Vagn Holmboe: Cello Concerto; Benedic Domino; Triade; Quintet for Brass [Import]

Vagn Holmboe (Composer), Janos Ferencsik (Conductor), Per Enevold (Conductor), Danmarks Radiosymfoniorkester (Orchestra), Elisabeth Westenholz (Performer), Erling Blondal Bengtsson (Performer), Edward H. Tarr (Performer), Christian Lindberg (Performer), Swedish Brass Quintet (Performer), Camerata Chamber Choir (Performer) | Format: Audio CD

Product Details

• Performer: Elisabeth Westenholz, Erling Blondal Bengtsson, Edward H. Tarr, Christian Lindberg, Swedish Brass Quintet, et al.
• Orchestra: Danmarks Radiosymfoniorkester
• Conductor: Janos Ferencsik, Per Enevold
• Composer: Vagn Holmboe
• Audio CD (September 22, 1994)
• Number of Discs: 1
• Format: Import
• Label: Bis
• ASIN: B000001674
• Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
• Amazon Best Sellers Rank: #532,028 in Music (See Top 100 in Music)

Track Listings

1. Cello Concerto, Op. 120

2. Benedic Domino, for chorus, Op. 59: I. Benedic, Anima Mea

3. Benedic Domino, for chorus, Op. 59: 3/1. I. Homnis Dies 3/2. II. Benedicte Domino

4. Triade, for trumpet & organ, Op. 123: I. Tempo Giusto

5. Triade, for trumpet & organ, Op. 123: II. Andante

6. Triade, for trumpet & organ, Op. 123: III. Allegro

7. Quintet for brass No. 1, Op. 79: I. Poco Lento

8. Quintet for brass No. 1, Op. 79: II. Allegro

9. Quintet for brass No. 1, Op. 79: III. Adagio

10. Quintet for brass No. 1, Op. 79: IV. Vivace

Customer Reviews

Most Helpful Customer Reviews

4 of 4 people found the following review helpful:

4.0 out of 5 stars A highly varied programme of fine pieces, November 10, 2009

By 

Christopher Culver - See all my reviews
(TOP 500 REVIEWER)    (REAL NAME)   

This review is from: Vagn Holmboe: Cello Concerto; Benedic Domino; Triade; Quintet for Brass (Audio CD)

This venerable BIS disc presents four pieces by Vagn Holmboe recorded in the 1970s and 1980s with a variety of Nordic performers. Though this disc is much less visible in the label's catalogue than its recent Holmboe symphonic and concerto cycles, it is still essential listening for fans of the composer.

Holmboe's personal style was neoclassicism, but with a focus on organic growth that recalls the Nordic tradition. While Holmboe remained committed to the tonal idiom throughout his career, his works are carefully balanced to avoid emotional excess and bombast. "Elegant" and "refined" are two adjectives I think best describe his music, though that's not to say he can't surprise you.

The Cello Concerto op. 120 (1974) is sure to appeal to anyone who loves the symphonies of this era, especially the Ninth. Cast in one movement, it nonetheless falls into three major sections. The first is what one typically expects from a concerto, a dialogue between the solo instrument and various parts of the orchestra, some blending with the cello and others antagonistic. In the second section, the cello suddenly falls away as the spotlight falls exclusively on the orchestra, and here is where the climax of the piece is found with a lovely five-note theme on the horn. The way in which the main musical line disappears to be replaced by what appears the secret heart of the work will remind listeners of the third movement of Sibelius' Fifth. The final section is a solo cadenza for cello. In this recording Janos Ferencsik leads the Danish National Radio Symphony Orchestra, with Erling Blondal Bengtsson as soloist.

"Triade" for trumpet and organ op. 123 (1974) opposes the nature of its instruments placed into an unusual combination. The trumpet plays a slow, almost song-like line, while the organ is able to produce complex polyphony. The three movements of the piece are based on the same general material. Edward Tarr plays trumpet, while the organist is Elizabeth Westenholz. The Quintet for brass No. 1 op. 79 is a four-movement work. Here the initial movement announces a theme in a cold, austere style and the following movements develop this material in directions ranging from comic to sad. The performance here comes from the Swedish Brass Quintet. "Benedic Domino" for choir a cappella op. 59a (1958) is a remarkable work where Holmboe uses only a handful of voices and keeps them clearly delineated, avoiding the muddle of so many choral pieces. The venerable Danish choir Camerata performs, conducted by Per Enevold.

While the best introduction to Holmboe is the symphonies (especially the Eighth), don't stop there, for all of his music is of very high quality.