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V. S. Pritchett: A Working Life
 
 
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V. S. Pritchett: A Working Life [Hardcover]

Jeremy Treglown (Author)
4.0 out of 5 stars  See all reviews (1 customer review)


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Book Description

January 4, 2005
Long considered the English Chekhov, V. S. Pritchett was described by Eudora Welty as “one of the great pleasure-givers in our language.” Here is a true literary event: the first major biography of this extraordinary writer, who for most of a century ennobled the ordinary, and the affecting story of the two tumultuous marriages that fueled his art.

He would become universally known as V.S.P., but he began life as Victor–named for Queen Victoria–in 1900. His imagination was both an inheritance from and an inoculation against his unpredictable father: a charming spendthrift who went bankrupt in a variety of businesses. For Victor, writing ultimately became a way to turn the pain of his past into security.

As a reporter in the 1920s, Pritchett was posted to some of the trouble spots of Europe, including pre-Civil War Spain, but he preferred travel to politics, honing the acute perception of common people that he used to great effect in his fiction. His youthful marriage to a better-born aspiring actress was his first crisis, leaving him in sexual misery, comforted only by the “inner riot” of his imagination.

His affair with and marriage to Dorothy Roberts, in his mid-thirties, changed his life. Passionate and forceful, she became Pritchett’s support and secretary, helping him to develop his voice in short stories, novels, literary journalism, and memoirs. His work dramatized the world of his native lower middle class, showing how “every life is interesting.” Their union produced two children and a cache of stunning erotic letters, published in part here for the first time.

But as Pritchett’s international fame as an author and critic grew, so did the couple’s separations. Already a serious drinker, Dorothy became an alcoholic. Pritchett took an American mistress while in residence at Princeton, causing a painful and prolonged domestic crisis.

Illuminating the connections between events in his life and famous works such as his novel Mr. Beluncle, dramatizing the friendships Pritchett forged with other writers, particularly Gerald Brenan, and cogently analyzing the undeserved eclipse his reputation would suffer immediately after his death, Jeremy Treglown’s V. S. Pritchett is the complete story of a popular, influential, deceptively simple author, a man to whom, he once misleadingly claimed, “nothing continues to happen.”


Editorial Reviews

From Publishers Weekly

In his heyday, when his work was widely read on both sides of the Atlantic, V.S. Pritchett was considered "the greatest writer-critic since Virginia Woolf" and "incomparably the finest short-story writer of our time." Writing with felicitous ease and psychological insight, Treglown (Roald Dahl), formerly editor of the Times Literary Supplement, assesses the circumstances attending Pritchett's prodigiously varied oeuvre—travel pieces, literary criticism, short stories, novels, essays, biographies and memoirs. Pritchett's previously unpublished correspondence and journals inform a biography finely attuned to his domestic and professional vicissitudes during a life that spanned most of the 20th century (he was born in 1900 and died in 1997). Here is fresh material about VSP's lower-middle-class origins, his charlatan father, his miserable two decades with his first wife, Evelyn, and his passionate marriage to Dorothy—a long-lasting union that was deeply troubled by her alcoholism and his affairs. To American readers who eagerly awaited Pritchett's work in the New Yorker, this biography will augment the respect he already enjoys. Even better, it may attract new readers to the work of a man who represented his century with unwavering energy and acuity. 16 pages of photos not seen by PW. FYI:This biography will be published in tandem with a new Modern Library edition of Essential Stories, edited by Treglown, and Mr. Beluncle, arguably Pritchett's best novel.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From The New Yorker

Pritchett's early life was rich in the juxtapositions of banality and oddity which characterize his fiction. His father was a con man and Christian Scientist, and Treglown suggests that Pritchett's talent for storytelling owed something to his father's habits of fabulism. Certainly his father was the source of much of his best material. As a child, Pritchett moved often because of his father's debts; as an adult, to write travel pieces and avoid his own. In midlife, with expanding success, he had affairs while his wife typed his manuscripts and drank. Treglown is an enthusiastic and scrupulous biographer, although much of Pritchett's long life was so uneventful that only Pritchett, you feel, could have made it dramatic.
Copyright © 2005 The New Yorker

Product Details

  • Hardcover: 352 pages
  • Publisher: Random House; First U.S. Edition. edition (January 4, 2005)
  • Language: English
  • ISBN-10: 0375508538
  • ISBN-13: 978-0375508530
  • Product Dimensions: 9.5 x 6.3 x 1.3 inches
  • Shipping Weight: 1.4 pounds
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #2,683,401 in Books (See Top 100 in Books)

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6 of 6 people found the following review helpful:
4.0 out of 5 stars No Soap, March 28, 2006
By 
Kevin Killian (San Francisco, CA United States) - See all my reviews
(HALL OF FAME REVIEWER)    (TOP 1000 REVIEWER)    (REAL NAME)   
This review is from: V. S. Pritchett: A Working Life (Hardcover)
An outstanding biography, and a worthy successor to Jeremy Treglown's previous books on famous English novelists. Pritchett wasn't much of a novelist, but as a short story writer he attained the sort of sterling reputation that nearly went out with Queen Victoria. Even as he grew older and older (he died at age 96) his skills and powers grew and grew, and the books he wrote in his seventies are probably his best.

Pritchett married twice; his first marriage, to Evelyn, collapsed after years of bitterness, and later he married Dorothy, the "marvellous girl" of his fiction. Unfortunately their fifty year union was often marred by him having numerous affairs and her being a heavy drunk who, finally, turned to this newfangled thing called AA in 1957 and it really helped her. And finally when he got too old to cheat, they attained their happiness all over again. Some of their early letters have that obscene James Joyce-Nora Barnacle tone to them--very rousing.

You wouldn't believe how many women wanted to have sex with him! For he was not very attractive--a little man, round as a billiard ball, with funny teeth and a total narcissist who would, of course, being a writer, make life difficult for you afterwards by writing you cutting letters or painting horrid portraits of you in his fiction.

There's a lot of high-toned gossip passing for insight: "At the Vienna Hilton, Victor and Dorothy were kept awake by violent quarrels in the adjacent bedroom between the playwright Eugene Ionesco and his wife."

And some of the most amusing contretemps in the biography arrive from the differences in American and British usages of our common tongue. When an earnest coed at Smith College confided that she was an "English major," Pritchett did a double take, telling a friend that mentally he "decorated her with moustaches and gave her gout."

Hitchcock fans will go bananas when they learn of the extent that Pritchett changed the script of THE BIRDS, when a disgruntled Hitch asked the visiting English prose master for some revisions to Evan Hunter's script. Treglown claims that at least one major scene was written entirely by Pritchett, and any number of smaller script changes and character developments. Annie, the school teacher played by Suzanne Pleshette, given more grit to make her less "goody goody," and Melanie Daniels now makes references to a childhood with unsatisfactory parent figures in order to balance out the (possibly over-Oedipal) relationship between Rod Taylor and Jessica Tandy. In addition, Hitchcock apparently toyed with the idea of making a film version of one of Pritchett's 50s short stories, "The Wheelbarrow." Or was he just toying with Pritchett to get him to produce more pages on THE BIRDS script? Hard to say. But anyhow I've read dozens of books on Hitchcock and THE BIRDS and never once heard anything about the involvement of V.S. Pritchett so this was a real coup for Treglown if you ask me.

Elsewhere Sir Victor doesn't come off so heroically. Treglown details a trip the British Council paid for, sending Pritchett and Vladimir Nabokov to India in 1960. The awful truth is that neither great master could tolerate Indian people, their soft-spoken voices, which could so easily be mistaken by the lordly ones for obsequiousness. Nabokov shouted out in the hotel bar that "there is a Russian phrase for their [Indians'] writhing whispering manner which, translated, is 'working your finger up your arse without soap.'" Of course both VN and VSP had a vulgar streak and their trip to India brought it out of both of them in a thoroughly unpleasant way.

Treglown states that Harold Pinter learned his way of sketching out mood and character from similarly oblique strategies of Pritchett's, but gives no evidence of why he says this.

His relationship with THE NEW YORKER in the 1950s and 1960s is fairly grim, though one hand washed the other, and Pritchett became known as a British writing genius through his association with the magazine. Roger Angell, the New Yorker editor, totally censored all the sexuality out of Pritchett's stories, and the magazine's policy precluded any favorable allusion to homosexuality, so odd when you consider the parade of gay men and lesbians who worked so hard for the magazine, putting their queer shoulders to the wheel. It's a lesson in social history I suppose, but it makes for difficult reading.

The only reason I don't give this one five stars is that he never really convinces me that Pritchett is anything other than a fair to middling writer. It seems as though, since his death, Pritchett's reputation has diminished. I'll try some of the books and make up my mind myself. That much Treglown has done for his subject, aroused the curiosity of a new generation of putative readers.
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Inside This Book (learn more)
First Sentence:
WHAT A PRICE ONE PAYS for one's material, V. S. Pritchett wrote to his best friend and fellow author, Gerald Brenan, in the mid-1940s. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
nothing like leather, marvellous girl, journal begun
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New Statesman, New Yorker, Midnight Oil, Marching Spain, United States, Gerald Brenan, Regent's Park Terrace, Roger Angell, Dead Man Leading, First World War, Second World War, The Spanish Virgin, Fortnightly Review, Frances Partridge, Kingsley Martin, Cyril Connolly, Sir Victor, Stephen Spender, London Perceived, Norah Smallwood, South America, The Spanish Temper, Collected Stories, Graham Greene, Home Guard
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