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Vertigo (Collector's Edition)


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Vertigo (Collector's Edition) + Rear Window + To Catch A Thief (1955)
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Product Details

  • Actors: James Stewart, Kim Novak, Barbara Bel Geddes, Tom Helmore, Henry Jones
  • Directors: Alfred Hitchcock
  • Format: AC-3, Closed-captioned, Collector's Edition, Color, Dolby, Letterboxed, NTSC, Special Edition, Subtitled, Widescreen
  • Language: English (Dolby Digital 5.1)
  • Subtitles: English, Spanish, French
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • Rated: PG (Parental Guidance Suggested)
  • Studio: Universal Studios
  • DVD Release Date: March 31, 1998
  • Run Time: 128 minutes
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (666 customer reviews)
  • ASIN: 0783226055
  • Amazon Best Sellers Rank: #78,570 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "Vertigo (Collector's Edition)" on IMDb

Special Features

  • Obsessed With Vertigo
  • Feature Commentary with Associate Producer Herbert Coleman, Restoration Team Robert A. Harris and James C. Katz and Other Vertigo Participants
  • Original Theatrical Trailer
  • Restoration Theatrical Trailer
  • Hitchcock's Foreign Censorship Ending
  • The Vertigo Archive
  • Production Notes
  • Cast and Filmmakers

  • Editorial Reviews

    Product Description

    Considered by many to be director Alfred Hitchcock's greatest achievement, Leonard Maltin gives Vertigo four stars, hailing it as "A genuinely great motion picture." Set among San Francisco's renown landmarks, James Stewart is brilliant as Scottie Ferguson, an acrophobic detective hired to shadow a friend's suicidal wife, Madeleine (Kim Novak). After he saves her from drowning in the bay, Scottie's interest shifts from business to fascination with the icy, alluring blonde. When he finds another woman remarkably like his lost love, the now obsessed detective must unravel the secrets of the past to find the key to his future.

    Additional Features

    The Vertigo DVD presents the superb restored print of the film with a remastered Dolby Digital 5.1 soundtrack. There's a half-hour documentary made in 1996 about the painstaking two-year restoration process, plus an informative commentary from the restorers Robert Harris and James Katz, who are joined by original producer Herbert Coleman. There are also text features on the production, cast, and crew, plus a trailer for the theatrical release of the restoration. This is an undeniably essential requirement for every DVD collection. --Mark Walker

    Customer Reviews

    The 1958 film Vertigo may very well be one of Alfred Hitchcock's most unusual thrillers.
    Count Orlok '22
    SPOILER ALERT - STOP READING I greatly appreciate Vertigo as a well crafted movie, and certainly I like how you never know what is going to happen next.
    Lisa Shea
    One of the best Hitchcock's movie, and even one of the best film ever made (my favourite one).
    J

    Most Helpful Customer Reviews

    216 of 228 people found the following review helpful By Michael K. Beusch VINE VOICE on April 7, 2000
    Format: DVD
    Vertigo is one of those films that is so ahead of its time, no one at the time of release is able to appreciate it. It was dismissed by critics, ignored by audiences and, to my knowledge, didn't win a single Academy Award (this last part isn't shocking -- Citizen Kane didn't win Best Picture). It's interesting that the reputation of this film seems to have grown substantially since the public found out more about Alfred Hitchcock's private life. For example, Scottie Ferguson's obsession with Kim Novak mirrors Hitch's own obsession with beautiful blondes, most notably Grace Kelly. Actors often bare their souls to the world, but very rarely are we aware when a director bares his/her soul. Those who dismiss Hitchcock as just a taskmaster director of suspense films should study Vertigo. He is essentially dealing with his own weaknesses and inner demons on film.
    Vertigo also contains two great performances -- those of James Stewart and Kim Novak. Stewart reveals a dark side that might shock those who just know him from Mr. Smith Goes to Washington and It's a Wonderful Life. He is completely believeable as a man (Hitchcock's alter ego) who is consumed by obsession. Likewise Kim Novak is wonderful and totally convincing as Madeline/Judy. Vera Miles (Lila Crane in Psycho) was originally cast, but it's hard to see anyone else but Kim Novak in the role. She is utterly convincing as the distant, aristocratic Madeline AND as the earthy working class girl Judy. I can't think of many actresses who could be so effective in both roles. Grace Kelly, for example, might have been able to pull off Madeline, but probably would have been laughable as Judy. It's too bad more directors couldn't see past Novak's sex kitten image and cast her in more substantial roles.
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    76 of 80 people found the following review helpful By calvinnme HALL OF FAMETOP 1000 REVIEWERVINE VOICE on August 17, 2008
    Format: DVD
    It is unusual to see a director produce his best work after the age of 50, but that is exactly what Alfred Hitchcock did. Starting in 1948 with "Rope" and ending with "The Birds" in 1963, this was the era of his most inspired films. "Vertigo", in my opinion, is the best film of his entire body of work.

    It is funny to note that when this film was first released in 1957 that it was not that popular in theaters and was pretty much universally panned by critics. In 1992, when the British Film Institute performed a survey of the world film critics to compile an all-time ten-best list that comes out every decade, Vertigo came in at fourth place. It didn't even make that list in 1962 or 1972. Part of the reason for the delayed popularity of the film could be that it requires repeated viewings to really gain an appreciation of it. Such repeated viewings were not possible for most viewers until the advent of home video systems and cable around 1980.

    As for the film itself, it is a brilliantly twisted movie infused with touches of genius and madness that focuses on the interconnected nature of love and obsession. Interwoven with this main theme is a crime mystery that is revealed to and solved for the audience but not the protagonist, James Stewart's character, for the last 45 minutes of the film.

    Alongside these themes is the issue of lost opportunities - how we grieve over them, and whether or not what we perceive as lost opportunities were ever "real" opportunities in the first place.
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    39 of 39 people found the following review helpful By Sandy McLendon on July 24, 2001
    Format: Audio CD
    Of the "Vertigo" CD's available, I like this one best, even though I know there are some problems with it. Some tracks are mono, because they were originally recorded that way. There are some flaws in the playing, including more bowing from the strings than composer Bernard Herrmann might have liked. And the years have not been entirely kind to the recordings themselves. I say, "So What?" This is the version that has the one thing all others lack- the power to put you back into the strange world of "Vertigo".
    It's a very complete version; the only thing I believe is missing is the little bit of stock music used when Scotty and Judy dance at the Fairmont.
    But the wonderful thing about this soundtrack is that power to return you to San Francisco, circa 1958, when a decent detective got gulled into playing an unwitting witness to a scam, and lost his soul thereby.
    I can testify to that power; I played the CD in the car one day, and found myself driving on one of Atlanta's hillier streets, just as the music for Scottie's following of Madeleine was played. For just a second, I was IN the movie, it seemed; I had to take a moment to bring myself back to here and now- reminding myself that I was on my way to a meeting, not tailing a green Jaguar. If I had been in San Francisco when this happened, I think I might have ended up in San Juan Bautista before the spell broke...
    Again, I've heard the other versions, and they're fine. They're well-played and state-of-the-art technically; they try to correct every flaw in the actual soundtrack, and on that score they succeed. They just don't have the ability to evoke the movie the way this one does. Madeleine and Scottie are on this CD, and no other. Play the others, and hear beautiful music. Put this CD in, and be transported. I was.
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