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Most Helpful Customer Reviews
17 of 17 people found the following review helpful:
5.0 out of 5 stars
Beautiful, brilliant, and inspired fantasy of the future,
By Robert Moore (Chicago, IL USA) - See all my reviews (HALL OF FAME REVIEWER) (VINE VOICE) (TOP 100 REVIEWER) (REAL NAME)
This review is from: Vermilion Sands (Mass Market Paperback)
This magnificent collection of stories was first published in 1971. Although this book frequently shows up on lists of the greatest books of all time in that genre, it is not science fiction so much as a vision of possible forms that the arts could take in the future. It is more futuristic fantasy than science fiction. This volume marked J. G. Ballard's maturation as an author. Before this work, much of his work had been highly inventive but more mainstream science fiction. More specifically, he specialized in novels along the theme "this is the way the world ends." For instance, THE DROWNED WORLD concerns the fate of individuals living in tropical London after the polar ice caps have melted, leaving much of the world underwater. In THE WIND FROM NOWHERE a never-ceasing wind destroys the planet by blowing away all the soil and making agriculture and most other forms of human endeavor impossible. What makes VERMILLION SANDS is the sheer inventiveness of the world he imagines. It is a cheap, tacky world, not unlike a tawdry Las Vegas or Palm Springs, populated by futuristic artists and cultural has-beens. The art forms that Ballard imagines are brilliant, and feel far more familiar thirty years later than they must have felt to those in the early 1970s. After all, computers and the Internet and digitalization has constantly forced us to rethink the possibilities and forms of art. Ballard describes architecture that responds to the emotional experiences of its inhabitants and imparts some of that feeling back to those entering it. He imagines machines rather than people producing poetry, on long ticker tape like rolls of paper. Plants that sing. Sculptors who work with clouds as their preferred medium. And Ballard manages to meld these strange new arts perfectly into the lives of a rich and fascinating, if also rather sad and tragic, group of characters. This book is, at the time that I am writing this, out of print. But it has over the years come back in print on a few occasions. I am certain that it will again. It is without question a much more interesting book than many of his that are currently in print, and if there is any justice it will once again be made available. Until then, it is well worth searching out.
13 of 13 people found the following review helpful:
5.0 out of 5 stars
Remembrance of things to come,
By A Customer
This review is from: Vermilion Sands (Mass Market Paperback)
This collection of elegant, minatory stories about the has-been resort community of Vermilion Sands and the human flotsam that washes up on its derelict shores comprises some of author J.G. Ballard's most accessible work. His imaginative gifts and jade cool prose are everywhere on display in these stories. Sailplane artists sculpt the clouds into likenesses of their patrons. Psychosensitive houses are driven insane by their owners and bio-fabrics shimmer and pulse to their wearers moods. Ballard likes to create strange, surreal outerscapes and unite these with the straitened innerscapes of his protagonists, then narrate what happens next. In Vermilion Sands he exceeds wonderfully
4 of 4 people found the following review helpful:
4.0 out of 5 stars
Take a Mental Vacation to Vermilion Sands,
By Rae Schwarz "post-modern Renaissance woman" (Seattle, WA United States) - See all my reviews
This review is from: Vermilion Sands (Mass Market Paperback)
My personal favorite collection of stories from Ballard, and many people I've spoken to also hold a fondness for this group of stories. Although many of the story concepts repeat the theme of the tragic female figure and the tortured man who loves her and gets caught in the dramatic conflict, it is a lush and expansive vision that weaves through the collection. The title refers to a fictional beach resort, a playground of burnt out executives and movie stars at play, or in retreat from the rest of the world. As with most Ballard fiction, you get the distinct impression that these stories are actually taking place somewhere, and perhaps Ballard has just changed the names to protect the decadent. The vivid details of living clothing, cloud sculptors and singing sculptures are so intense, it's a bit of a surprise that Hollywood hasn't adapted some of these stories to the currently CGI movie craze. Then again, like most of what Ballard writes about, that could be coming just around the corner...
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