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Van Gogh's Progress: Utopia, Modernity, and Late-Nineteenth-Century Art (California Studies in the History of Art)
 
 
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Van Gogh's Progress: Utopia, Modernity, and Late-Nineteenth-Century Art (California Studies in the History of Art) [Hardcover]

Carol Zemel (Author)


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Book Description

0520088492 978-0520088498 February 27, 1997 1
In Carol Zemel's insightful reinterpretation of Van Gogh's work and career, the artist is seen as a determined modern professional instead of the tortured romantic hero that legend has given us. Zemel's fresh approach emphasizes the utopian idealism that infused both Van Gogh's life and his pictures. She looks at the artist's career from 1882 to 1890 through six utopian projects or professional schemes, each embodying a specific societal crisis for Van Gogh's generation: women and sexuality, the rural artisan, republican citizenry, professional identity, the burgeoning art market, and the construction of a modern rural ideal. Zemel reveals how each endeavor, as Van Gogh treated it, offered a vision of utopian possibility. She also analyzes broader historical problems encountered by all avant-garde artists of the late nineteenth century.
Zemel carefully examines Van Gogh's letters and work and also draws from municipal archives, local histories, nineteenth-century literature, and contemporaneous criticism. Her handsomely illustrated book, essential reading for art historians and scholars of late-nineteenth-century history and French studies, will also captivate anyone interested in Vincent van Gogh.

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Amazon.com Review

The most interesting aspect of this study is its refusal to focus on Vincent van Gogh as a tortured romantic hero; instead, van Gogh is discussed in the terms of a 19th-century professional artist. As the subtitle suggests, Carol Zemel, who is the author of two other books on the artist, attempts here to illustrate how van Gogh attempted to live out his artistic ideals in his real life, using evidence from his writings as well as his visual work. This is not your typical splashy coffee-table book laden with colorful reproductions of van Gogh's paintings; there are only 14 color plates, and more than 150 black-and-white illustrations. Despite its lack of color, this book is a rare and pleasing combination of scholarship and storytelling. Zemel explores issues relevant to any artist living and working at the time: gender issues, class, the emerging art market, and the artist's role in a modern metropolis, all the while bringing the mysterious figure of van Gogh vividly to life.

From the Inside Flap

"This is without question among the most interesting, richest, and most convincing interpretations of Van Gogh and his work that I have ever read. The intelligence, critical acumen, and simple good judgment of the author make it a lively and good read." --Linda Nochlin, author of The Politics of Vision

"In the concept of utopia, Carol Zemel has discovered a metacategory of great importance for Van Gogh's life and work. The way she deploys it in her book is wonderfully illuminating. She engages her subject with attractive personal warmth without relinquishing critical distance."--Gary Schwartz, author of Rembrandt: His Life, His Paintings

Product Details

  • Hardcover: 320 pages
  • Publisher: University of California Press; 1 edition (February 27, 1997)
  • Language: English
  • ISBN-10: 0520088492
  • ISBN-13: 978-0520088498
  • Product Dimensions: 10.3 x 7.4 x 1.2 inches
  • Shipping Weight: 2.8 pounds
  • Amazon Best Sellers Rank: #1,566,812 in Books (See Top 100 in Books)

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Inside This Book (learn more)
First Sentence:
In a letter from Arles a few weeks after his breakdown. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
van het moederschap, vie rustique, utopian meanings, negentiende eeuw, real country
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Emile Bernard, Sien Hoornik, Puvis de Chavannes, Petit Boulevard, Yellow House, Griselda Pollock, New York, Vincent van Gogli, Joseph Roulin, Paul Gauguin, Third Republic, Facing Left, Museum of Fine Arts, Exposition Universelle, Madame Ginoux, Madame Roulin, The Potato Eaters, Albert Aurier, Armand Roulin, Golden Age, Julien Tanguy, The Great Lady, Agostina Segatori, Alexander Reid, Georges Petit
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