|
15 of 15 people found the following review helpful:
5.0 out of 5 stars
"Lost" material includes some of their best, April 21, 2004
Some of these tracks are as good as any song released on their original albums. In fact, VU is itself a great album even though it's not intended to be the definitive "Lost Album" of songs recorded for MGM in 1969. Note: some of these songs have received greatly improved mixes on the PEEL SLOWLY AND SEE box set."I Can't Stand It" - a driving, slightly off-kilter rocker. (...) ***** "Stephanie Says" - a delicate little beauty, truly one of their best. Features exquisite viola from John Cale, pristine vibes and a sweetly plaintive guitar. ***** "She's My Best Friend" - highly agreeable rocker with several chord changes. Contains some pretty raunchy lyrics in the middle if you're paying attention. ****1/2 "Lisa Says" - Pure Velvet genius - heartbreaking, devestatingly fragile and so incredibly good. Some great, moving piano lines ***** "Ocean" - one of their most sophisticated songs and a testament to their majestic powers. They would go on to record the definitive master that ended up on PEEL SLOWLY AND SEE, but this is a pretty good version. Mo Tucker's straight-up drumming style, normally a powerful asset, becomes as detriment at the climax of this song, but this version is probably just a demo and in all likelihood she hadn't had time to work out the part properly. **** "Foggy Notion" - an all-time favorite that really JAMS. This is the band at their peak. ***** "Temptation Inside YOur Heart" - an unremarkable, repetitive song with bongos and goofy voice-overs from the band that supposedly ended up on the master inadvertently when they were recording background vocals. Upon careful inspection, I'm convinced that they intentionally messed with the track in the same spirit of the experimental WHITE LIGHT/WHITE HEAT sessions to compensate for a genuinely weak song. ** Back on track with the country-fried "One Of These Days," this one has faux Southern sensibilities from Reed and twangy guitar. Shifts into overdrive towards the end which is way cool. **** "Andy's Chest" - Much bouncier than Lou Reed's TRANSFORMER version, thanks in large part to Doug Yule's lively bass. Featuring some of Lou's most Dylanesque lyrics, this one's a hoot. ****1/2 "I'm Sticking With You" - A quaint (as in old-fashioned) little number that demonstrates yet another side of this groundbreaking band. Mo Tucker's modest vocal delivery has an irresistable charm. Lou duets with her briefly at one point and it's a golden moment. ****
|