From Publishers Weekly
While much has been written about Vincent van Gogh's close and complicated friendships with his brother Theo and the painter Paul Gauguin, comparatively little attention has been paid to the women in his life. In this pop-psych biography, Fell, who's best known for his garden photography (
Cézanne's Garden;
Van Gogh's Gardens; etc.), uses van Gogh's extensive trove of letters to focus on the artist's relationships with women, particularly his sister Wilhelmina; Theo's wife, Johanna; his mother; and his various lovers, models and objects of romantic desire. Van Gogh's ill-fated early obsession with a widowed cousin betrays his fabled intensity; "while the sky becomes clouded and overcast with quarrels and curses, a light rises on her side," he wrote to Theo. His thoughtful missives to his aspiring-artist sister and his empathetic sister-in-law show warmer and deeper facets of his personality. Fell stretches his facts into conjecture at times, and he never lets up on his theory that van Gogh was permanently scarred when his mother named him after a stillborn older brother, as if the artist were a "replacement child." But for those who don't mind excess psychologizing and melodrama ("Since childhood, ghosts had starved Vincent of affection"), this book shines a novel light on a fascinating life.
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Vincent van Gogh's remarkably poetic and spiritual letters have been scrutinized by throngs of scholars, but no one until now has focused on the significance of the painter's often bizarre, always doomed romantic obsessions. Fell, an art historian and the author of a popular series of photography books about impressionists' gardens, speculates that Van Gogh's birth a year after the death of his parents' stillborn first child, also named Vincent, caused what psychologists call the "replacement child syndrome," which led to his attraction to women in distress, desperation for unconditional love, and inability to cope with rejection (each time he was refused, he injured himself). As Fell quotes discerningly from candid and moving letters written by Vincent; his brother, Theo; and Theo's wife, Johanna, he also considers the true nature of van Gogh's relationship with Gauguin and asks whether or not van Gogh meant to kill himself. Fell may be practicing impressionistic psychology, but his involving inquiry does rekindle appreciation for van Gogh's empathy, courage, genius, and belief in love as a "germinating force."
Donna SeamanCopyright © American Library Association. All rights reserved