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Dennis Hopper, Kyle MacLachlan, Laura Dern, Isabella Rossellini. Lumberton, USA has some strange goings-on behind its idyllic exterior, involving a haunting nightclub singer, a murderous madman and perverse sexual intrigue. Directed by David Lynch. 1986/color/121 min/R/widescreen.
New Digital Anamorphic Transfer Supervised by David Lynch
"Mysteries of Love" Documentary Featuring New Interviews with Isabella Rossellini, Kyle MacLachlan and Other Cast and Crew
I hated it. I really did. I was deeply offended by this film when I first saw it. It disturbed the hell out of me, in all the wrong ways. Then I saw Lost Highway - a film that, it seems, everyone hated BUT me. I thought it was a masterpiece of psychological horror; a real mind-bender with an extroardinary interior perspective on homicidal madness. So I got to thinking: maybe I should give Blue Velvet another shot. Maybe I just wasn't ready for it 17 years ago. This time I would be prepared for Dennis Hopper's demented Frank Booth. I would be ready for the ear in the field. I would be ready for the unbelievably creepy and kinky scenes in Dorothy's apartment. What I saw was a different film - not because the film had changed, but because I had changed. A lot can happen in 17 years. A guy can grow up. A guy can sense for himself the underbelly of perversion beneath the white-picket facade of middle America. A guy can come to appreciate a wickedly funny and disturbing film about the hypocrisy of genteel exteriors. A film like Blue Velvet, in other words. David Lynch's great skill as a director is his ability to aim right for the hind-brain - the unreasoning, alligator brain where the primal self lives. His work tends to hit there first, and then ricochet to the reasoning self. That's why his work is so evocative. Critics and audiences alike struggled to "explain" Mulholland Drive, and while a sensible explanation for it is possible, it sort of misses the point. These films are waking dreams - or nightmares - that, like paintings or pieces of music, try to touch something deeper than the intellect.Read more ›
There is no denying that writer/filmmaker David Lynch has always shown a consistency in creating films of ecstatic creepiness. But its his venture to the surreal, dark and ominous settings that separate him from other filmmakers.
From his debut in 1977 with his surrealist film "Eraserhead" which has become a cult classic, to the sci-fi film "Dune" (1984) which paired him with actor Kyle MacLachlan for the first time, the director would reach recognition for his TV series "Twin Peaks" (1990-1991). And since "Twin Peaks", David Lynch has done quite well for himself, especially establishing him as one of the most notable filmmakers and screenwriters in American cinema.
But if there is one film that fans of David Lynch have looked as a masterpiece in his oeuvre is the 1986 film "Blue Velvet".
A film that probably is best not explaining but more of experiencing for its dark, ambiguous yet astonishing nature. Unpredictable and surreal, "Blue Velvet" shows us a terrifying look at America in which characters may be normal during the day, but at night...Lynch unleashes paranoia and challenge your sensibility and quite literally... freak you out!
"Blue Velvet" is presented in 1080p High Definition (2:35:1). The film actually was supervised and color corrected by David Lynch, so what you get is a definitive look via HD of what David Lynch wanted. Detail is amazing especially the use of the darker colors. Cinematographer Frederick Elmes does a great job in capturing the surreal outlook of the film and for the most part, the darker hues look fantastic, detail on the clothing is noticeable and black levels are nice and deep.Read more ›
Set in the quiet picture postcard logging community of Lumbertown, Jeffrey Beaumont (Kyle MacLachlan), a somewhat naive and squeaky clean college boy, finds a severed human ear. Shocked and disturbed he reports it immediately to the police whilst, with the help of his girlfriend (Laura Dern), he begins his own investigation, which soon leads him into stumbling into the seedy and violent world of abused nightclub singer Dorothy (Isabella Rosellini) and drug-sniffing psychopath (Dennis Hopper). This is the first movie in which David Lynch really showed us all his cards and united themes and imagery, now familiar to millions through the likes of Mulholland Drive, Wild At Heart and Twin Peaks. Although 16 years old, David Lynch's Blue Velvet has lost none of its shock value. It is still deeply and uniquely disturbing, at times incredibly surreal and utterly compelling viewing. Beautifully filmed and directed by Lynch, its aesthetic value is often deliberately at odds with the subject matter and it is a work of dark genius. It also features superb acting performances all round. In particular, MacLachlan, Rosselinni, Dean Stockwell and Laura Dern shine, but it is Dennis Hopper's magnificent performance as a drug sniffing twisted psychopath that most people will remember. Bizarre and frequently haunting, beautiful but frequently surreal, this is a movie that will stay with you for a very long time and really is a must see!
Blue Velvet may just be the largest Love/Hate Phenomenon in film history. You will either love it or hate. And after seeing the movie again yesterday, it's not hard to see why. The film has several scenes that reach the barrier of what a lot of viewers are willing to take. The movie never lets it's viewers off easily. It is violent, has several scenes that involve female degradation, and a villian who uses the "F" word more times then any character I have ever seen in any movie.
This may not sound like an incredible film from my review. And I don't want to waste any space decribing the films main plot. David Lynch films are as unique as it gets. You have to see this film for yourself to decide whether or not you like it.
The film does pack some of the most well constructed suspense scenes I have ever seen. It features an incredible performance by Dennis Hopper. But the real reason to see the movie is the look and feel that the dvd version captures perfectly. The colors and imagery of this film will be burned into your retinas for weeks after you've watched it. From things as simple as roses and fire trucks, to underground bugs and construction yards this movie looks beautiful. So my best advice if you've never seen this movie is to rent it first. Like I said, people either love it or hate it, Im part of the former group. Overall Rating:A+