From Publishers Weekly
Sweetman's engrossing biography releases us from a narrow view of Van Gogh's life. Whatever the exact nature of the painter's mental illness, "the works themselves are gloriously, happily 'sane,' " observes this British journalist who reports on the art scene. While many would force Van Gogh into the role of modern artist/rebel/martyr (overlooking his fidelity to the inspiration he derived from such artists as Jules Breton and Ernest Meissonier), Sweetman avoids this trap. His shrewd judgments of the paintings are anchored in the events of Van Gogh's life and in art scholarship of the last 20 years. The story he tells may be familiar, nevertheless, he delves into the sources to flesh out major and minor episodes at every stage of Van Gogh's erratic trajectory. The result is an intimate, often surprising portrait of an obscure suicide who posthumously achieved his most fervent desire--to make art for ordinary people. Sketches, graphics and color reproductions are interspersed with the narrative.
Copyright 1990 Reed Business Information, Inc.
From Library Journal
Recent record-breaking auction prices for van Gogh paintings have further increased attention on this artist, whose life and art have achieved mythic proportions in the public mind. Sweetman's revisionist biography successfully brings objectivity and reason to the popular view of Vincent, the mad artist. Based primarily on the correspondence of Vincent, his brother Theo, and his friends, but also incorporating recent scholarly findings and social history, the book places the artist solidly within the context of his family and his time. Although mystery will probably always surround some of Vincent's actions and his mood swings from fanaticism to depression and back again, this book goes far in its attempt to understand the motivations behind Vincent's search for a career and then for his own artistic style. This should prove to be a popular biography that most libraries will want to acquire. See also the review of Jan Hulsker's Vincent and Theo van Gogh , p. 93.--Ed.
- Lynell A. Morr, John & Mable Ringling Museum of Art Lib., Sarasota, Fla.Copyright 1990 Reed Business Information, Inc.