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Vibrate

The Manhattan TransferAudio CD
4.5 out of 5 stars  See all reviews (13 customer reviews)

Price: $8.01 & FREE Shipping on orders over $35. Details
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Music

Image of album by The Manhattan Transfer

Photos

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Biography

It’s been nearly forty years since Tim Hauser, a former Madison Avenue marketing executive, paid his bills by driving a New York City cab while aspiring to form a harmony vocal quartet sui generis that could authentically embrace varied musical styles, and still create something wholly unique in the field of American popular song.

Hauser had been in doo-wop groups, folk groups, and ... Read more in Amazon's The Manhattan Transfer Store

Visit Amazon's The Manhattan Transfer Store
for 74 albums, 9 photos, discussions, and more.

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Product Details

  • Audio CD (September 28, 2004)
  • Number of Discs: 1
  • Label: Telarc
  • ASIN: B0002VEXAU
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (13 customer reviews)
  • Amazon Best Sellers Rank: #158,089 in Music (See Top 100 in Music)

1. Walkin' In N.Y.
2. Greek Song
3. Vibrate
4. The New JuJu Man (Tutu)
5. Doodlin'
6. The Twelfth
7. First Ascent
8. Core Of Sound (Modinha)
9. Feel Flows
10. Embraceable You
11. Come Softly To Me/I Met Him On A Sunday

Editorial Reviews

Amazon.com

Some of the Transfer's best records have been themed, such as Brasil and Vocalese. However, their biggest commercial successes have come from albums like Extensions and Mecca for Moderns, recordings that highlighted the genre-hopping versatility of the vocal quartet and yielded big pop hits along with it. This album falls into the latter category. The previous five decades are harmonically represented throughout these 11 tracks, including traditional '40s vocal styling on "Embraceable You," a classic '50s doo-wop medley, and some Beach Boys-styled psychedelic '60s pop on "Feel Flows." They've always excelled at jazz, and do so here with lyrics by Jon Hendricks to melodies from Horace Silver and Marcus Miller. But it's the group's forays into the 21st century via songs by Brenda Russell and Rufus Wainwright that really stand out. --Mark Ruffin

Product Description

The Manhattan Transfer's first studio album in four years, Vibrate, explores the traditional and progressive sides of jazz, as well as various shades of Latin, world and pop music. "After 30-plus years,...these vocal veterans remain strong in voice, approaching every tune with casual confidence backed with a wisp of whimsy and playfulness.' - Singer.

Customer Reviews

4.5 out of 5 stars
(13)
4.5 out of 5 stars
Most Helpful Customer Reviews
21 of 22 people found the following review helpful
5.0 out of 5 stars The Transfer's best in 13 years October 1, 2004
Format:Audio CD
When the Manhattan Transfer decided to follow up their brilliant 1991 album "The Offbeat of Avenues" with three mediocre albums starting with 1994's "Tonin'," I felt like I lost four of my best musical friends. Luckily, my friends are back with a terrific new release for Telarc records. Everything I love about the Manhattan Transfer is here. Daring vocal arrangements combined with bold song choices. This is the formula they used for their 5 best albums "Extensions," "Mecca for Moderns," "Vocalese," "Brasil" and "Offbeat of Avenues." Luckily they returned to that winning formula for "Vibrate." Kudos to the Transfer for this extrememly rewarding new CD.
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18 of 20 people found the following review helpful
4.0 out of 5 stars Vocal eclectisism, done very well December 23, 2004
Format:Audio CD
The Manhattan Transfer has always been a very eclectic singing group, given the superlative degree of musicianship of each of its four singers. But when you think of the M.T., you tend to think of two genres: vocalese (e.g., most of "Vocalese" and the best cuts of "Mecca for Moderns") and jazzed-up doo-wop (e.g., "Boy from New York City," "Trinkle Trinkle" and "Operator")

This album has precious little of that. Its vocalese consists of a harmonized version of Jon Hendricks' wonderful "Doodlin'", an old Horace Silver staple most prominently covered by Mark Murphy; and its doo-wop is the last cut, a cool medley of "Come Softly To Me" and "I Met Him on a Sunday" (complete with "Papa do-run-run's" in the background)

The album as a whole is as wide a pastiche of eclectism as you'll find from a singing group. From Latin-tinged ("Walkin in New York), to Oriental-influenced ("Greek Song"), to Mediterranean-toned ("Vibrate"), to straight ahead jazz ( Miles'"The New Juju Man"), this album has it all.

My favorites are the three cuts augmented with a string quartet and piano: the aforementioned title track; a lovely cover of Gershwin's "Embraceable You"; and IMO the album's highlight, or "Core of Sound." I think the reason these work so well is that, not only are they gorgeous arrangements in and of themselves, but also the violin extends the soprano range of Cheryl Bentyne, while the cello extends the bass range of Tim Hauser, so that the tightly harmonized quartet sounds even more impressive than usual.

Special note, as well, to the most adventurous track, "First Ascent", a space-aged sounding, tightly harmonized tune over a fast 7/8 background.

Based on all of these superlatives, you ask, why only four stars?
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13 of 14 people found the following review helpful
4.0 out of 5 stars Very Satisfying! October 2, 2004
Format:Audio CD|Verified Purchase
This album proves why the Transfers are still the planet's premiere vocal group!! Happy that they are back to their eclectic/variety album mode. from the esoteric tunes of Miles Davis to swing to vocalese to doo-wop to latin to contemporary tunes by Rufus Wainwright and Brenda Russell - this album has almost everything. Would've wanted a couple of R&B flavored tunes on this..... or even to be so daring as to visit the dance genre or acid jazz/smooth jazz sound once again (remember Mecca for Moderns and Extentions?)Janis, Tim, Cheryl and Alan - after all these years, I am still your number one fan!

Just a note to Telarc - the major disappointment on this album was the photography, art direction , packaging and lay-out. For such a classy group, the CD's Front cover was definitely NOT flattering for the group.
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5 of 5 people found the following review helpful
2.0 out of 5 stars A major disappointment July 7, 2011
Format:Audio CD|Verified Purchase
If you're looking for swinging music with the natural sound of a live concert, this album will disappoint. Robert Woods, erstwhile owner of Telarc, created what was, overall, the finest recording company that ever has existed in part because he sought to reproduce REAL sound in REAL environments. He produced this MT project, and it has "business decision" written all over it, not "musical decision." What you get here is another over miked, cut-and-pasted recording job indigenous to a technological-mad industry. Record some tracks here, record some tracks there. Doesn't matter where or when. Slip on the headphones and overdub until you drop. Slap all these tracks together and offer it to a gullible public that has grown up hearing nothing else and considers the sound man as one of the performing musicians. Sad. Looks as if Bob Woods employed too many rock 'n roll cooks in this project's kitchen. The MT, rather than standing in front of background instrumentalists, is immersed a rock 'n roll-style mishmash of sound. The included (and copious) program notes glow in admiration of each arrangement, but they are mostly ones that send me jumping to the next track in search of the swinging Manhattan Transfer I remember. The search was largely in vain. Only in the Doodlin' track did they come close.

Where oh where has good sound gone?
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9 of 11 people found the following review helpful
4.0 out of 5 stars Good but not Great May 18, 2005
By Steff
Format:Audio CD
You can never fault the Manhattan Transfer on quality - they're some of the best singers working today - but some of their song selections make me scratch my head in wonder. Maybe I'm younger than the average fan, but songs like "Walking in New York" are just a little too Lite FM for me. That said, I thought "Greek Song" was a risky choice that paid off very well. Overall the album is quite good, but there's not a track that truly stands out as classic MT. It's very well done, just not the collection of songs I was hoping for.
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Most Recent Customer Reviews
5.0 out of 5 stars Five Stars
A++++
Published 2 months ago by Joseph Bulger
5.0 out of 5 stars You can't beat the great harmony of the Manhattan Transfer!
I already have all of their vinyls and want to replace them with CD's and add any new albums on CD.

I've seen them live many times and, one night at the Keswick, the... Read more
Published 7 months ago by Alice J. Brooks
5.0 out of 5 stars Great choice of music
The Manhattan Transfer has picked an eclectic group of songs, and performs them outstandingly! The album has a smooth, laid back feel that took me a little bit to warm up to, but... Read more
Published 16 months ago by JSL
5.0 out of 5 stars Great CD by a Great Group!!
If you like the Manhattan Transfer, and I have for the past 35 years, you'll love their CD "Vibrate. Read more
Published on November 24, 2010 by Joe Bruno Sr.
5.0 out of 5 stars i love the transfer
i have everything they have put out (domestic and international). i've only been to 1 concert. love their music, all types.
Published on November 29, 2007 by All Around Nerd
5.0 out of 5 stars They are still the best....
I've been a Transfer fan forever...and having grown up in the NYC area, I really dig their style. Their vocal abilities are beyond compare, and even though this album might be an... Read more
Published on January 11, 2007 by Kevin J. Henry
4.0 out of 5 stars Still swingin' cats....
Tight harmonies,great orchestrations...this album has it all! Nods to Miles Davis, Jon Hendricks (do yourself a big favor, and listen to the album "Everybody's Boppin'" by Lambert,... Read more
Published on August 15, 2005 by Valita
5.0 out of 5 stars THE BEST THING IF EVER HAPPENED TO THE MANHATTAN TRANSFER
The Manhattan Transfer has done it again, their 15th album shows the power of jazz/pop. Since the early 1970s, The Manhattan Transfer have been pushing and redefining the... Read more
Published on October 2, 2004 by Shawn Williams
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