From Publishers Weekly
Collecting many pieces previously unavailable stateside, this notable book finally gives the U.S. reader Pinter in the roundAas playwright, poet, rebel, iconoclast, fiction writer, political activist and visionary. It's a motley anthology, including everything from interviews, speeches, pieces on cricket and manifestoes to a reminiscence of Samuel Beckett, an appreciation of Shakespeare and shoptalk on writing for stage and screen. And yet for every ephemeral selection, there are at least two of substance. The 10 short stories, most two pages in length, expose the mechanized rigidity of conventional lives with the same subversive humor, surreal leaps and compressed dramatic power that one finds in plays like The Birthday Party and The Homecoming. In his forceful political essays, Pinter, an unapologetic leftist, defends the Sandinista revolution as a progressive democratic movement, condemns Israel's treatment of Palestinians and the U.S. trade embargo on Cuba. He blames the Thatcher regime for unleashing an avalanche of greed and corruption, and blasts British prime minister Tony Blair for restricting civil liberties and for cozying up to U.S. imperialism. The welcome gathering of 54 poems ranges from expressionistic lyrics to trenchant political verse. Mysterious, brooding, pregnant with open-ended metaphors, his poems grapple with death, love, loss, war, aging, the search for meaning; they sob for the absence of the sacred in a profane world. This valuable roundup exposes facets of the great playwright that will be unfamiliar to most American readers.
Copyright 1999 Reed Business Information, Inc.
From Library Journal
Well known for his spare, iconoclastic plays, such as The Dumbwaiter, The Homecoming, and Betrayal, Pinter holds forth on his life in the theater, cricket, international politics, and love with rare wit and brutal rage. This collection of writings-prose, letters to editors, interviews, speeches, and poetry-gathered by Pinter ranges from wily descriptions of his role as playwright to loving homages to theater friends to scathing attacks on the U.S. government for its military interventions in countries such as Nicaragua and Iraq. In turns ironic (as when he follows a reference to the United States as "the world's `Dad' " with a challenge to "regard the breathtaking discrepancy between US government language and US government action with the absolute contempt it merits") and vulnerable ("Always where you are/ My touch to love you looks into your eyes"), this gathering represents Pinter's rigorous mind impassioned by deep care for his personal world and political reality. Fans of Pinter's plays will relish this broad sweep of his thinking, and newcomers to his work will be challenged and inspired. Recommended for larger theater and literature collections.?Rebecca Miller, "Library Journal"
Copyright 1999 Reed Business Information, Inc.