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53 of 59 people found the following review helpful:
4.0 out of 5 stars
You can't EVER get what you want..., September 7, 2008
In "Vicky Cristina Barcelona," Woody Allen begs to contradict another pundit of his age, Mick Jagger. Woody demonstrates in his latest movie that you can't EVER get what you want, and you also can't get what you need. He demonstrates this in the story of how Vicky (Rebecca Hall) and Cristina (Scarlett Johansson), two lovely young Americans staying in Barcelona for a few months, react to the romantic overtures of the dashing, primally sexy artist Juan Antonio (Javier Bardem). Vicky--a master's candidate in "Catalan identity," although she is not Catalan and barely speaks Catalan or even Spanish--finds that sex with Juan Antonio shakes up her previously solid feelings for her dullish American fiance, Doug (Chris Messina). Cristina--a dilettantish photographer/filmmaker who is defined by the fact that she only knows what she DOESN'T want in a relationship with a man--finds greater satisfaction with Juan Antonio, at least until Maria Elena (Penelope Cruz), Juan Antonio's volatile, insanely jealous ex-wife, shows up.
Some critics have opined that "Vicky Cristina Barcelona" is a hackneyed blast at naive Americans left at sea by European sexual sophistication. However, I think it's more a delineation of Woody's basic belief that happiness in love is transitory at best. How can you possibly hold up Juan Antonio and Maria Elena--who are constantly at each other's throats, to the point that Maria Elena brandishes knives and guns--as an example of sexual sophistication? They can't live with each other, they can't live without each other, but she may end up killing him, herself, and a few innocent bystanders. As enacted in a scintillating performance by Cruz, Maria Elena embodies the eternal irrationality of love, a blind craziness that--at least in Woody's view--stamps an irrevocable expiration date on even the tenderest, most ardent love.
Not quite a comedy but certainly not a tragedy, "Vicky Cristina Barcelona" is a rueful commentary on the constant dissatisfactions of love and life, made all the more bittersweet by the heartbreakingly beautiful scenes of Barcelona and Catalunya wrapped in golden light by photographer Javier Aguirresarobe. The film offers us multiple pleasures--not least the excellent performances--yet, in the end, it feels slight. There are too many of Woody's familiar tropes for us to take the film at face value, especially the overly familiar characters; personally, I'm tired of the gorgeous, nubile young "Woody women" who are drawn vaguely toward a career in the arts yet are completely confused about everything except their need for hot sex. And, yes, Woody, we got the point decades ago that you consider life and the Universe meaningless; why do you always have to have one character in every movie (in this case, Juan Antonio) declare that belief baldly? "Vicky Cristina Barcelona" is worth seeing, but it falls short of being one of Woody's masterpieces.
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37 of 43 people found the following review helpful:
4.0 out of 5 stars
The Americans, September 16, 2008
VICKY CRISTINA BARCELONA is a film about youth, about self-discovery, and about the anything goes freedom and spontaneity that Americans feel (or try to feel) when far from their own homeland and therefore liberated from their own cultures notions about love and life. Abroad one escapes the tyranny of ingrained convention and habits of mind and one gives oneself permission to experience another version of self and life in another land, or such is the promise of travel.
The problem with Vicky and Cristina (and perhaps with this film) is that Barcelona does not really liberate either of them from anything. Both seem too self-conscious and/or too self-occupied to step outside themselves and what they know. Both have a comfort level with themselves and each other that is never breeched. And so although Barcelona promises and delivers a certain amount of adventure, it does not really deliver either girl from themselves. During their stay, they are exposed to a passionate Spanish culture and introduced to a fiery tempered Spaniard but ultimately they both make the same kinds of choices that they made back home. Cristina (Scarlett Johansson) has always been an impulsive free spirit who starts things, loses interest, and does not finish them. It does not matter what country she is in, she is the same, and so the Spanish trip ultimately changes nothing for her. Vicky (Rebecca Hall) has always been conservative in matters of life and love. Although she is attracted to others that feel things and act on those feelings (like her friend Cristina) Vicky does not altogether trust emotions and is afraid to have them and, therefore, is never certain what she feels or if she feels anything at all. Vicky is very much like a classic Henry James male and she is driven by the same fear that drives James' male characters which is a fear that they are missing out on life. Although engaged before she embarks on her Spanish holiday, and apparently immune from the advances of strangers, she, nonetheless, remains fearful that she is missing out on something. Its really only when her friend enjoys a spontaneous summer with the painter Juan Antonio (Javier Bardem) and his former lover Maria Elena (Penelope Cruz) that she wishes that she too could live so passionately, so recklessly. The fact that she holds everything in is what makes her so alluring to the passion-drunk Juan Antonio. But she is who she is, neither Spain nor Juan Antonio have the power to changer her.
And so there is something sad about this trip (and this film). Woody Allen is one of the few directors who gives us genuinely interesting characters and stories and that should be applauded. In this film the two main characters, Vicky and Cristina, are ultimately incapable of being anything but who they are and who they are is Vicky and Cristina. Whether Woody thinks that their inability to live or think outside of their own comfort zone is an affliction that is peculiarly American is not exactly clear, but likely. Marie Elena's view of the Americans is that they are too self-involved to really live. Of course Maria Elena who does allow herself to live also opens herself up to suffering. I'm guessing that with Vicky Cristina Barcelona Woody is perhaps analyzing the American psyche (which is what he does best) and that what he finds is a psyche that is firmly rooted in and addicted to self and that resists any kind of self-surrender. This seems to be the sober reflection of an artist who has seen and contemplated America and Americans for many years.
Despite the location this is a very sober film and, despite a few well-placed laughs, also a very somber one.
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14 of 15 people found the following review helpful:
3.0 out of 5 stars
Vicky Cristina Barcelona - Romance Shake up!, July 4, 2009
On first hearing about this new Woody Allen film - Vicky Cristina Barcelona, marked up as a comedy and listed as Woody Allen return to form, I was certain to see this on release date in the UK. But life once again had me side tracked and I've only managed to get around to it now. Even though I've heard good/bad opinions from friends it was still a film I was always going to view for myself; so rented this film to draw my own conclusion.
The whole film is interwoven and shaped so that different storylines are voiced together by a narrator who fills us; the viewer; with a bigger picture of what happening at all times. Vicky Cristina Barcelona, three characters are placed in the title, starting with two americans who have different attitudes to life and love. Victoria (Rebecca Hall) plays it straight laced; a no nonsense attitude; questioning everything; her sensible cerebral life is her. Currently working on a Master's degree in Catalan Culture she leaves a well-off fiance behind in New York and travels to Barcelona with Cristina to stay with friends for the summer. Cristina (Scarlett Johansson) free spirit; sexually adventurous; committed only to herself; knowing what she doesn't want in life rather than what she does. Cristina's art is photography. The third character Barcelona with amazing architecture, music, cuisine, a beautiful enriched festively soak up the sun atmospheric city.
Living in Barcelona; Juan Antonio Gonzalo (Javier Bardem) plays the moody, seductive Picasso-ish artist who in turn sets out to seduce both girls alone or even both at the same time, a distraction part time, using what he needs to remain creative. Juan might even be looking for a re-placement of losted love as he clearly has not gotten over Maria Elena (Penélope Cruz) the passionate muse and fiery ex-wife who returns when mood suits.
Before long Victoria begins to question her own life; could she live on the other side like Cristina; Carefree. While Cristina questions commitment to any life with either one or two people in it. As for the artist and his ex-wife fire and passion holds the bond but realistically a third party is needed for them to remain harmonic. Could happiness be elusive?
One thing I did notice from the off: Woody Allen had chosen not to give himself an acting role but British actress Rebecca Hall; (Vicky) who does a great american accent for her part, seemed to be playing Woody's part in this film, the mannerisms are more than recognizable here. Other film trademarks are visible like encounters in the street also Cristina's artistic bent, like Annie Hall's so long ago, should be for photography. Also the fact Vicky and Cristina speak in that distinctive indulgent conversational babble which worked quiet well from both actress.
But there is no doubt the Spanish players have it; presence and forthright energy, Javier Bardem as the artist; alpha male; Penélope Cruz clearly stealing the show; everything she does and says seems to mean more, count for more, she certainly walks off with the film and an Oscar.
Summing up: What I loved mostly was the beauty of Barcelona on film, the photography was marvelous. Things I could relate too in this; Victoria taking in the local music played, this is certainly something I'd do; seek out and find wonderful acoustic guitar outside a Café or Bar. It deals quiet nicely with modern day relationships; in tune with our times this film is PG rated; which would not have been the case maybe ten years ago; dealing with sexual topic's on a PG shows life; moving forward. Overall perfectly watchable; evening in; glass of wine. Three and a half stars I'd give this; I wouldn't put this down as a return to form for Allen; comically speaking, but it's more than a likable film to watch; worth seeing.
Andrea Bowhill
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