a treasure. Sure, there are mountains of live releases featuring this line-up, but there's something special about "USA". It delivers a wide range of emotions, from the frantic to the melancholy to the calm. Covering the highest points from the "Lark's Tongues", "Starless and Bible Black" and "Red" trilogy, "USA" is the quintessential summation of this incarnation of KC, documented in the harsh light of the stage. Here, you have a group of musicians who know the terrain inside-out, and take the music to completely new places. These are virtuosos in complete control. Fripp has often said that on rare occasions, in fleeting moments, something called music happens. This is a collection of those kinds of moments. Long story short, anyone who loves Crimson, in any shape, needs to have this long-awaited CD reissue. In combination with the newly reissued "Earthbound", King Crimson's live history is finally in full view, and in complete context -- Buy Now, with one click...