Most Helpful Customer Reviews
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71 of 75 people found the following review helpful:
5.0 out of 5 stars
A vivid rendering of royal extravagance, May 23, 2001
It's 1671, and the King of France, Louis XIV, is looking for a general to carry war to the insufferably insolent Dutch. One of his nobles, the Prince de Condé, wants the job, thinking such royal favor will relieve his chronic impoverishment. The Prince's strategy to entice the sovereign's attention is ... well, to throw a lavish party, of course. VATEL is Condé's master of the kitchen and entertainment planner for the big event, for which the King, his Queen, and a large coterie of sycophants will descend upon the Prince's country estate to be lavishly fed, housed, and amused for several days. The expense and bother of it all will be staggering.Gérard Depardieu, Julian Sands and Julian Glover play the roles of VATEL, Louis XIV and Condé respectively. Additionally, Uma Thurman plays Anne de Montausier, the King's favorite "lady-in-waiting". ("Waiting for what?" would be an obtuse question.) And, Tim Roth has the role of the creepy Marquis de Lauzan, one of the monarch's carousing buddies. The best elements of this outstanding film are the opulent costuming and production design. Indeed, the culmination to the King's entertainment is a sensational "live event" that is itself an eye-popping spectacle within a spectacle. Depardieu, relatively unknown to American audiences, gives a bravura performance as the over-worked, hard-pressed and self-sacrificing major domo struggling to make his boss look good on a shoestring budget. (His contribution to the alleviation of Condé's gout is particularly heart wrenching.) Roth, in a style he does so well, is exquisitely slimy as the villainous Marquis. Thurman is fetching as a young woman not yet too debased to not want something better out of her life. In my opinion, VATEL should have won an Academy Award for art direction if nothing else. Visually, it's a truly sumptuous piece. The viewer will leave the screening disgusted at the extravagant excesses of past royalty, but certainly impressed with the flash of their presentation.
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45 of 49 people found the following review helpful:
5.0 out of 5 stars
Vatel = "Why critics are useless", June 19, 2001
By A Customer
See Vatel. See it for the truly exceptional art direction. See it for the performances of Depardieu and Roth. See it because Thurman gives what may be her best performance yet. See it to take a trip back to the Golden Age of France, without Musketeers. See it simply because of the movie magic of watching some of the most beautiful food known being created. However, this is not some Martha Stewart field trip to the seventeenth century . For all the remarkable spectacle Vatel presents, it is really a wonderful character study, layered over a profound fable of the stresses and dangers of living in a society obsessed with material excess and impossibly complex social codes. Sound familiar? Louis XIV carefully kept an entire social class deliberately distracted by the pursuit of pleasure and prestige in order to politically neutralize them. Considering that we are in the throes of a similar, though far more widespread social regression, the points of view explored in Vatel are relevant beyond what is usually found in a costume drama. Better still, it doesn't go all preachy, preferring to let the story to speak for itself. The critics panned it - but by and large they didn't get it. They complained about Depardieu's accent (umm, he's like...French! Duh...), which doesn't get in the way of the emotion of his performance unless the viewer is either narrow minded or hard of hearing. Since France has many regions and the social classes had different accents, it makes a weird kind of sense that his speech should be different from the Aristocrats. Then there's the irritating "a babe like Thurman would never go for fat old Depardieu" criticism - doubtless formed by critics who haven't got much experience of life. Others complained about the extravagance of the production overall. I suspect the same critics would complain about the lack of social realism in The Wizard of Oz. Did I mention that Vatel reminds me why I try not to take critics too seriously? I can't wait to see it again.
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30 of 32 people found the following review helpful:
5.0 out of 5 stars
Simply Divine, August 27, 2001
This film is such a visual masterpiece! It's absolutely stunning from beginning to end. The set design is by far the most accurate historically that I have ever seen (and believe me, I have seen just about every 17th century period piece there is). The actors performances are overall, perfection. Gerard Depardieu does a magnificent job as playing the title role Vatel, who is a party planner extrodinare! The pretense is an all important visit from Louis XIV (played beautifully by Julian Sands) to Vatel's master's estate. Everything must be perfect so that the Sun King may grant Vatel's master a commanding generals position in an impending war with the Dutch and thus, bestowing riches upon him. Intrigue, lust and pure love is what transpires over the three days that Louis spends at the estate. Uma Thurman gives a great performance as a courtesan who catches most everyone's eye, including that of Vatel however, the King catches her first which complicates matters. Tim Roth gives a fine dastardly performance as a Marquis. In my opinion, this film is a masterpiece of set and costume design, such is the case that the actor performances are secondary, which is fine by me. I cannot praise this film enough, it has knocked off my all-time favorite period piece "Restoration" off of the first place pedestal. It is a gourmet feast for the eyes!
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