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Vesselina Kasarova: Mozart Arias
 
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Vesselina Kasarova: Mozart Arias

Vesselina Kasarova , Wolfgang Amadeus Mozart , Sir Colin Davis , Dresden Staatskapelle Audio CD
4.0 out of 5 stars  See all reviews (4 customer reviews)

Price: $7.29 & eligible for FREE Super Saver Shipping on orders over $25. Details
o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o
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MP3 Download, 14 Songs, 1997 $9.99  
Audio CD, 1997 $7.29  

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song TitleArtist Time Price
listen  1. Così fan tutte, K. 588/Ah, scostasi; Smanie implacabili, che m'agitateVesselina Kasarova;Sir Colin Davis 3:11$0.99 Buy Track
listen  2. Le nozze di Figaro, K. 492/Non so più cosa son, cosa faccioVesselina Kasarova;Sir Colin Davis 2:55$0.99 Buy Track
listen  3. Idomeneo, K. 366/Non ho colpaVesselina Kasarova;Sir Colin Davis 6:29$0.99 Buy Track
listen  4. Idomeneo, K. 366/March of the PriestsVesselina Kasarova;Sir Colin Davis 2:15$0.99 Buy Track
listen  5. Idomeneo, K. 366/Ah, qual gelido orror; Il padre adoratoVesselina Kasarova;Sir Colin Davis 4:03$0.99 Buy Track
listen  6. Mitridate, rè di Ponto, K. 87/Venga pur, minacci e fremaVesselina Kasarova;Sir Colin Davis 7:36$0.99 Buy Track
listen  7. Don Giovanni, K. 527/Vedrai, carinoVesselina Kasarova;Sir Colin Davis 3:48$0.99 Buy Track
listen  8. Mitridate, rè di Ponto, K. 87/Già dagli occhi il velo è toltoVesselina Kasarova;Sir Colin Davis 8:09$0.99 Buy Track
listen  9. Don Giovanni, K. 527/In quali eccessi, o Numi; Mi tradi, quell'alma ingrataVesselina Kasarova;Sir Colin Davis 6:20$0.99 Buy Track
listen10. Lucio Silla, K. 135/Il tenero momentoVesselina Kasarova;Sir Colin Davis 4:50$0.99 Buy Track
listen11. La clemenza di Tito, K. 621/Ecco il punto oh Vitellia... Non più di fiori vaghe cateneVesselina Kasarova;Sir Colin Davis 9:08$0.99 Buy Track
listen12. La clemenza di Tito, K. 621/March: MaestosoVesselina Kasarova;Sir Colin Davis 2:12$0.99 Buy Track
listen13. La clemenza di Tito, K. 621/Deh, per questo istante soloVesselina Kasarova;Sir Colin Davis 7:33$0.99 Buy Track
listen14. Concert Aria, K. Anh. 245: Io ti lascio, oh cara, addioVesselina Kasarova;Sir Colin Davis 5:13$0.99 Buy Track


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Frequently Bought Together

Vesselina Kasarova: Mozart Arias + Vesselina Kasarova - Rossini Arias and Duets / Flórez, Fagan + Vesselina Kasarova - A Portrait
Price For All Three: $30.71

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  • Vesselina Kasarova - Rossini Arias and Duets / Flórez, Fagan $12.11

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  • Vesselina Kasarova - A Portrait $11.31

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Product Details

  • Orchestra: Dresden Staatskapelle
  • Conductor: Sir Colin Davis
  • Composer: Wolfgang Amadeus Mozart
  • Audio CD (August 12, 1997)
  • SPARS Code: DDD
  • Number of Discs: 1
  • Label: RCA Red Seal
  • ASIN: B000003G6Q
  • In-Print Editions: MP3 Download
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #306,673 in Music (See Top 100 in Music)

Editorial Reviews

(09026686612)

 

Customer Reviews

4 Reviews
5 star:
 (1)
4 star:
 (2)
3 star:
 (1)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.0 out of 5 stars (4 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

5 of 5 people found the following review helpful:
5.0 out of 5 stars Vividly Mozart, May 11, 2006
By 
Smorgy "Smorgy" (Southern California, USA) - See all my reviews
Amazon Verified Purchase(What's this?)
This review is from: Vesselina Kasarova: Mozart Arias (Audio CD)
Frau Kasarova is a vivid story teller. She has an expressive voice of many colors and she isn't shy about using them to accentuate these difficult Mozart arias. Hers is a rather quirky voice... I find it mesmerizingly erotic and exotic...tho perhaps not as 'conventionally' beautiful like Kozena's or Graham's. She has a full mature burgandy colored voice that's clarinet-ish. Ringing top that has no trouble hitting high C, and a more masculine bottom. It is the mixed middle that is positively seductively rich. The whole range is seamlessly integrated but not always presented as such (she has a way of making her register breaks a very effective interpretation tool).

Anyway, there is never any doubt what the essence of each aria is... what the character she is portraying is feeling. She seems more concern with communicating the characters' motivations than sounding beautiful. I love that... others who enjoy technically flawless (even at the expense of drama) singing may not like it. This singer is very dramatically involve and doesn't make good "relaxing background music."

She is especially great with the castrato arias from Mitridate, Idomeneo, and La clemenza di Tito (both as Sesto and as Vitellia!). What wicked mania in Farnace's scornful laugh in 'Venga pur'! The coldness of her second pass at "L'ira sua mi rendera" sends chill down my spine. And Farnace's real reversal and penitent is heard in his 'Gia dagli il velo'. To say that her Zerlina is sensual is an understatement! And her Sesto's 'Deh, per questo istante solo' is so emotionally revealing. Beautiful pianissimo contrasted by blasted forte that would move the stoniest heart! She is one of the best Sesto ever on stage (both vocally and theatrically), but her 'Non piu di fiori' is so marvellously done that I dream of hearing her take on Vitellia (She does have the high D...as a direct and lingering hit on it is caught on tape in her Rossini Arias & Duets CD). But perhaps not... an instrument like this should be protected from such treacherous tessitura. Better not kill the goose who lays golden eggs.

I'd never expect such a forcefully pinging top from a deep mezzo (amazing chest register...and just about the most agile coloratura voice around.. she sings ALL the notes!). This gal is a force of nature! Her closing concert aria 'Io ti lascio' is a study in legato singing, too. And regardless of the libretto (Pensa che a te non lice il ricordarsi di me), this is one singer you'd find very hard to not remember.

The orchestra is conducted superbly by Sir Colin Davis. The pace always seem just right and he is just as attentive to the musical nuances as his mezzo is. A great team! I only wish she had included a few duets as well... in place of the 2 orchestral interludes from Idomeneo and La clemenza di Tito
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2 of 2 people found the following review helpful:
4.0 out of 5 stars One of the most exciting voices of our times, November 30, 1999
By 
This review is from: Vesselina Kasarova: Mozart Arias (Audio CD)
Vesselina Kasarova has one of the most exciting and expressive mezzo-soprano voices of our times. Particularly unparalleled are her excellent performances of Elvira, Idamante, and Vitellia on this disc (as is her version of the concert aria "Io ti lascio, o cara, addio".)! Only concerning the more lyrical arias on this recording (Dorabella, Cherubino, Zerlina) could I think of better alternatives (e.g. Angelika Kirchschlager, Cecilia Bartoli,- or Ruth Ziesak's angelic soprano).
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2 of 3 people found the following review helpful:
3.0 out of 5 stars Dame La Vesselina, March 24, 2008
By 
Dennis Figueroa (Orange County, CA) - See all my reviews
(REAL NAME)   
This review is from: Vesselina Kasarova: Mozart Arias (Audio CD)
Not being a house-hold name in opera, Vesselina Kasarova astounds at why she is not. Listening to her sing is the best argument why she should be.

For a diva interpreting male roles, she shows how it should be done: with bravado and passion. Her voice is rich, powerful, and versatile in seizing an aria, and giving it life and soul. Her singing leaps between the mezzo and contralto ranges, flies in imaginative energy, and quickly transfixes on the stage. Her style brings to opera a flamboyant blend of baroque cabaret, high theater, and irresistible drama. Not only she hits the right notes, but also the right dramatic cords in the music. In "Venga Pur Minacci e Frema", she does not pull any stops, and wields her singing in anger, angst, and resolve at a palette of vocal range that is colorful as complex. And on a snap, she can transform the strionics of singing in allegro into the reflective and tragic tones of the adagios...just an amazing artist and talent!
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