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The Velvet Underground & Nico (180 Gram Vinyl)

Velvet UndergroundVinyl
4.4 out of 5 stars  See all reviews (362 customer reviews)

Price: $19.30 & FREE Shipping on orders over $35. Details
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Velvet Underground White Light/White Heat 45th Anniversary Editions


The Velvet Underground's debut album, 1967's The Velvet Underground & Nico, is among the most important and influential ever made--and every new generation, as the Sex Pistols, David Bowie, R.E.M. and Sonic Youth have previously, rediscovers it. With the now two-CD, digitally remastered The Velvet Underground & Nico (Deluxe Edition) (Polydor/UME), released March 5, 2002, yet ... Read more in Amazon's Velvet Underground Store

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Frequently Bought Together

The Velvet Underground & Nico (180 Gram Vinyl) + The Velvet Underground + Loaded
Price for all three: $35.37

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Product Details

  • Vinyl (June 27, 2008)
  • Number of Discs: 1
  • Label: 4 Men With Beards
  • ASIN: B0015NORBO
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (362 customer reviews)
  • Amazon Best Sellers Rank: #12,582 in Music (See Top 100 in Music)

1. Sunday Morning
2. I'm Waiting For The Man
3. Femme Fatale
4. Venus In Furs
5. Run Run Run
6. All Tomorrow's Parties
7. Heroin
8. There She Goes Again
9. I'll Be Your Mirror
10. Black Angel's Death Song
11. European Son

Editorial Reviews

Quite possibly the most influential rock album and great debuts of all time, despite its initial lackluster sales. The Velvet Underground & Nico has, in the 40+ years since its 1967 release, influenced the significant works in almost every sub-genre of rock from glam to punk to new wave to industrial noise to twee to indie rock. From the gentle pop opener of Sunday Morning to the dissonance of closer European Son, with stops at garage rock, R&B, and mellow love songs in between, The Velvet Underground & Nico is an all-time classic whose influence and power still can not be denied. Deluxe 180 gram vinyl with gatefold jacket.

Customer Reviews

Most Helpful Customer Reviews
159 of 180 people found the following review helpful
5.0 out of 5 stars A masterpiece not recognized at first July 27, 2005
Format:Audio CD
In all honesty, I must confess that I didn't much like this album when I first heard it. For years I had heard about the legendary group but hadn't actually listened to their music. I had heard only Velvet Underground clichés, like, "one of the most influential bands of all-time," "genius," "avant-garde masterpiece," and so on.

So I decided to give the Velvet Underground a try but was not initially impressed. I think the reason why I was not initially blown away by this album has to do with what I am used to and expectations. As a kid coming of age in the 90s, I am used to instant gratification albums with excellent production--these get straight to the point. When I heard The Velvet Underground and Nico (1967), my initial thoughts were, "This is boring and the production stinks." I really didn't "get it" at first. But as a younger listener not familiar with the Velvet Underground, I discovered that this is an album that takes time and a few listens to really appreciate. For me, experiencing this album was like having a few Alabama Slammers. At first, you think, "What's the big deal?" However, once it hits you, it hits you. Once I finally "got it," I found that this album is quite deserving of all the praise it has received.

Throughout their career, The Velvet Underground underwent many different personnel changes. It was their debut, however, that saw the band with its strongest lineup: the poetic Lou Reed, with his dry flat Dylan-like delivery; John Cale, the most artistic and musically gifted of the bunch; lead guitarist, Sterling Morrison, an underrated and underappreciated founder; Maureen Tucker, whose drumming on "Heroin" is indispensable; and finally Nico; the German-born actress/singer who was installed in the band by producer Andy Warhol.
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149 of 169 people found the following review helpful
5.0 out of 5 stars Peel Slowly and See a Truly Original Band July 10, 2002
Format:Audio CD
The Velvet Underground was little known during its lifetime; now, more than thirty years after the band collapsed, it has a world-wide following--but the band's music still tends to divide listeners. You either get it or you don't. For those who DO get it, this recording, with its Andy Warhol-designed "Peel Slowly and See" cover, is a must-have.
Both Lou Reed and Nico possessed flat sounding voices, and John Cale compensated for this by down-tuning his various stringed instruments--and then the band as a whole down-tuned to Cale's pitch. This creates a slightly off-kilter, droning tone... and the result is a strangely hypnotic, frequently dark, and often unnerving sound that swirls around the songs' street-tough lyrics. At worst, it is at least interesting; at best, it is completely original. Several of the cuts have a distinct pop inflection, but the band subverts them; "Femme Fatale" has a mocking tone, and both "Sunday Morning" and "I'll Be Your Mirror" have a decidedly paranoid quality. But the cuts for which this album is most famous are about as far removed from pop as you can get: the strange exotic stutter of "All Tomorrow's Parties;" the pitch black and street scary tone of "Heroin" and "I'm Waiting For My Man;" and the whip-like accompaniment on the S&M-oriented "Venus In Furs"--all of them frequently imitated but seldom equaled. The most extreme edge of the band is captured in such selections as "The Black Angel's Death Song," a piece so far out that The Velvet Underground were actually fired from a bar gig for playing it one time too many for the management's liking.
If your taste in music runs to bouncy dance music, pop standards, or even what passes for experimental among the top 40--you might want to give The Velvet Underground a miss.
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33 of 34 people found the following review helpful
5.0 out of 5 stars Royal reissue of watershed LP August 4, 2002
Format:Audio CD
Of the many impressive facets of the Velvet Underground's debut, perhaps the most impressive of all is how completely undated it sounds. While those who followed in the VU's footsteps often sounded retro -- often purposefully so -- this gritty, thirty-five year-old creation seems not to have aged a day.

Polydor's latest double-disc reissue collects both the mono and stereo mixes of the original album, digitally remastered, and adds contemporaneous singles and a quintet of VU-powered tracks from Nico's subsequent "Chelsea Girl" album. The package is enveloped in a foldout digipack (with or without peelable banana artwork), with a thick booklet that includes newly penned liner notes from Dave Thompson, photos, song lyrics and recording credits.

Of particular interest to U.S. buyers is the mono album mix, previously available only outside the U.S. This is the band's vision of the album, later remixed into stereo by MGM staff producer (and, at the time, Simon & Garfunkel producer) Tom Wilson. The mono version is tougher, and in the opinion of the band's label at the time, too limiting for American audiences (both for its intensity, and for the US's burgeoning interest in stereo). The difference in atmosphere is a terrific lesson in how mixing affects an album, and how visceral mono recordings can be.

The bonus tracks include five sides waxed by Nico with the original lineup of the Velvet Underground for her solo debut. Recorded in April 1967, they followed the band's original recording dates by exactly a year (the VU debut, recorded in April 1966, did not see release until March of the following year).
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Most Recent Customer Reviews
5.0 out of 5 stars Five Stars
Thank you!:)
Published 17 hours ago by Waddledee12
5.0 out of 5 stars I must have !
Classic - lou reed - I also have the lp. R.I.P. LOU ★
Published 12 days ago by robert harris
5.0 out of 5 stars Recipient thought this was a terrific CD
The recipient of this item was thrilled to bits with the CD - I bought it as a gift and had it sent to him in Canada. Your service was excellent - I am now back in UK
Published 20 days ago by Netherfield4348
4.0 out of 5 stars nice to hear new stuff
but tired of buying this over and over in different formats!
Published 2 months ago by Brian Collins
5.0 out of 5 stars Five Stars
Must have it
Published 2 months ago by Amazon Customer
4.0 out of 5 stars It's a Revelation
I don't know why I waited so long to listen to and buy this groundbreaking album. (Though I'm 99% sure I've heard "Waiting for the Man" before. Read more
Published 2 months ago by lawless
5.0 out of 5 stars Five Stars
Published 2 months ago by mike wilson
5.0 out of 5 stars It's cool, man, it's cool
I noticed that some reviewers don't like this album and cannot IMAGINE why we who like it think so highly of it. Read more
Published 2 months ago by Steven Haarala
5.0 out of 5 stars Five Stars
Great Exelent
Published 2 months ago by Jose R. Sanchez
5.0 out of 5 stars Music appreciation
I bought this as a birthday gift for my son, who is a music guru and was so thrilled to get this album. Perfect condition, I cant wait to listen to this with him.
Published 2 months ago by T. L. Wi
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Topic From this Discussion
180 Gram Vinyl!??
I recently purchased Pink Floyds "The Dark Side of the Moon" on 180 Vinyl and Im sorry to say I am very disappointed with the sound quality. That being said, my player is an Idler Drive with a pickup under the platter, so it is possible that the record being much thicker than normal is... Read More
Apr 9, 2012 by Kuffs |  See all 8 posts
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