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Most Helpful Customer Reviews
12 of 14 people found the following review helpful:
5.0 out of 5 stars
Stunning outing by monster bassist/composer/arranger McBride,
By
This review is from: Vertical Vision (Audio CD)
There's a thing jazz artists have been struggling to do for as long as jazz has been identified as an authentic American popular music form: That's to make music that's true to its rich tradition of African-Creole rhythms (often filtered through a Latin lens), classical harmonies, and (perhaps the key element) improvisation, while still being listenable and accessible. What all too often happens is that one or more of these elements gets short shrift, and the music consequently slips into some kind of pseudo-jazz never-never land, a la "smooth jazz," "pop-jazz," or some other awful hybrid. Or, conversely, the music remains true to its heritage but becomes accessible only to the cognoscenti. To make hip, knowledgeable, authentic jazz is now and, really, always has been, something of a feat.We seem to be blessed with an abundance of marvelous, even revelatory, jazz recordings that each in their own way meet the above criteria for greatness in what is still the first quarter of 2003. In no particular order, I would cite These Are the Vistas by the Bad Plus, Freak In by Dave Douglass, Smile by Jacky Terrasson, Grand Unification Theory by Stefon Harris, Cuban Odyssey by Jane Bunnett, Scolohofo, and certainly not least, Vertical Vision by the Christian McBride Band. In some ways, Vertical Vision is my favorite of all. It's greatest virtue is its listenability. Seldom does such prodigious technique as McBride, still in his twenties, I believe, possesses get placed in such a listener-friendly setting. Any one of these cuts could be heard by a non-jazz fan and still be enjoyed, I believe. Yet, there is still plenty of compositional and improvisational meat for the hardcore jazzer. Vertical Vision represents a significant step forward from McBride's last outing, Science Fiction. Each element-Latin, funk, straight-ahead, ballad-seems to be more organic, deeper, more natural. For Latin, check out the breezy, free-flowing "Song for Maya," with its glorious flute stylings by Ron Blake (here sounding more relaxed and mature than I've ever heard him). For funk, tune in on "Boogie Woogie Waltz," again featuring a transcendent Ron Blake, this time on soprano sax. Plus, that amazing keys-guy, the aptly named Geoff Keezer, gives perhaps his finest funk performance on record. Also on this track, check out Terreon Gully, who also magnificently contributes his prodigious percussion chops to Stefon Harris's Grand Unification Theory. I especially like his nuevo-African outro. For more funk, don't miss out on "Technicolor Nightmare," featuring some scorching guitar work from David Gilmore. For gorgeous balladry, dig into "Tahitian Pearl," with Keezer leading the way on some very tasty electric piano and Ron Blake persuasively swinging on tenor sax. Some of these cuts skate quite close to that dreaded musical hell-hole, "smooth jazz," but their compositional rigor combined with the players' deep commitment to and knowledge of the jazz tradition always steers them clear of disaster. For straight-ahead, there's "The Wizard of Montana," with its boppish feel, though tweaked, brilliantly, I'd say, by some very contemporary keys and electric bass treatments. Highly recommended to anyone who loves gorgeous instrumental music.
3 of 4 people found the following review helpful:
5.0 out of 5 stars
Nothing but the Best,
By A Customer
This review is from: Vertical Vision (Audio CD)
A great CD, with great music and great musicians.Very similair to Weather Report, but still has its own vibe to it. My personal favorites are Techincolor Nightmare, The Ballad of the Little Dancer Girl, and the brilliant cover of Boogie Woogie Waltz.
3 of 4 people found the following review helpful:
5.0 out of 5 stars
Must Own,
By ryan (Minneapolis) - See all my reviews
This review is from: Vertical Vision (Audio CD)
Many may disagree that this is a must own, but I can't live without it. I saw these guys play live at the Dakota in St. Paul, MN and they are amazing. This has some of the best techinical playing and beautiful composition I have heard. All of my jazz heads love it, and my jazz-hating girlfriend will listen to it. You can't not groove to it. Keezer will blow your mind on the keys, Christian keeps the groove like the bass should, and the drums fit like a dream. The sax isn't the best, but it is more than made up for. Definately worth your money.
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