Amazon.com: Vertical Lift, Elevator, Paternoster: A Cultural History of Vertical Transport (9783433028681): Vittorio Magnago Lampugnani, Lutz Hartwig: Books

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Vertical Lift, Elevator, Paternoster: A Cultural History of Vertical Transport
  
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Vertical Lift, Elevator, Paternoster: A Cultural History of Vertical Transport [Hardcover]

Vittorio Magnago Lampugnani (Editor), Lutz Hartwig (Editor)
2.0 out of 5 stars  See all reviews (1 customer review)


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Book Description

July 20, 1994
The elevator is today considered a safe and modern means of transportation which even a child can operate and which everyone uses as a matter of course. However, the enthusiasm for the vertical movement, for the "earth-bound ascension" still influences the creative works of architects, writers, artists and filmmakers.

Still in the 1920s literati spoke of the "roaring lift of time" and thus captured in words a new "American" way of life. The fascination with the vertical movement inspired directors to make films which were able to capture the modern view of space in pictures which until then had not been seen.

Building planners used the elevator not only to literally build high-risers in the sky, but also, with the use of transparent lifts or panorama elevators, to make it possible to experience achitecture in unusual ways.

Through the essays on the subject, this book attempts to introduce a largely forgotten chapter in the history of technology. It sets out to illustrate the successful history of a means of transportation in various cultural contexts and thereby entice the readers to newly discover a familiar and unfamiliar part of our everyday culture.


Editorial Reviews

Language Notes

Text: English (translation)
Original Language: German

Product Details

  • Hardcover: 145 pages
  • Publisher: Wiley-VCH; 1st edition (July 20, 1994)
  • Language: English
  • ISBN-10: 3433028680
  • ISBN-13: 978-3433028681
  • Product Dimensions: 13.3 x 9.3 x 0.7 inches
  • Shipping Weight: 2.6 pounds
  • Average Customer Review: 2.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #5,940,206 in Books (See Top 100 in Books)

 

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7 of 7 people found the following review helpful:
2.0 out of 5 stars An eclectic and unusual book about elevators, November 3, 1999
By A Customer
This review is from: Vertical Lift, Elevator, Paternoster: A Cultural History of Vertical Transport (Hardcover)
This is a collection of essays and illustrations concerning vertical transport in buildings, principally the elevator. The best way of describing it is to list the topics of the various essays: By my count, there are 13 pages on the history of elevators, 3 pages on notions of ascension in religious tradition, 3 pages on the ridiculous notion of connecting orbiting satelites to the surface of the earth by elevators to accomodate sightseers(!), 20 pages on the elevator in art and literature, 10 pages on the elevator in film, 2 pages on engineering aspects of elevator control, 7 pages on escalators, and 7 pages on paternosters. Obviously, this is quite a mish-mash of essays that are only tangentially related to each other. The entire book has 144 pages, with most of the rest given over to photographs, which seem to have been chosen for eye appeal rather than for explanatory value.

This last section on paternosters was the most interesting, and had information that would be hard to find anywhere else. A paternoster is an endless chain running from top to bottom of a building; imagine a vertical conveyer belt. Attached to this belt or chain are numerous elevator cabs. The belt moves at a slow but constant rate of speed without ever stopping, and the numerous elevator cabs move up and down through the building. There are no protective doors; users jump on and off at will. The paternoster seems to have been limited to Europe, and even there it's becoming obsolete due to the safety problems.

The book was designed to be arty and has a pretentious air about it. The 9 by 13 inch format is awkward. Especially irritating is that photo captions and footnotes are vertical on the page, at right angles to the words of the essays. It looks like a clever approach to graphic design until you actually start to read it. As noted above, there are a huge number of full-page photos, which add to the book's aesthetic flair but are not always the best use of page space.

How does one categorize such a book? It defies pigeonholing. For the person interested in this esoteric topic of architectural history, it may be worth a look, but there are certainly shortcomings as well.

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