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Birthname: George Ivan Morrison Nationality: British Born:Aug 31 1945 (63 years old)
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Born in Belfast, Van Morrison's father was an avid collector of American blues and jazz records. Morrison grew up listening to AMERICAN music like Leadbelly, Howlin' Wolf, Sonny Boy Williamson, Muddy Waters, Sonny Terry and Brownie McGee, John Lee Hooker, Mahalia Jackson, and Lightnin' Hopkins. He grew up surrounded by every kind of American musical influence. From the age of 13, he was adept at playing guitar, sax and harmonica and played with a series of local showbands along with Skiffle and Rock 'n' Roll groups, and Brian Rossi at the Plaza Ballroom. His early love of… Read more
This biography was provided by the artist or their representative.
Born in Belfast, Van Morrison's father was an avid collector of American blues and jazz records. Morrison grew up listening to AMERICAN music like Leadbelly, Howlin' Wolf, Sonny Boy Williamson, Muddy Waters, Sonny Terry and Brownie McGee, John Lee Hooker, Mahalia Jackson, and Lightnin' Hopkins. He grew up surrounded by every kind of American musical influence. From the age of 13, he was adept at playing guitar, sax and harmonica and played with a series of local showbands along with Skiffle and Rock 'n' Roll groups, and Brian Rossi at the Plaza Ballroom. His early love of music, for the music, has certainly paid off.
Morrison's music continues to have that authentic American Blues, Jazz and melodic Folk sound that he loved and listened to in his childhood, long before those early showbands and well before his initial 1964/5 hit records with his band called THEM. It’s a little recognized yet open secret that VAN MORRISON was, in fact, the band THEM.
In recognition of his unique position as one of the most important songwriters of the past century, Van Morrison was inducted into the Songwriters Hall of Fame by the late great RAY CHARLES at an awards ceremony in New York City in June 2003. Additionally, he was honored, in 2007, for his musical contribution to films. Presented by Al Pacino, this award highlights the depth and breadth of his compositions, as used by some of the most notable directors in the Motion Picture Industry today.
2008 sees the release of KEEP IT SIMPLE, Van Morrison's 35th album. It is his first album of new material since 2005, and the first in several years in which he COMPOSED all 11 songs specifically for one album.
On KEEP IT SIMPLE, MORRISON wears all the "hats" as COMPOSER, ARRANGER, LYRICIST and proves himself once again an astute and accomplished PRODUCER, artfully choosing in this recording to keep all the vocals and instruments on this album in their organic form/ first takes.
On Keep It Simple, Morrison honors all those varied influences - Ulster-Scots Celtic, Jazz, Folk, Blues, Country, Soul and Gospel - and an added surprise of a mighty Ukulele -most times melding them all together at once creating his unmistakable signature sound.
In some of these songs Morrison addresses the propaganda of the myth perpetrating rock music world. There is a definite theme that recurs throughout the album, especially in the title track.
This record does not boast the big horns of some of Morrison's previous work. But, don't let the title fool you. Keep it SIMPLE is EVERYTHING but SIMPLE - it is a Multi-faceted record filled with mystical layers of sound -start to finish -with Songs from the Soul and gorgeous melodies, rich with emotion, depth and beauty. -truly a record that has something for everyone.
VAN MORRISON has journeyed far and wide since his early days in Belfast, but has invariably come back to the philosophy summed up in the title of this extraordinary new record.
As Keep It Simple is released, keeping true to the music, and arguably the new Hardest Working man in Showbusiness, Morrison consistently continues a busy schedule of concerts playing to packed theatres across Europe, Canada and the United States.
This biography was provided by the artist or their representative.
Equal parts blue-eyed soul shouter and wild-eyed poet-sorcerer, Van Morrison is among popular music's true innovators, a restless seeker whose incantatory vocals and alchemical fusion of R&B, jazz, blues, and Celtic folk produced perhaps the most spiritually transcendent body of work in the rock & roll canon. Subject only to the whims of his own muse, his recordings cover extraordinary stylistic ground yet retain a consistency and purity virtually unmatched among his contemporaries, connected by the mythic power of his singular musical vision and his incendiary vocal delivery:… Read more
Equal parts blue-eyed soul shouter and wild-eyed poet-sorcerer, Van Morrison is among popular music's true innovators, a restless seeker whose incantatory vocals and alchemical fusion of R&B, jazz, blues, and Celtic folk produced perhaps the most spiritually transcendent body of work in the rock & roll canon. Subject only to the whims of his own muse, his recordings cover extraordinary stylistic ground yet retain a consistency and purity virtually unmatched among his contemporaries, connected by the mythic power of his singular musical vision and his incendiary vocal delivery: spiraling repetitions of wails and whispers that bypass the confines of language to articulate emotional truths far beyond the scope of literal meaning.
George Ivan Morrison was born in Belfast, Northern Ireland, on August 31, 1945; his mother was a singer, while his father ardently collected classic American jazz and blues recordings. At 15, he quit school to join the local R&B band the Monarchs, touring military bases throughout Europe before returning home to form his own group, Them. Boasting a fiery, gritty sound heavily influenced by Morrison heroes like Howlin' Wolf, Brownie McGhee, Sonny Boy Williamson, and Little Walter, Them quickly earned a devout local following and in late 1964 recorded their debut single, "Don't Start Crying Now." The follow-up, an electrifying reading of Big Joe Williams' "Baby Please Don't Go," cracked the U.K. Top Ten in early 1965. Though not a major hit upon its original release, Them's Morrison-penned "Gloria" endures among the true classics of the rock pantheon, covered by everyone from the Doors to Patti Smith. Lineup changes plagued the band throughout its lifespan, however, and at the insistence of producer Bert Berns, over time session musicians increasingly assumed the lion's share of recording duties. A frustrated Morrison finally left Them following a 1966 tour of the U.S., quitting the music business and returning to Belfast. After Berns relocated to New York City to form Bang Records, he convinced Morrison to travel stateside and record as a solo artist; the sessions produced arguably his most familiar hit, the jubilant "Brown-Eyed Girl" (originally titled "Brown-Skinned Girl"), a Top Ten smash in the summer of 1967. By contrast, however, the resulting album, Blowin' Your Mind, was a bleak, bluesy effort highlighted by the harrowing "T.B. Sheets"; when Berns released the LP against Morrison's wishes, he again retreated home to Ireland. After Berns suffered a fatal heart attack in late 1967, the singer was freed of his contractual obligations and began working on new material. His first album for new label Warner Bros., 1968's Astral Weeks, remains not only Morrison's masterpiece, but one of the greatest records ever made. A haunting, deeply personal collection of impressionistic folk-styled epics recorded by an all-star jazz backing unit including bassist Richard Davis and drummer Connie Kay, its poetic complexity earned critical raves but made only a minimal commercial impact. The follow-up, 1970's Moondance, was every bit as brilliant; buoyant and optimistic where Astral Weeks had been dark and anguished, it cracked the Top 40, generating the perennials "Caravan" and "Into the Mystic."The first half of the 1970s was the most fertile creative period of Morrison's career. From Moondance onward, his records reflected an increasingly celebratory and profoundly mystical outlook spurred on in large part by his marriage to wife Janet Planet and the couple's relocation to California. After His Band and the Street Choir yielded his biggest chart hit, "Domino," Morrison released 1971's Tupelo Honey, a lovely, pastoral meditation on wedded bliss highlighted by the single "Wild Night." In the wake of the following year's stirring Saint Dominic's Preview, he formed the Caledonia Soul Orchestra, featured both on the studio effort Hard Nose the Highway and on the excellent live set It's Too Late to Stop Now. However, in 1973 he not only dissolved the group but also divorced Planet and moved back to Belfast. The stunning 1974 LP Veedon Fleece chronicled Morrison's emotional turmoil; he then remained silent for three years, reportedly working on a number of aborted projects but releasing nothing until 1977's aptly titled A Period of Transition. Plagued for some time by chronic stage fright, Morrison mounted his first tour in close to five years in support of 1978's Wavelength; his performances became more and more erratic, however, and during a 1979 date at New York's Palladium, he even stalked off-stage in mid-set and did not return. Into the Music, released later that year, evoked a more conventionally spiritual perspective than before, a pattern continued on successive outings for years to come. Albums like 1983's Inarticulate Speech of the Heart, 1985's A Sense of Wonder, and 1986's No Guru, No Method, No Teacher are all largely cut from the same cloth, employing serenely beautiful musical backdrops to explore themes of faith and healing. For 1988's Irish Heartbeat, however, Morrison teamed with another of his homeland's musical institutions, the famed Chieftains, for a collection of traditional folk songs. Meanwhile, Avalon Sunset heralded a commercial rebirth of sorts in 1989. While "Whenever God Shines His Light," a duet with Cliff Richard, became Morrison's first U.K. Top 20 hit in over two decades, the gorgeous "Have I Told You Lately That I Love You" emerged as something of a contemporary standard, with a Rod Stewart cover cracking the U.S. Top Five in 1993. Further proof of Morrison's renewed popularity arrived with the 1990 release of Mercury's best-of package; far and away the best-selling album of his career, it introduced the singer to a new generation of fans. A new studio record, Enlightenment, appeared that same year, followed in 1991 by the ambitious double set Hymns to the Silence, widely hailed as his most impressive outing in years. Following the uniformity of his 1980s work, the remainder of the decade proved impressively eclectic: 1993's Too Long in Exile returned Morrison to his musical roots with covers of blues and R&B classics, while on 1995's Days Like This he teamed with daughter Shana for a duet on "You Don't Know Me." For the Verve label, he cut 1996's How Long Has This Been Going On, a traditional jazz record co-credited to longtime pianist Georgie Fame, while for the follow-up Tell Me Something: The Songs of Mose Allison, he worked with guest of honor Allison himself. Morrison continued balancing the past and the future in the years to follow, alternating between new studio albums (1997's The Healing Game, 1999's Back on Top) and collections of rare and live material (1998's The Philosopher's Stone and 2000's The Skiffle Sessions and You Win Again). It wasn't until 2002 that an album of new material surfaced, but in May his long-anticipated Down the Road was released. Three years later, Morrison issued Magic Time. Pay the Devil, a country-tinged set, appeared in 2006 on Lost Highway Records. In 2008, Morrison released Keep It Simple, his first album of all-original material since 1999's Back on Top. ~ Jason Ankeny, All Music Guide
Belfast-born singer-songwriter Van Morrison first found fame in the 60s with Them, before going solo and recording two canonical albums of the period: Astral Weeks (1968) and Moondance (1970).
Them were formed by George Ivan Morrison shortly after he quit school. They enjoyed a UK Top 10 hit with second single "Baby Please Don't Go" in 1965, but the B-side "Gloria" would go on to greater things: it was famously covered by Patti Smith on her seminal proto-punk debut Horses, and has since become a standard of the rock era.
By 1966, Van Morrison had left the group and… Read more
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Belfast-born singer-songwriter Van Morrison first found fame in the 60s with Them, before going solo and recording two canonical albums of the period: Astral Weeks (1968) and Moondance (1970).
Them were formed by George Ivan Morrison shortly after he quit school. They enjoyed a UK Top 10 hit with second single "Baby Please Don't Go" in 1965, but the B-side "Gloria" would go on to greater things: it was famously covered by Patti Smith on her seminal proto-punk debut Horses, and has since become a standard of the rock era.
By 1966, Van Morrison had left the group and apparently retired from music altogether, after becoming fed up with the internal politics of the band. The following year he was persuaded by a friend to record for his new label, and came up with the smash-hit "Brown Eyed Girl", now his signature song. In 1968, Van Morrison recorded his second solo album Astral Weeks. It was a massive critical hit, thanks to his powerful and emotive voice, the fluid imagery of the lyrics, and his mixture of sounds from blues, jazz and soul music. Astral Weeks became one of the most critically revered albums of the last fifty years, and the follow-up, 1970's Moondance, was just as good and similarly praised.
Through the 70s Van Morrison continued to record soulful, mystical records of great quality, from 1971's Tupelo Honey to 1979's Into The Music. A live album, It's Too Late to Stop Now (1974), perfectly captured his zealous stage presence and ability.
Through the 80s Van Morrison's output was consistent in sound and standard, while in the 90s he recorded specific blues and jazz LPs.
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