42 of 42 people found the following review helpful:
4.0 out of 5 stars
A Suspenseful and Intricate Tale, February 7, 2004
If Martin Booth's new novel A VERY PRIVATE GENTLEMAN is a bestseller, expect Italy to become a highly popular tourist destination. His narrator, an international criminal, spends the novel alternately enticing you to join him high in the Italian Apennines and cautiously warning you from trying to find him.
The novel's setting, a small, unnamed, rural Italian village, is exquisite and exquisitely rendered. Booth takes time to describe precisely and poetically the old wine shop run by a maniacal dwarf and an obedient giant, the ancient apothecary whose floorboards have absorbed centuries of spills, and the historic piazzas that inspire nothing but nonchalance in the townspeople who visit them every day.
Clarke, which is not the narrator's real name but an alias, poses as a painter of butterflies, a Nabokovian occupation that allows for such eccentricities as long absences, erratic behavior, and no set schedule. So he often lounges and partakes of local delicacies --- the wine, the home-smoked prosciutto, his two mistresses, all of which he describes in tantalizing detail --- while he practices his true calling. Clarke's real profession is much more sinister than painting insects, although equally artistic. He doesn't reveal it until almost 100 pages in, but hints, "I am the salesman of death ... I do not cause it. I merely arrange for its delivery. I am death's booking-clerk, death's bellhop."
Despite his obsession with privacy and death, Clarke is an endlessly entertaining narrator, and his insights into the international underworld and the human condition are intriguing. "Everyone is a terrorist," he observes. "Everyone carries a gun in his heart. Most do not fire simply because they have no cause to pursue."
Booth's rendering of his narrator's voice is remarkable, both for its consistency and for its intricacy. Not only does Clarke keep his guard up through the novel's course, he also manages to convey a great deal about his antihero without him realizing it. Clarke admits his deception to the reader: "The names are changed, the places changed, the people changed. There are a thousand Piazzas di S. Teresa, ten thousand alleys that have no names ... You will not find me."
But Clarke seems unaware of his own self-deception: while he is astute and witty, he can also occasionally be self-important and even boorish in justifying his very private lifestyle. And he studiously avoids cultivating any lasting human connections while wondering how to make his mark on the world, never realizing that to do one is to ensure the other. But his shortcomings become the book's strengths, for as he contemplates life and death in Italy, his flaws --- and his own ignorance of them --- reveal his surprising depth and complex humanity.
Booth makes A VERY PRIVATE GENTLEMAN more than just a postcard from Italy; the setting has direct thematic relevance to the story. History is not just a recurring motif, but a character in itself, an antagonist who constantly reminds Clarke of his encroaching mortality. What better place to set such a face-off than in the seat of Western history, the land where the Knights Templar roamed, where abandoned castles and churches litter the terrain. Even the view from his window captures eras past: "What I can see, with my pair of compact pocket Yashica binoculars, are five thousand years of history laid out before me as if it were a tapestry upon a cathedral wall, an altar-cloth to the god of time spread over the world."
Ultimately, even the passage of time becomes a delicacy in A VERY PRIVATE GENTLEMAN. With a watchmaker's precision, Booth has written a suspenseful and intricate tale, one that is as inviting as it is cautionary.
--- Reviewed by Stephen M. Deusner
Help other customers find the most helpful reviews
Was this review helpful to you? Yes
No
17 of 18 people found the following review helpful:
4.0 out of 5 stars
A Very Different Book Than I would Have Imagined, September 28, 2004
I read Lawrence Bloch's Hitman series and I though this would be the European version, but was I wrong! The Bloch books focused in more on the witty comments and action between Keller and his handler.
Booth's book is focused on a previously unknown aspect of a high profile assissination (I won't spoil it for you) that no one really thinks about before.
The main character, Mr. Buttefly, is well written and complex as is the plot. I never could guess where the next chapter would lead, much less the book. The other supporting cast are equally enthralling and layered.
This book reminds of a cross between A Year in Provence and A John LeCarre spy novel.
Help other customers find the most helpful reviews
Was this review helpful to you? Yes
No
20 of 24 people found the following review helpful:
5.0 out of 5 stars
Captivation, September 2, 2004
As a writer I have a intense love for books. I picked this book up at the library. The title interest me only because it contrasted the illustration of the book. When viewing the title I thought it immediately would be a love story. However, I immediately realize that a man was holding a gun and only part of his face could be shown. I begin reading the book. I came to love Mr. Butterfly. He seemed so complicated. At first it seems he is content with not having a true identity or noone with whom he can trust. However, the longer he stays in the Italian countryside the longer he realized that he wants something more. He finally got the chance to see what life would be like if he just settled. He could paint butterflies, sit at the bar with trustworthy neighbors, have intimate talks with his friend the priest, and fall in love with the beautiful young woman. Though his past and most important one of his "mistakes" ends up threatening his future. I have read too many books and realized how story like this end. What happens to the character. Time again I asked myself why am I still reading this. When I got to the end I realized the answer. Booth's language captivated me. Page by Page I waited for the inevitable yet hoping it would not happen. I loved this book, even in the the last sentence he leaves you wanting more. Not only for the story, but also for the character. I was intrugued by how the character was formed and most importantly his profession.
Help other customers find the most helpful reviews
Was this review helpful to you? Yes
No
