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| Disc: 1 | |||
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| 1. Rigoletto, opera: Prelude | |||
| 2. Rigoletto, opera: Della mia bella incognita birghese | |||
| 3. Rigoletto, opera: Questa o quella | |||
| 4. Rigoletto, opera: Ch'io gli parlli | |||
| 5. Rigoletto, opera: Quel vecchio meledivami! | |||
| 6. Rigoletto, opera: Pari siamo | |||
| 7. Rigoletto, opera: Figlia!... Mil padre | |||
| 8. Rigoletto, opera: Già da tre lune | |||
| 9. Rigoletto, opera: Giovanna, ha dei rimorsi | |||
| 10. Rigoletto, opera: E'il sol dell' anima | |||
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| Disc: 2 | |||
| 1. Rigoletto, opera: Ella mi fu rapita | |||
| 2. Rigoletto, opera: Parmi veder le lagrime | |||
| 3. Rigoletto, opera: Duca, Duca! | |||
| 4. Rigoletto, opera: Povero Rigoletto | |||
| 5. Rigoletto, opera: Cortigiani, vil razza dannata | |||
| 6. Rigoletto, opera: Mio padre | |||
| 7. Rigoletto, opera: Tutte le feste al tempio | |||
| 8. Rigoletto, opera: Ah! Solo per me l'infamia | |||
| 9. Rigoletto, opera: Poiché fosti invano da me maledetto | |||
| 10. Rigoletto, opera: E l'ami?... Sempre | |||
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Most Helpful Customer Reviews
6 of 6 people found the following review helpful:
4.0 out of 5 stars
What a bargain!,
By John P. (Kennett Square, PA USA) - See all my reviews
Amazon Verified Purchase(What's this?)
This review is from: Verdi: Rigoletto (Audio CD)
I took a chance on this recording despite the negative reviews posted here. I found the sonics to be no worse than one typically finds on "captured" live recordings, and the lead performances to be first-rate. Even though (like all Opera D'Oro recordings) no libretto is included, consider what you do get, especially the gorgeous timbre of early Pavarotti and a powerful characterisation of the vengeful jester, one of the great abused employees of Western art. This is a bargain set well worth owning. (It must be noted that the Duke's cabaletta of sorts "Possente amor mi chiama," which occurs just before his Act II exit, is missing. It's short, but its absence will be jarring to those familiar with this opera.)
4 of 4 people found the following review helpful:
5.0 out of 5 stars
Verdi of the highest order,
This review is from: Verdi: Rigoletto (Audio CD)
This is a Rigoletto to surpass anything, studio or live. Paskalis will NOT be appreciated by those who have come to believe that a Verdi baritone is supposed to have a uniformly big, round sound, and not much else(Milnes, Morris, etc)Paskalis is that rare baritone voice that has COLOR, shading, and exquisite soft singing, and the ability to execute each note and marking that Verdi indicates in the score. He never goes for the obvious, big effect.This is a tortured, passionate reading, in the grand tradition of the Verdi baritone. This is not a Metropolitan Opera voice, thank God, but a direct link to the great Italian school of Verdi voice training that harkens back to the golden age of singing, the last of which was Bruson. The Gilda of Scotto is another example of what is so sorely missing from today's opera stages, a mistress of bel canto, combined with fire and passion. If you don't get this style of singing, you don't get Verdi.
2 of 2 people found the following review helpful:
4.0 out of 5 stars
A young sounding Gilda,
By
This review is from: Verdi: Rigoletto (Audio CD)
Too many recordings have a soprano that sounds too old to convince me that she is a young girl. Even though they may have the vocal technique to manage the trills or show emotion in their voice, they still sound too mature for me. Scotto sounds like a trusting innocent and makes for a Gilda so pure that her downfall is all the more tragic. The only other Gilda on record that sounds as young is Edita Gruberova. This recording also has Pavarotti singing the Duke, which is a plus. Paskalis is straight forward in his interpretation of the title role and should satisfy most listeners. A good buy for the price.
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