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14 of 15 people found the following review helpful:
2.0 out of 5 stars
Puzzling DVD, September 11, 2004
It is interesting to have available Verdi's first version of Forza, if only to realize how much stronger the opera became once revised. Textual differences have been described by other reviewers so there's no need to belabor points with which I'm in agreement.
As to the realization, I find this DVD most disconcerting. It gives me the impression that I am watching one performance and hearing another. There is a most annoying lapse in synchronization: the image is about one full beat behind the sound, beginning to end. It makes the whole performance suspect, as if we are watching lypsinching to the commercial recording (I believe on Philips) by these same forces, sandwiched by shots of Gergiev and the orchestra in an actual live performance with an audience present, and canned applause at the appropriate spots. I have no inside knowledge that this was the case, but such is the impression which remains.
Musically and vocally, all the men are fine to disguished, the Preziozilla is quite wonderful, but Gorchakova just lacks the legato, or what could be worse, the musicality, to propel the long, soaring phrases Verdi gives Leonora. Unfortunately for her, many great singers have recorded Leonora's music, beginning with the unsurpassed Ponselle; Gorchakova does not belong in their company. That's a big hole that no other virtue in the performance can fill. The reviewer who praised her "Vergine degli Angeli" should listen it again more carefully.
An interesting note: decors are based on those for the original production supervised by Verdi himself.
In summary, if you are interested in hearing Verdi's first version of Forza, get the CD. Well, if you want to see the original Roller backdrops (nothing remarkable), get the DVD. But do not watch it too closely as the lack of coordination between sound and lips is quite annoying, and there is that bizarre feeling that singers are not really singing in what purports to be an actual stage performance (patently obvious with the chorus).
Caveat emptor.
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11 of 12 people found the following review helpful:
4.0 out of 5 stars
Well staged, attractive 1862 version, October 19, 2002
This production is VERY attractive and the image quality is very high. The sets are attractive and the lighting is good, unlike many operas discs I have seen. Melitone is somewhat over the top, but I think that's how he's supposed to be. I found Preziosilla to have a very Russian sound. The crowd and army scenes are well done, especially the inn scene when Carlos is introduced. I tried not to be distracted by the appearance of the male leads, Carlos and Alvaro. It's hard to take a pot-bellied, balding man seriously as a love object for a young woman. Alvaro looked like Tweedledee and finally looked like he was in the correct costume when he appeared in monk's garb! However I enjoyed his singing very much, as long as I didn't think about looks matching the part. Though I prefer Verdi's revisions and think we should honour his intentions (i.e., revisions), it was interesting to see his early ideas for this opera, and we get more tenor singing in this version than in the revised one, which I am glad to hear. I would not buy this version for your only Forza, since it's not Verdi's APPROVED version, but for a second one, I like it.
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10 of 12 people found the following review helpful:
3.0 out of 5 stars
Not Impressive, April 17, 2002
I decided to review this DVD because I think that the Original version of "La Forza Del Destino" presented on this recording clearly is much weaker than the updated one. This is why I love Verdi and this is why he is geniuous: first version of "la forza" is not as nearly impressive as Verdi's other masterpieces, like "Rigoletto", "Il Trovatore", "Traviata". It clearly lacks the line and for me it seems very separated. So what Verdi did is that he revised his work: first of all he changed Overture, which became a masterpiece. Than he just removed several lines in the duets between Leonora and Alvaro (I act), Leonora and Padre (II act) and finally he completely revised tha last scene, which now is one of my favourite moments in the opera. So I want to say that although the singing and conducting on this recording is superb, the whole music, the whole opera is not impressive whereas revised version of "la forza" I think can be considered as masterpiece alongside with Verdis' other operas. My suggestion is if this is your first time listening to "la forza", listen to old recording featuring Correli, Tebaldi, Bastianini. That one is the best!
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