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A Very Private Gentleman: A Novel
 
 
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A Very Private Gentleman: A Novel [Hardcover]

Martin Booth (Author)
3.7 out of 5 stars  See all reviews (39 customer reviews)


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Book Description

January 26, 2004
The locals in the southern Italian town where he lives call him Signor Farfalla--Mr. Butterfly: for he is a discreet gentleman who paints rare butterflies. His life is inconspicuous--mornings spent brushing at a canvas, afternoons idling in the cafes, and evening talks with his friend the town priest over a glass of brandy.

Yet there are other sides to this gentleman's life: Clara: the young student who moonlights in the town bordello. And another woman who arrives with $100,000 and a commission, but not for a painting of butterflies.

With this assignment returns the dark fear that has dogged Signor Farfalla's mysterious life. Almost instantly, he senses a deadly circle closing in on him, one which he may or may not elude. Part thriller, part character study, part drama of deceit and self-betrayal, A Very Private Gentleman shows Martin Booth at the very height of his powers

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Editorial Reviews

From Publishers Weekly

Booth's brilliantly creepy psychological suspense novel follows a so-called "shadow-dweller" (a technical weapons expert who creates and supplies the tools for high-level assassins) to a rural village in southern Italy where he poses as "Signor Farfalla," a quiet artist who paints miniatures of butterflies and has traveled to the area to capture a unique native specimen. As the artist, whose real name is Clark, settles into the local scene, most of his new acquaintances accept his enigmatic alias, with the notable exception of Father Benedetto, the priest who pushes him to reveal himself in a series of confessional conversations over glasses of Armagnac. Between painting the minutely detailed butterfly studies and preparing for his next job, Clark carouses with a pair of local prostitutes, Dindina and Clara, eventually slipping into a serious affair with the latter. As he gets weapons specs and begins constructing a new gun, he learns that his latest customer is a woman whose next target may be Yasser Arafat. Suddenly he senses another "shadow-dweller" on his trail; this anonymous figure remains a mystery to Clark until their climactic showdown. The lazy, languid setting is an eerily effective backdrop for the fresh and beguiling murder intrigue, and the flashbacks into Clark's cold, brutal past are cleverly juxtaposed against his budding romance with young, naive Clara. With first-rate characters and a gradual buildup of suspense, Booth constructs his most focused, tightly written novel to date, reminiscent of William Trevor's classic Felicia's Journey and the late Patricia Highsmith's Ripley novels.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist

*Starred Review* Those in the Italian village where he currently lives call him Sr. Farfalle--Mr. Butterfly--but he never reveals his real name. He has few friends, only business contacts. He is constantly on the move and always watching his back. He considers himself an artisan, not for the butterflies he paints as his cover but for the guns he creates for cunning assassins. He sees nothing wrong with what he does and feels he has helped shape history. But he is getting older and promises himself that his current job will be his last. Then, perhaps, he can settle down comfortably in the Italian village he has grown to love and enjoy the remainder of his life without constantly looking over his shoulder for the "shadow-dwellers" who are always there, waiting for him to slip up. Haunting, shocking, and tense, Booth's story is a charismatic blend of psychological thriller, vivid drama, searing morality tale, and profound psychological study. His writing is crisp yet lyrical, simple yet intelligent. Readers looking for thought-provoking literary fiction can't do any better than this. Emily Melton
Copyright © American Library Association. All rights reserved

Product Details

  • Hardcover: 288 pages
  • Publisher: Thomas Dunne Books; 1st edition (January 26, 2004)
  • Language: English
  • ISBN-10: 0312309082
  • ISBN-13: 978-0312309084
  • Product Dimensions: 8.7 x 5.8 x 1 inches
  • Shipping Weight: 15 ounces
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (39 customer reviews)
  • Amazon Best Sellers Rank: #459,034 in Books (See Top 100 in Books)

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Customer Reviews

39 Reviews
5 star:
 (14)
4 star:
 (13)
3 star:
 (5)
2 star:
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1 star:
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Average Customer Review
3.7 out of 5 stars (39 customer reviews)
 
 
 
 
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42 of 42 people found the following review helpful:
4.0 out of 5 stars A Suspenseful and Intricate Tale, February 7, 2004
By 
Bookreporter (New York, New York) - See all my reviews
This review is from: A Very Private Gentleman: A Novel (Hardcover)
If Martin Booth's new novel A VERY PRIVATE GENTLEMAN is a bestseller, expect Italy to become a highly popular tourist destination. His narrator, an international criminal, spends the novel alternately enticing you to join him high in the Italian Apennines and cautiously warning you from trying to find him.

The novel's setting, a small, unnamed, rural Italian village, is exquisite and exquisitely rendered. Booth takes time to describe precisely and poetically the old wine shop run by a maniacal dwarf and an obedient giant, the ancient apothecary whose floorboards have absorbed centuries of spills, and the historic piazzas that inspire nothing but nonchalance in the townspeople who visit them every day.

Clarke, which is not the narrator's real name but an alias, poses as a painter of butterflies, a Nabokovian occupation that allows for such eccentricities as long absences, erratic behavior, and no set schedule. So he often lounges and partakes of local delicacies --- the wine, the home-smoked prosciutto, his two mistresses, all of which he describes in tantalizing detail --- while he practices his true calling. Clarke's real profession is much more sinister than painting insects, although equally artistic. He doesn't reveal it until almost 100 pages in, but hints, "I am the salesman of death ... I do not cause it. I merely arrange for its delivery. I am death's booking-clerk, death's bellhop."

Despite his obsession with privacy and death, Clarke is an endlessly entertaining narrator, and his insights into the international underworld and the human condition are intriguing. "Everyone is a terrorist," he observes. "Everyone carries a gun in his heart. Most do not fire simply because they have no cause to pursue."

Booth's rendering of his narrator's voice is remarkable, both for its consistency and for its intricacy. Not only does Clarke keep his guard up through the novel's course, he also manages to convey a great deal about his antihero without him realizing it. Clarke admits his deception to the reader: "The names are changed, the places changed, the people changed. There are a thousand Piazzas di S. Teresa, ten thousand alleys that have no names ... You will not find me."

But Clarke seems unaware of his own self-deception: while he is astute and witty, he can also occasionally be self-important and even boorish in justifying his very private lifestyle. And he studiously avoids cultivating any lasting human connections while wondering how to make his mark on the world, never realizing that to do one is to ensure the other. But his shortcomings become the book's strengths, for as he contemplates life and death in Italy, his flaws --- and his own ignorance of them --- reveal his surprising depth and complex humanity.

Booth makes A VERY PRIVATE GENTLEMAN more than just a postcard from Italy; the setting has direct thematic relevance to the story. History is not just a recurring motif, but a character in itself, an antagonist who constantly reminds Clarke of his encroaching mortality. What better place to set such a face-off than in the seat of Western history, the land where the Knights Templar roamed, where abandoned castles and churches litter the terrain. Even the view from his window captures eras past: "What I can see, with my pair of compact pocket Yashica binoculars, are five thousand years of history laid out before me as if it were a tapestry upon a cathedral wall, an altar-cloth to the god of time spread over the world."

Ultimately, even the passage of time becomes a delicacy in A VERY PRIVATE GENTLEMAN. With a watchmaker's precision, Booth has written a suspenseful and intricate tale, one that is as inviting as it is cautionary.

--- Reviewed by Stephen M. Deusner

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17 of 18 people found the following review helpful:
4.0 out of 5 stars A Very Different Book Than I would Have Imagined, September 28, 2004
This review is from: A Very Private Gentleman: A Novel (Hardcover)
I read Lawrence Bloch's Hitman series and I though this would be the European version, but was I wrong! The Bloch books focused in more on the witty comments and action between Keller and his handler.

Booth's book is focused on a previously unknown aspect of a high profile assissination (I won't spoil it for you) that no one really thinks about before.

The main character, Mr. Buttefly, is well written and complex as is the plot. I never could guess where the next chapter would lead, much less the book. The other supporting cast are equally enthralling and layered.

This book reminds of a cross between A Year in Provence and A John LeCarre spy novel.

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20 of 24 people found the following review helpful:
5.0 out of 5 stars Captivation, September 2, 2004
This review is from: A Very Private Gentleman: A Novel (Hardcover)
As a writer I have a intense love for books. I picked this book up at the library. The title interest me only because it contrasted the illustration of the book. When viewing the title I thought it immediately would be a love story. However, I immediately realize that a man was holding a gun and only part of his face could be shown. I begin reading the book. I came to love Mr. Butterfly. He seemed so complicated. At first it seems he is content with not having a true identity or noone with whom he can trust. However, the longer he stays in the Italian countryside the longer he realized that he wants something more. He finally got the chance to see what life would be like if he just settled. He could paint butterflies, sit at the bar with trustworthy neighbors, have intimate talks with his friend the priest, and fall in love with the beautiful young woman. Though his past and most important one of his "mistakes" ends up threatening his future. I have read too many books and realized how story like this end. What happens to the character. Time again I asked myself why am I still reading this. When I got to the end I realized the answer. Booth's language captivated me. Page by Page I waited for the inevitable yet hoping it would not happen. I loved this book, even in the the last sentence he leaves you wanting more. Not only for the story, but also for the character. I was intrugued by how the character was formed and most importantly his profession.
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Inside This Book (learn more)
First Sentence:
HIGH IN THESE MOUNTAINS, THE APENNINES, THE SPINAL CORD of Italy, with its vertebrae of infant stone to which the tendons and the flesh of the old world are attached, there is a small cave high up a precipice. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
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Key Phrases - Capitalized Phrases (CAPs): (learn more)
Father Benedetto, Signora Prasca, Signor Farfalla, Very Private Gentleman, Piazza del Duomo, Via Lampedusa, Corso Federico, Our Lord, Via Roviano, Bar Conca, New York, Alfa Romeo, Holy Father, San Silvestro, The Boss, Hong Kong, Piazza Conca, Roman Catholic, Knights Templar, Little Italy, Love of Christ
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