The Venetian Mask: A Novel and over one million other books are available for Amazon Kindle. Learn more

Buy New

or
Sign in to turn on 1-Click ordering.
or
Amazon Prime Free Trial required. Sign up when you check out. Learn More
Buy Used
Used - Acceptable See details
$4.17 & eligible for FREE Super Saver Shipping on orders over $25. Details

or
Sign in to turn on 1-Click ordering.
 
   
Kindle Edition
 
   
More Buying Choices
Have one to sell? Sell yours here
The Venetian Mask: A Novel
 
 
Start reading The Venetian Mask: A Novel on your Kindle in under a minute.

Don't have a Kindle? Get your Kindle here, or download a FREE Kindle Reading App.

The Venetian Mask: A Novel [Paperback]

Rosalind Laker (Author)
4.1 out of 5 stars  See all reviews (18 customer reviews)

List Price: $14.95
Price: $14.48 & eligible for FREE Super Saver Shipping on orders over $25. Details
You Save: $0.47 (3%)
o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o
In Stock.
Ships from and sold by Amazon.com. Gift-wrap available.
Only 13 left in stock--order soon (more on the way).
Want it delivered Tuesday, January 31? Choose One-Day Shipping at checkout. Details

Formats

Amazon Price New from Used from
Kindle Edition --  
Paperback $14.48  

Book Description

March 25, 2008
Enduring friendships and long-held vendettas come alive against the splendor and decadence of eighteenth-century Venice.

In 1775 Venice–known to outsiders as “the brothel of Europe”–the tradition of mask-wearing has allowed adultery and debauchery to flourish. But Marietta and Elena, two dear friends at the Ospedale della Pietà, a world-famous orphanage and music school for girls, know little of that milieu–until they come of age.

Elena is forced to wed the head of the Celano clan, a jealous, brutal man, while Marietta marries Domenico Torrisi, whose family vendetta with the Celanos is centuries old. Tradition dictates that the friends should never speak again, but their bond is too strong to break.

As the French Revolution unsettles all of Europe, Elena’s husband frames Domenico and he becomes a political prisoner. Marietta and Elena plot to save him, and the women discover that Venetian masks have noble purposes, too–but will their efforts put their own lives at risk?

Embodying the glitter and the treachery of the city it portrays, The Venetian Mask will keep you turning pages long into the night.

Frequently Bought Together

The Venetian Mask: A Novel + To Dance with Kings: A Novel + The Golden Tulip: A Novel
Price For All Three: $38.14

Show availability and shipping details

Buy the selected items together
  • In Stock.
    Ships from and sold by Amazon.com.
    Eligible for FREE Super Saver Shipping on orders over $25. Details

  • To Dance with Kings: A Novel $12.00

    In Stock.
    Ships from and sold by Amazon.com.
    Eligible for FREE Super Saver Shipping on orders over $25. Details

  • The Golden Tulip: A Novel $11.66

    In Stock.
    Ships from and sold by Amazon.com.
    Eligible for FREE Super Saver Shipping on orders over $25. Details


Customers Who Bought This Item Also Bought


Editorial Reviews

About the Author

ROSALIND LAKER is the author of many novels, including To Dance with Kings and The Golden Tulip. She lives in England.

Excerpt. © Reprinted by permission. All rights reserved.

Chapter One

Marietta raised the velvet-covered lid of the box. Immediately her green eyes widened at the sight of the full-faced golden mask that shone from its bed of black satin. A strange shiver passed down her spine.

“Who has ordered this mask, Mama?” she asked almost warily, recalling that a few days ago she had seen her widowed mother, an outworker for a shop in distant Venice, give it a second coat of a certain rust-red paint in preparation for its gilding. Then it had been just another mask among so many in the workroom, but now, newly returned from the gilder, it had somehow leapt into life. Its strong male features showed a forceful nose, deeply indented chin, wide planes across the brow and cheekbones, and a well-cut mouth.

“I know nothing about the purchaser, except that the base was molded from a sculpture of his face.” Cattina Fontana looked up slowly from stitching sequins to a mask, every movement an effort in her poor state of health, and her gaze lingered fondly on her twelve-year-old daughter.

“Why would anyone want his own likeness in a mask?” Marietta continued to be uneasily intrigued. Masks were to conceal, not to reveal the wearer’s identity.

“It will be for fashionable occasions, when everyone knows the young man, not a mask for disguise. I expect he has a host of those and wanted an exclusive one with which to impress his friends.”

“How do you know he’s young?”

“I don’t,” Cattina admitted, “but it’s the kind of novelty that would appeal to a youth in Venice. Now add the tie-ribbons to it as I asked you.”

Cattina returned to her sewing, her hands trembling with weakness. A persistent cough had drained all her energy over the past several months. Although her illness had given her a greyish pallor and hollowed her eyes, it could not change the facial bone structure that had made her a fine-looking woman. It was from her that her only child had inherited an unusual beauty destined to fascinate.

The sequins winked little flashes of light as Cattina stitched. It was the last mask on which she would ever work. Even with Marietta’s skillful help her mask-making days had come to an end. She was full of dread. For far too long she had postponed telling Marietta what was to happen on the morrow.

With care Marietta took the golden mask out of its box and set it down on the table in front of her. Then she measured two lengths of black silk tie-ribbon from a roll, snipping them off with her scissors. Her fingers seemed to tingle as she threaded a ribbon through the small hole at each side and fastened them into place.

“This Venetian must be rich to have such a costly mask made at a whim,” she remarked as she closed the lid on it again. She had the eerie feeling that it was continuing to stare through the box at her.

“If he’s a member of one of the wealthy patrician families it will be a mere bagatelle to him. Yet it’s an investment, because he’ll be able to wear it all his life.”

“As I shall wear mine!” With a swirl of her long red-gold hair Marietta pulled open a drawer, took from it the moretta mask her mother had made her some while ago, and held it to her face. It was black and oval as these charming masks commonly were.

“May it always be a pleasure to you, child.” Cattina had enjoyed making it as a Christmas surprise. The moretta mask was worn by all social classes of women in Venice, according to Iseppo Marcello, the bargeman who plied his trade between the heart of the Most Serene Republic and Padua. It was Iseppo who delivered the work to Cattina and then collected the finished masks from her. He had given his promise of transport for the day that had come far sooner than Cattina expected.

Marietta began packing the finished masks in boxes ready for Iseppo. Once the workroom had been her late father’s carpentry shop, but his tools had been sold long since and the walls were now covered with the pegged-up brilliant and exotic results of her and her mother’s mask-making skills. Ranged on the shelves were boxes of twinkling spangled trimmings, soft plumes that wafted in the slightest draft, glass gems that flashed ruby, sapphire, and emerald; there were swathes of cobwebby Burano lace, dawn-hued gauzes, and the tangled sheen of rainbow ribbons. Less colorful were the masks still to be trimmed, made of papier-mâché, leather, or waxed canvas; something about the empty eye-sockets gave them a sinister air, but then every mask had an aura of mystery about it.

As she worked, Marietta hummed a few bars and then began to sing a favorite old song that her father had taught her when she was three. It was about Columbina, a serving wench loved by Harlequin, who was driven to distraction by her flirtatious ways. The song told of her capricousness as she danced through Carnival-time, evading him here and there in the arcades of St. Mark’s Square, on the Rialto Bridge, along the Merceria, and even in a gondola where she closed the shutters of the felze, the black wooden hood, in order that he should not see her. But he always found her—only to lose her again.

On the surface it was a merry song, but Marietta never failed to be touched by its bittersweet theme. When her mother gave a little clap of applause, Marietta looked over her shoulder with a smile. Cattina nodded.

“You sang that very well today.”

“Did I?” Marietta was pleased. It was as natural for her to sing as it was to breathe. Her earliest memories were of her late father’s splendid tenor voice, but then it was said that there was not a Venetian born who did not sing or play a musical instrument. She was proud that she had inherited his musical gift and that his blood ran in her veins like the water in the canals of his native city, which she had never seen.

As Marietta began another old song, a violent spasm of coughing seized Cattina by the throat. Marietta rushed to fetch a bottle of herbal syrup and poured some into a cup, but there was no question of Cattina being able to drink as yet. As the cloth Cattina kept pressed to her mouth became stained with blood, Marietta was terrified that her mother would hemorrhage to death. When at last the coughing ceased the girl held the cup to her exhausted mother’s lips.

“I’ll help you to bed, Mama.”

It was a slow process, Marietta supporting Cattina from the workroom and up the stone staircase from the kitchen. When at last Cattina was in bed, Marietta sat beside her.

“I have something to tell you,” Cattina said, clasping her daughter’s hand. “When Iseppo collects the boxes of masks in the morning, you and I must be ready to travel with him to Venice.”

“You’re not well enough to go anywhere! You must rest.”

“In the morning I’ll be better again. You know how my strength waxes and wanes.”

“But why should you be thinking of such a journey? Let’s wait until you’re better.”

“We have to go, child. You remember how I’ve talked about those four conservatories of music in Venice for girls unable to pay for their keep or their training? They are renowned for their choirs that sing like angels and for their superb orchestras. A tradition of music has been built up almost from their beginnings and the fame of these ospedali is known throughout Europe.” Cattina smiled over what she was telling, unaware that she was plucking nervously at the coverlet. “It’s no wonder that visitors to Venice—whether they be from neighboring Italian states or foreigners on the Grand Tour—consider it an essential part of their sojourn to hear these young singers and musicians. Iseppo says noble folk wait in long lines to buy tickets whenever an ospedali concert is to be performed.”

“Do they?” A growing dread had stiffened Marietta’s spine and she dared not anticipate what she was to hear next.

“At the best of these places, the Ospedale della Pietà, your father once made all the music stands for the orchestra. That was before I knew him. So it is to the Pietà that I’ll be taking you. There you will live and be educated while your voice, which is so sweet and clear, is trained.”

Marietta began to tremble with shock and dismay. “No!” she burst out frantically. “I don’t want to leave you!” She leaned forward to throw her arms about her mother, the words tumbling from her. “Please don’t make me go! You couldn’t manage the work alone and there’d be nobody with you when you coughed. All I want is to be with you!”

Cattina cradled her daughter close, struggling to keep back her own tears. “But I’ll be leaving here too. You see, once I know you are safely looked after I shall go to the convent in Padua, where the nuns will nurse me.”

“I’ll come with you!”

“That’s not possible. Only the sick are admitted.”

“I’ll join the convent as a novice and then the nuns will be bound to let me look after you.”

“No, Marietta. You’re too much your father’s daughter to be confined forever within convent walls. I’ve decided what is best for you.”

Marietta sat up and spoke on a gulping sob. “I long for you to be well again. More than anything else in the whole world.”

“I know you do. But let us think of what lies ahead for you. You will get to know the City of the Sea. Your father never tired of talking about it. Tomorrow you and I will be seeing it for the first time.”

“Why did he never take you there?”

“He couldn’t. The Most Serene Republic has very strict laws and your father b...

Product Details

  • Paperback: 464 pages
  • Publisher: Three Rivers Press (March 25, 2008)
  • Language: English
  • ISBN-10: 0307352560
  • ISBN-13: 978-0307352569
  • Product Dimensions: 5.2 x 1 x 7.9 inches
  • Shipping Weight: 12 ounces (View shipping rates and policies)
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (18 customer reviews)
  • Amazon Best Sellers Rank: #243,507 in Books (See Top 100 in Books)

More About the Author

Discover books, learn about writers, read author blogs, and more.

 

Customer Reviews

18 Reviews
5 star:
 (5)
4 star:
 (10)
3 star:
 (2)
2 star:
 (1)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.1 out of 5 stars (18 customer reviews)
 
 
 
 
Share your thoughts with other customers:
Most Helpful Customer Reviews

19 of 19 people found the following review helpful:
4.0 out of 5 stars (3.5 stars) yes, Laker has patterns for her books, but that doesn't make this novel of intrigue and love bad by any means, June 9, 2008
Amazon Verified Purchase(What's this?)
This review is from: The Venetian Mask: A Novel (Paperback)
After reading "To Dance with Kings" I made it my mission to read all of Rosalind Laker's novels. After "The Golden Tulip" I begin to see a pattern, which was confirmed with this novel "The Venetian Mask." You see, while the plot of her novels may vary greatly from one book to another, all of her books seem to have two things in common-each female heroine must have some association with the arts through creative means (fan making, mask making, silver design, painting, silk weaving, building furniture, jewelry....) and it seems each of her novels at least some of the following aspects: an evil male (bent on marrying one of our hapless heroines and then ruining her life) at least one heroine (who's hair will be some hue of read) lovers parted (tragically but they seem to get over it in time) and a marriage of convenience from which love will bloom. For all I know though, these elements are common ground for novels that are more about romance than anything else, as Lakers are (in spite of the tons of interesting historical information she packs in.)

"The Venetian Mask" has all the elements of a Laker novel but that doesn't make it unoriginal. The setting alone in historical, secretive and magical Venice and the historical information that goes along with it makes this novel unique. It starts with Marietta a girl who works with her mother in a mask making shop and the last mask her mother will ever make, which will play a significant role in her daughters life. Shortly thereafter the mother dies, leaving her daughter to have her voice trained in one of Venice's charity orphanages, renowned for the quality of their musical orphans.

It is at the Ospedale della Pietà that Marietta will spend her years until adulthood, accompanied by another orphaned girl, her new best friend, Elena. Together they will go through childhood adventures and adult heartbreak until circumstances of marriage force them into the midst of a centuries old Venetian family vendetta and the two are forbidden to meet. But these two girls (both with hair in hues of red of some sort) refuse to be kept down. And in a city renowned for its Carnival, where safely lies behind masks, anyone in Venice can do anything....as long as people don't know who you are....

Sadly while Marietta's marriage blossoms, Elena's is a nightmare of darkness and abuse and soon the novel spins into a whirlwind of drama including baby switching, murder attempts, faked treason trials, seduction of innocent Pietà girls and even more. Add in the French Revolution and you've got yourself a novel packed full of intrigue, drama and multiple creative uses for Venetian masks.

Which is typical for Laker-you want to read her books; you get a soap opera of drama and romance, good and bad. And of course, being set in Venice, a city whose very culture is built of secrets, this one has to step it up.

There is no question that "The Venetian Mask" is an enjoyable novel. I liked it better than "The Golden Tulip" because it lacked the character problems and there wasn't any thing that could have been cut from the book and still have the story hold together. But I'm afraid that for me it will never eclipse "To Dance with Kings", which if definitely the best of Laker's work I've read so far.

The only big problem with this novel is that there is so much going on that we hear about through character talk instead of reading about with our own eyes. I know to write the whole thing down would make the book longer and maybe break some sort of suspense Laker was trying to create but I can't help thinking that it would have been a better book had all those missing scenes been included.

This is definitely a novel for a historical fiction lover who likes more than a fare share of drama and romance along with their history facts (and this is pumped full of them) and as long as you don't mind a little bit of similarity with Laker's past works, and a novel that focuses more on the romance and the drama it creates than anything else you'll most likely find a couple of very enjoyable days reading "The Venetian Mask", as I did.

Three point five stars.
Help other customers find the most helpful reviews 
Was this review helpful to you? Yes No


4 of 4 people found the following review helpful:
3.0 out of 5 stars The Venetian Mask, May 8, 2008
This review is from: The Venetian Mask: A Novel (Paperback)
The only way I can really describe the experience of reading Rosalind Laker's book is with a half-hearted "meh." I didn't finish it- not because I HATED it, but because it just didn't draw me in at all and I felt no great desire to find out what happened next.

I found the writing inelegant- there several instances of Laker telling readers exactly what was going through characters' minds, even when it was obvious (i.e., "Are you alright?" he asked anxiously. He was anxious to know that she was alright). I also thought the female characters were terribly one-dimensional in that they were without fault, the beautiful (but of course, completely oblivious to their beauty) victims of circumstances beyond their control.

There is nothing wrong with this type of writing, I suppose, and I'm sure that if there hadn't been many other books calling out to me to be read, I might have continued reading it through to the end. But about 150 pages in, I just didn't have any real interest in the story or the characters, and so I decided to move to something else. I do like historical fiction and historical romance as a genre, but I like the Georgette Heyer and Jane Austen type novels, which are full of witty repartee and memorable conversation; Laker does not, in my opinion stack up.

Overall, I don't think this was a bad book, but I also don't think it was memorable, and I believe that there are many historical fiction authors out there who do better than Laker did.
Help other customers find the most helpful reviews 
Was this review helpful to you? Yes No


3 of 3 people found the following review helpful:
3.0 out of 5 stars Diverting but not epic (Review for 2008 Paperback re-print), July 26, 2008
By 
This review is from: The Venetian Mask: A Novel (Paperback)
The atmosphere of eighteenth-century Venice is exciting and exotic. It's a world completely different from anything our modern world can offer. Laker provides vivid, lush descriptions of Venetian masks, fashions, architecture, and politics. Through her prose it is easy to envision the world Marietta and Elena live in.

But while Venice is beautifully fleshed out, Marietta and Elena are not. The two women are fairly interchangeable, with no defining characteristic between the two of them. Then men are little better; all men are lusty but the 'good' ones rein in their desire until wedding bells ring and the 'bad' ones rape and take what they want. The characters, in summary, are not particularly likable because they lack dimension and depth. For this same reason, they aren't especially repulsive or horrible, either.

The plot is predictable, but enjoyable. I did have fun reading the book, although the writing is nothing exceptional. The ending is too contrived and ties up far too neatly, but the rest of the novel's pacing and action worked well enough.

Is this a book I'd recommend? No, there are far more I'd mention first. Is it a book I would read again? Probably not. But is it a bad book? Not at all. If someone I know is reading it, I would be happy to discuss the book with them. Anyone reading this review, I'm not at all discouraging you from reading this! Go for it!
Help other customers find the most helpful reviews 
Was this review helpful to you? Yes No

Share your thoughts with other customers: Create your own review
 
 
 
Most Recent Customer Reviews











Only search this product's reviews



Inside This Book (learn more)
Browse Sample Pages:
Front Cover | First Pages | Surprise Me!
Search Inside This Book:

What Other Items Do Customers Buy After Viewing This Item?


Tags Customers Associate with This Product

 (What's this?)
Click on a tag to find related items, discussions, and people.
 
(10)

Your tags: Add your first tag
 

Customer Discussions

This product's forum
Discussion Replies Latest Post
No discussions yet

Ask questions, Share opinions, Gain insight
Start a new discussion
Topic:
First post:
Prompts for sign-in
 


Active discussions in related forums
Search Customer Discussions
Search all Amazon discussions
   
Related forums





Look for Similar Items by Category


Look for Similar Items by Subject