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  • Venus & Mars
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Venus & Mars DTS Surround Sound

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Audio CD, DTS Surround Sound, November 25, 1997
$45.56 $39.95

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Product Details

  • Audio CD (November 25, 1997)
  • Requires DTS Decoder edition
  • Number of Discs: 1
  • Format: DTS Surround Sound
  • Label: Digital Sound
  • ASIN: B000007SIS
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (183 customer reviews)
  • Amazon Best Sellers Rank: #222,599 in Music (See Top 100 in Music)

1. Venus and Mars
2. Rock Show
3. Letting Go
4. You Gave Me the Answer
5. Love in Song
6. Magneto and Titanium Man
7. Venus and Mars (Reprise)
8. Spirits of Ancient Egypt
9. Call Me Back Again
10. Crossroads
11. Medicine Jar
12. Listen to What the Man Said
13. Treat Her Gently/Lonely Old People

Editorial Reviews

Product Description

This DTS CD is an out of print collectible! It is a DTS Entertainment release. Catalog 71021-54401-2-5. There is a saw cut on the spine of the case. Digital Surround for DTS-capable 5.1 sound systems. This CD is in the DTS 5.1 format and requires a DTS decoder or preamp to play.

Released in the glow of Wings' biggest and best album, Band on the Run, Venus & Mars found Paul McCartney in his element--a working rock star, being screamed at again, cheerfully riding the last rays of his youth. Adulation always brought the best out of him, and Venus & Mars is nearly the equal of its more lauded predecessor. McCartney never strays from his favorite themes (sex, drugs, rock & roll, and marriage), but his confidence is high as he mixes gorgeous, airy production numbers like "Listen to What the Man Said" and "Letting Go" with the ribald and hilarious. "Rock Show" matches the Who's "Long Live Rock" as the finest and funniest of those self-celebratory '70s stomps. McCartney's effortless marshalling of melody and arrangement hoists the blander material out of trouble, and the best stuff's powered by genuine, rediscovered verve. Facile and frivolous, but not at all bad. And their version of the "Crossroads" theme is wicked. --Taylor Parkes

Customer Reviews

The remastered CD versions helped the sound a lot.
Venus and Mars is the best album he made with Wings after Band on the run.
Great work, this is an extremely well produced album.

Most Helpful Customer Reviews

112 of 121 people found the following review helpful By CMoon on November 8, 2005
Format: Audio CD
What a laugh suckerfly's lame "review" of this album gave me. To correct some of his many errors:

1) McCartney DIDN'T break up the Beatles, he was the one who kept them together until John finally decided he didn't want to play anymore.

2) Beats me how you can accuse McCartney of showing only one character trait in his musical career. I doubt any other artist has ever put out such a variety of styles. Certainly no artist of his stature ever took more risks with his music.

3) You Gave Me The Answer is 20's pastiche, not 30's.

4) The line in Letting Go "like a lucifer she'll always shine" does NOT refer to Satan or the Morningstar as you state. In Britain, a lucifer was a match (you know, that sparks into flame and burns brightly), this is what that line means.

5) Possibly the reason McCartney says nothing to you is because you approach him with a closed and biased mind.

Now to the album. I have always regarded V&M as the second of McCartney's 70's triumverate of rock/pop masterpieces, begun with Band On The Run and closed with Speed Of Sound. These are the albums that confirmed Paul McCartney's second dose of megastardom, and possibly made Mr Lennon (who must have regretted singing "pretty soon they'll see what you can do" in his vicious 1971 How Do You Sleep) decide early retirement looked good! A new generation, many only vaguely aware he had been in a 60's band, turned his records into chart-topping multi-platinum discs and his stadium concerts huge sellout events.

Venus & Mars is a wonderful selection of great tunes, though not as cohesive and artistic as Band On The Run - showmanship threatens to replace musicianship.
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Format: Audio CD
This album by Wings boasts a fine example of Paul McCartney, Linda McCartney and their peers working together to produce a timeless album. More than 30 years after its release this album still attracts attention and sells well. The music on the CD proves why.

The album begins with the dreamy, psychedelic and slow paced "Venus And Mars." The album quickly changes gears, however, as the next song is "Rock Show." This song has a strong rock and roll flavor to it and the musical arrangement is very well done. Other great songs include "Love In Song;" "Magneto And Titanium Man;" "Letting Go;" and the touching ballad "Call Me Back Again."

I especially like the song "Medicine Jar." The rock and roll beat combines with great vocals by Jimmy McCulloch to make this a super powerful song. Many people can relate to this song; it directly addresses the dangers of drug abuse and it remains very timely.

"Listen To What The Man Said" is my favorite song on this CD. I agree with the Amazon reviewer who writes that the song has a jazz feel to it. It's a powerful song with catchy lyrics and a melody that sticks in your mind the first time you hear it.

A big plus to this CD is the addition of three bonus tracks: "Zoo Gang;" "Lunch Box/Odd Sox" and "My Carnival." Paul wrote "Zoo Gang" to be the theme for a TV thriller series; and "Lunch Box/Odd Sox" is an instrumental jam session recorded in New Orleans and released several years later as the B-side of "Coming Up." "My Carnival" has a great beat and creates a strong, upbeat mode to end the CD. Awesome!

The quality of the sound is excellent. The liner notes have the picture of Wings in the northern California desert; and there are creative sketches of Wings as well.
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27 of 29 people found the following review helpful By P Magnum HALL OF FAMEVINE VOICE on June 26, 2005
Format: Audio CD
Paul McCartney always wanted Wings to be more that just his backing band. He wanted them to be a complete band, with himself considered as just another member. Previous releases were credited to Paul McCartney & Wings, but in order to strenghen the group idea, Venus & Mars was the first album to be released as just Wings. It was also the first to have songs sung by other band members. While on subsequent releases this strategy contributed to uneven albums, it works out great on Venus & Mars. Denny Laine contributes the mystical "Spirits Of Ancient Egypt" and Jimmy McCullough plays soothsayer on the excellent "Medicine Jar". The song is about the inability to quit using drugs and McCullough would, himself, fatally overdose just a few years later. Even though Mr. McCartney tried to foster the group atmosphere, he, of course, is the true star of the album. The album opens with the dreamy "Venus & Mars" and seiges right into the roaring "Rock Show". "Listen To What The Man Said" is different from just about anything else in the McCartney catalog as it's very jazzy in nature. It was the album's only number one single. Other standout tracks include the rocking "Letting Go", "Call Me Back Again", the goofy "Magneto & Titanium Man" and "Love In Song". Venus & Mars doesn't get the praise that Band On The Run got, but it is the equal to and in many ways a better and more interesting record. The bonus tracks are all very good, but they don't stand up to the main album.
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39 of 45 people found the following review helpful By Marshall Boswell on November 21, 2003
Format: Audio CD
Look, this album is one of McCartney's unsung masterpieces--frivolous perfection from start to finish, pure candy-coated bliss. But the DTS--who did this thing? For starters, the song order has been shuffled, which wouldn't be an issue on other albums but which matters entirely to this album, which was sequenced with the care of Abbey Road and Dark Side of the Moon, the two albums it directly quotes, both visually and musically. Also, the versions of "Letting Go," which appears as track 3 (why?) and "Rock Show" sound like remixes or something. They're not the album versions, that's for sue. FOr all of that, the album's triumph, the linked pair of "Listen to What the Man Said" and "Treat Her Gently," sounds positively magnificent. The latter track particularly benefits from the 5.1 mix: the orchestra plays throughout here, with luscious harps and cellos buried in the original mix. So a precursor to what we can expect when McCartney himself oversees an SACD remix.
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