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2 of 2 people found the following review helpful:
4.0 out of 5 stars
Don't listen to the grumps - this is a fine little gem, August 13, 2009
Curious to read Nick Laird after noting that he was on the Booker longlist for Glover's Mistake, this title was sitting on the library shelves just waiting to be read. While it does fall into the lad/caper formula, this book is a much finer piece of writing than other examples of the genre. He has so many wonderful, comical observations of everyday life that I found utterly delightful. Light, easy and very funny - don't listen to the grumpy reviewers - it's pure formula but very well executed.
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1 of 1 people found the following review helpful:
4.0 out of 5 stars
Enjoyable book, September 29, 2006
I really enjoyed this book. It is not a work of genius. It will not change your life. Nevertheless, it was interesting, funny, and even a little exciting. In all honesty, if you don't laugh at the story that sparks the fist fight between Geordie and Danny, you would never have liked this book anyway. I look forward to Laird's next novel.
I would take with a grain of salt reviews (such as the booklist review above) that do not understand that the IRA is a Republican organization, and all of the Irish characters in this book are Protestants, and Unionists. That error means they missed one of the interesting things about this book. It is one of the rare instances of a book set, in part, in Northern Ireland told from the Protestant perspective. That is a serious gap in a reviewer's understanding. Ditto all of the "lad lit" descriptions. Lad mags, at least, are for 20 something kids trying to feel sophisticated. The point of Danny's redemption is not meant for those kids. They won't understand it. Only after you've had the opportunity to sell your soul for work a few times will it make sense. Hence, the work cannot possibly be for "lads."
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3 of 4 people found the following review helpful:
3.0 out of 5 stars
enjoyable without being memorable, April 17, 2006
Laird enters a crowded field of Belfast writers, and though he lacks Colin Bateman's ability to contrive wild plots, R. McLiam Wilson's lyrical brilliance, and the bitter real politik of the dramatist Gary Mitchell, Laird provides a readable addition to the literature of "The Armed Peace."
Depicting disaffected, drifting Prods in the cultural landscape in which the Catholic nationalists are perceived to have won, his plot largely depends upon generic, predictable tropes--the jaded young London lawyer who has a change of heart that motivates him to sabotage a predatory corporate takeover, and the same jaded young lawyer locked into a bitter (though seemingly arbitrary) oedipal struggle with the firm's senior partner. But the major contrivance is this same lawyer falling in love with the firm's exotic and beautiful young lawyer--first feeling in awe of her, bedding her only to find that she has recently ended an affair with his bete noire senior partner, irrationally and brutally rejecting her, and eventually recognizing his error and reconciling with her. (One wonders and never knows what she sees in this lackluster drudge.) Very ho-hum and predictable.
Perhaps the larger disappointment is with how generic the Belfast landscape is. Although Laird is an Ulsterman and chooses the most emotionally charged an dangerous setting for a large section of his novel (the 12th of July!), this lawyer and his love cruise through the Belfast environs without ever seeing a bonfire, a police barricade, an armed standoff complete with watercanons and shockwalls, or any of the threatening mess that tends to mark this week each year. No, this couple motor around the area as if it were a forgetable spring day, and bar-hop through Belfast without seeing a paramilitary roadblock, any of the many shops annually boarded up by its owner in anticipation of the 12th, or even smelling the faint odor from a city full of bonfires.
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