From Publishers Weekly
The fantastically coiffed courtier on the cover of this debut gives a whiff of the luxury that waits within. Lawlor, an advertising art designer, makes dazzling collages in which louche, seductive figures materialize out of meticulously cut photos of silks, gems and flowers, their do's whipped up out of sequins or pinecones and berries. His breathless retelling of Cinderella features three fashion-plate sisters who lord it over their foundling servant, Giselle, a genius of a hairdresser. Giselle has the last laugh, however, when she wins the crown of the kingdom by revealing that fabulous hair is not as important as good judgment. Lawlor undermines his claim, though, by lavishing most of his artistic energy on the court and its excesses. Although the text is sub-par (A talent so rare they had all to their own / a girl named Giselle was locked up in their home), this innovative hybrid—equal parts picture book and fashion magazine, with a dash of graphic novel—will attract as many adult fashionistas as younger readers. Ages 9–up.
(June) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From School Library Journal
Grade 7 Up—Employing elements from "Cinderella," Lawlor's "fairy tale for all ages" will hold particular appeal for fashionistas and hair stylists. In a kingdom where "dos' [have] become so political and take the place of issues more critical," three conniving divas are frequent winners in the hair competitions, thanks to the talents of their orphaned servant, Giselle. Then the ruler raises the stakes, offering his crown as the prize in the ultimate contest. Lawlor's background in fashion illustration is showcased in the gatefolds and spreads that depict a continuous parade of characters created with over-the-top collages. The locks of a fur-draped Bavarian gent are adorned with pinecones, antlers, and a birdhouse. An ebony figure clad in leopard skin displays a carved elephant, recycled metal toys, and gourds amid his tresses. The heroine sports spunky ponytails while working, but on the big day her original (hairless) look sets her apart, winning the king's admiration. The thin plot, forced rhymes, and not-so-subtle message are problematic, but anyone attracted to the Arcimboldo-inspired images is likely to keep paging for sheer sensory stimulation. The exotic upsweeps rest atop Picassoesque faces, which are connected to sophisticated and, occasionally, slightly suggestive costumes. The visual extravagance is presented against uncluttered gilt, cream, or red surfaces. For graduates of Deborah Nourse Lattimore's
The Lady with the Ship on Her Head (Harcourt, 1990), this picture book for older readers will confound catalogers, who will wonder where to shelve it. Perhaps, for budding designers, near old magazines-with scissors and glue?—
Wendy Lukehart, Washington DC Public Library Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.