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Victims: An Alex Delaware Novel [Audiobook, Unabridged] [Audio CD]

Jonathan Kellerman (Author), John Rubinstein (Reader)
4.4 out of 5 stars  See all reviews (34 customer reviews)

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This title will be released on February 28, 2012.
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Book Description

February 28, 2012 Alex Delaware
Unraveling the madness behind L.A.’s most baffling and brutal homicides is what sleuthing psychologist Alex Delaware does best. And putting the good doctor through his thrilling paces is what mystery fiction’s #1 bestselling master of psychological suspense Jonathan Kellerman does with incomparable brilliance. Kellerman’s universally acclaimed novels blend the addictive rhythms of the classic police procedural with chilling glimpses into the darkest depths of the human condition. For the compelling proof, look no further than Victims—Kellerman at his razor-sharp, harrowing finest.
 
Not since Jack the Ripper terrorized the London slums has there been such a gruesome crime scene. By all accounts, acid-tongued Vita Berlin hadn’t a friend in the world, but whom did she cross so badly as to end up arranged in such a grotesque tableau? One look at her apartment–turned–charnel house prompts hard-bitten LAPD detective Milo Sturgis to summon his go-to expert in hunting homicidal maniacs, Alex Delaware. But despite his finely honed skills, even Alex is stymied when more slayings occur in the same ghastly fashion . . . yet with no apparent connection among the victims. And the only clue left behind—a blank page bearing a question mark—seems to be both a menacing taunt and a cry for help from a killer baffled by his own lethal urges.
 
Under pressure to end the bloody spree and prevent a citywide panic, Milo redoubles his efforts to discover a link between the disparate victims. Meanwhile, Alex navigates the secretive world of mental health treatment, from the sleek office of a Beverly Hills therapist to a shuttered mental institution where he once honed his craft—and where an unholy alliance between the mad and the monstrous may have been sealed in blood. As each jagged piece of the puzzle fits into place, an ever more horrific portrait emerges of a sinister mind at its most unimaginable—and an evil soul at its most unspeakable. “This one was different,” Alex observes at the start of the case. This one will haunt his waking life, and his darkest dreams, long after its end.


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Editorial Reviews

About the Author

Jonathan Kellerman is the #1 New York Times bestselling author of more than thirty bestselling crime novels, including the Alex Delaware series, The Butcher’s Theater, Billy Straight, The Conspiracy Club, Twisted, and True Detectives. With his wife, bestselling novelist Faye Kellerman, he co-authored Double Homicide and Capital Crimes. He is also the author of two children’s books and numerous nonfiction works, including Savage Spawn: Reflections on Violent Children and With Strings Attached: The Art and Beauty of Vintage Guitars. He has won the Goldwyn, Edgar, and Anthony awards and has been nominated for a Shamus Award. Jonathan and Faye Kellerman live in California, New Mexico, and New York.

Excerpt. © Reprinted by permission. All rights reserved.

CHAPTER 1

This one was different.

The first hint was Milo's tight-voiced eight a.m. message, stripped of details.

Something I need you to see, Alex. Here's the address.

An hour later, I was showing I.D. to the uniform guarding the tape. He winced. "Up there, Doctor." Pointing to the second story of a sky-blue duplex trimmed in chocolate-brown, he dropped a hand to his Sam Browne belt, as if ready for self-defense.

Nice older building, the classic Cal-Spanish architecture, but the color was wrong. So was the silence of the street, sawhorsed at both ends. Three squad cars and a liver-colored LTD were parked haphazardly across the asphalt. No crime lab vans or coroner's vehicles had arrived, yet.

I said, "Bad?"

The uniform said, "There's probably a better word for it but that works."

u

Milo stood on the landing outside the door doing nothing.

No cigar-smoking or jotting in his pad or grumbling orders. Feet planted, arms at his sides, he stared at some faraway galaxy.

His blue nylon windbreaker bounced sunlight at strange angles. His black hair was limp, his pitted face the color and texture of cottage cheese past its prime. A white shirt had wrinkled to crepe. Wheat- colored cords had slipped beneath his paunch. His tie was a sad shred of poly.

He looked as if he'd dressed wearing a blindfold.

As I climbed the stairs, he didn't acknowledge me.

When I was six steps away, he said, "You made good time."

"Easy traffic."

"Sorry," he said.

"For what?"

"Including you." He handed me gloves and paper booties.

I held the door for him. He stayed outside.

The woman was at the rear of the apartment's front room, flat on her back. The kitchen behind her was empty, counters bare, an old avocado- colored fridge free of photos or magnets or mementos.

Two doors to the left were shut and yellow-taped. I took that as a Keep Out. Drapes were drawn over every window. Fluorescent lighting in the kitchen supplied a nasty pseudo-dawn.

The woman's head was twisted sharply to the right. A swollen tongue hung between slack, bloated lips.

Limp neck. A grotesque position some coroner might label "incompatible with life."

Big woman, broad at the shoulders and the hips. Late fifties to early sixties, with an aggressive chin and short, coarse gray hair. Brown sweatpants covered her below the waist. Her feet were bare. Unpolished toenails were clipped short. Grubby soles said bare feet at home was the default.

Above the waistband of the sweats was what remained of a bare torso. Her abdomen had been sliced horizontally below the navel in a crude approximation of a C-section. A vertical slit crossed the lateral incision at the center, creating a star-shaped wound.

The damage brought to mind one of those hard-rubber change purses that relies on surface tension to protect the goodies. Squeeze to create a stellate opening, then reach in and scoop.

The yield from this receptacle was a necklace of intestines placed below the woman's neckline and arranged like a fashionista's puffy scarf. One end terminated at her right clavicle. Bilious streaks ran down her right breast and onto her rib cage. The rest of her viscera had been pulled down into a heap and left near her left hip.

The pile rested atop a once-white towel folded double. Below that was a larger maroon towel spread neatly. Four other expanses of terry cloth formed a makeshift tarp that shielded beige wall-to-wall carpeting from biochemical insult. The towels had been arranged precisely, edges overlapping evenly for about an inch. Near the woman's right hip was a pale blue T shirt, also folded. Spotless.

Doubling the white towel had succeeded in soaking up a good deal of body fluid, but some had leaked into the maroon under-layer. The smell would've been bad enough without the initial stages of decomp.

One of the towels beneath the body bore lettering. Silver bath sheet embroidered Vita in white.

Latin or Italian for "life." Some monster's notion of irony?

The intestines were green-brown splotched pink in spots, black in others. Matte finish to the casing, some puckering that said they'd been drying for a while. The apartment was cool, a good ten degrees below the pleasant spring weather outside. The rattle of a wheezy A.C. unit in one of the living room windows was inescapable once I noticed it. Noisy apparatus, rusty at the bolts, but efficient enough to leach moisture from the air and slow down the rot.

But rot is inevitable and the woman's color wasn't anything you'd see outside a morgue.

Incompatible with life.

I bent to inspect the wounds. Both slashes were confident swoops unmarred by obvious hesitation marks, shearing smoothly through layers of skin, subcutaneous fat, diaphragmatic muscle.

No abrasions around the genital area and surprisingly little blood for so much brutality. No spatter or spurt or castoff or evidence of a struggle. All those towels; horribly compulsive.

Guesses filled my head with bad pictures.

Extremely sharp blade, probably not serrated. The neck-twist had killed her quickly and she'd been dead during the surgery, the ultimate anesthesia. The killer had stalked her with enough thoroughness to know he'd have her to himself for a while. Once attaining total control, he'd gone about choreographing: laying out the towels, tucking and aligning, achieving a pleasing symmetry. Then he'd laid her down, removed her T shirt, careful to keep it clean.

Standing back, he'd inspected his prep work. Time for the blade.

Then the real fun: anatomical exploration.

Despite the butchery and the hideous set of her neck, she looked peaceful. For some reason, that made what had been done to her worse.

I scanned the rest of the room. No damage to the front door or any other sign of forced entry. Bare beige walls backed cheap upholstered furniture covered in a puckered ocher fabric that aped brocade but fell short. White ceramic beehive lamps looked as if they'd shatter under a finger-snap.

The dining area was set up with a card table and two folding chairs. A brown cardboard take-out pizza box sat on the table. Someone-probably Milo-had placed a yellow plastic evidence marker nearby. That made me take a closer look.

No brand name on the box, just PIZZA! in exuberant red cursive above the caricature of a portly mustachioed chef. Curls of smaller lettering swarmed around the chef's fleshy grin.

Fresh pizza!

Lotta taste!

Ooh la la!

Yum yum!

Bon appétit!

The box was pristine, not a speck of grease or finger-smudge. I bent down to sniff, picked up no pizza aroma. But the decomp had filled my nose; it would be a while before I'd be smelling anything but death.

If this was another type of crime scene, some detective might be making ghoulish jokes about free lunch.

The detective in charge of this scene was a lieutenant who'd seen hundreds of murders, maybe thousands, yet chose to stay outside for a while.

I let loose more mental pictures. Some fiend in a geeky delivery hat ringing the doorbell then managing to talk himself inside.

Watching as the prey went for her purse? Waiting for precisely the right moment before coming up behind her and clamping both his hands on the sides of her head.

Quick blitz of rotation. The spinal cord would separate and that would be it.

Doing it correctly required strength and confidence.

That and the lack of obvious transfer evidence-not even a shoe impression-screamed experience. If there'd been a similar murder in L.A., I hadn't heard about it.

Despite all that meticulousness, the hair around the woman's temples might be a good place to look for transfer DNA. Psychopaths don't sweat much, but you never know.

I examined the room again.

Speaking of purses, hers was nowhere in sight.

Robbery as an afterthought? More likely souvenir-taking was part of the plan.

Edging away from the body, I wondered if the woman's last thoughts had been of crusty dough, mozzarella, a comfy barefoot dinner.

The doorbell ring the last music she'd ever hear.

I stayed in the apartment awhile longer, straining for insight.

The terrible competence of the neck-twist made me wonder about someone with martial arts training.

The embroidered towel bothered me.

Vita. Life.

Had he brought that one but taken the rest from her linen closet?

Yum. Bon appétit. To life.

The decomp reek intensified and my eyes watered and blurred and the necklace of guts morphed into a snake.

Drab constrictor, fat and languid after a big meal.

I could stand around and pretend that this was anything comprehensible, or hurry outside and try to suppress the tide of nausea rising in my own guts.

Not a tough choice.

CHAPTER

2

M

ilo hadn't moved from his position on the landing. His eyes were back on Planet Earth, watching the street below. Five uniforms were moving from door to door. From the quick pace of the canvass, plenty of no- one-home.

The street was in a working-class neighborhood in the southeastern corner of West L.A. Division. Three blocks east would've made it someone else's problem. Mixed zoning allowed single-family dwellings and duplexes like the one where the woman had been degraded.

Psychopaths are stodgy creatures of routine and I wondered if the killer's comfort zone was so narrow that he lived within the sawhorses.

I caught my breath and worked at settling my stomach while Milo pretended not to notice.

"Yeah, I know," he finally said. He was apologizing for the second time when a coroner's van drove up and a dark-haired woman in comfortable clothes got out and hurried up the stairs. "Morning, Milo."

"Morning, Gloria. All yours."

"Oh, boy," she said. "We talking freaky-bad?"

"I could say I've seen worse, kid, but I'd be lying."

"Coming from you t...

Product Details

  • Audio CD
  • Publisher: Random House Audio; Unabridged edition (February 28, 2012)
  • Language: English
  • ISBN-10: 0739369121
  • ISBN-13: 978-0739369128
  • Product Dimensions: 5.1 x 1.1 x 5.9 inches
  • Shipping Weight: 9.1 ounces (View shipping rates and policies)
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (34 customer reviews)
  • Amazon Best Sellers Rank: #28,008 in Books (See Top 100 in Books)

More About the Author

Jonathan Kellerman is one of the world's most popular authors. He has brought his expertise as a clinical psychologist to more than thirty bestselling crime novels, including the Alex Delaware series, The Butcher's Theater, Billy Straight, The Conspiracy Club, Twisted,and True Detectives. With his wife, the novelist Faye Kellerman, he co-authored the bestsellers Double Homicide and Capital Crimes. He is the author of numerous essays, short stories, scientific articles, two children's books, and three volumes of psychology, including Savage Spawn: Reflections on Violent Children, as well as the lavishly illustrated With Strings Attached: The Art and Beauty of Vintage Guitars. He has won the Goldwyn, Edgar, and Anthony awards and has been nominated for a Shamus Award.

Jonathan and Faye Kellerman live in California and New Mexico. Their four children include the novelist Jesse Kellerman.

 

Customer Reviews

34 Reviews
5 star:
 (16)
4 star:
 (15)
3 star:
 (2)
2 star:
 (1)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.4 out of 5 stars (34 customer reviews)
 
 
 
 
Most Helpful Customer Reviews

71 of 74 people found the following review helpful:
5.0 out of 5 stars Welcome back Alex Delaware, January 25, 2012
By 
Aaron C. Brown (New York, New York United States) - See all my reviews
(TOP 500 REVIEWER)    (VINE VOICE)    (REAL NAME)   
Customer review from the Amazon Vine™ Program (What's this?)
As I have mentioned in previous reviews of Alex Delaware novels, I am a huge fan of Jonathan Kellerman who has been disappointed by the progressive deterioration in the quality of Alex Delaware novels. The nadir was the previous entry Mystery, which had an absurd and unpleasant plot, conventional gore to shock the reader rather than any chills and characters who had become entirely divorced from reality doing predictable shticks--while the author's main concern seems to be keeping alive plot lines from prior books and planned sequels.

I would not have even picked this one up, except it was available on Vine and I retain enough affection or the earlier and non-Delaware books to give it one more try. I am glad I did. From the first line of the book, "This one was different," it promises and delivers a fresh, exciting mystery, and an education to boot.

I don't know what happened to Mr. Kellerman, but Victims is as crisp and elegant as any books in this series. Milo and Alex are real people again, who can surprise you, and who you can imagine might be real. The plot turns on Kellerman's psychological expertise, both in the setting and the minds of the characters. There's gore aplenty, but the chills are honest and psychological, not pornographic. The plot is logical and compelling. The resolution is a surprise, but one that seems inevitable after it is revealed.

All-in-all, a classic mystery from a master. I'm not ready to say it's as good as my favorites, like When the Bough Breaks or Billy Straight, it takes time to make a judgment like that. But at least it's a candidate, and that is a tremendous pleasure. If you are new to Kellerman, start with his classics, but be sure you get to this one. If you are like me and have been disappointed by some recent books, forget your qualms and buy this one. If you loved the recent Alex Delaware's, I don't understand you enough to have any useful recommendations.
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25 of 25 people found the following review helpful:
5.0 out of 5 stars Are monsters born or are they created?, January 30, 2012
Customer review from the Amazon Vine™ Program (What's this?)
I have read Kellerman's Alex Delaware series since the very first book When the Bough Breaks was published over 25 years ago (actually I've read all his books except his non-fiction). In the beginning he was probably one of my Top 10 favorite writers. Over the last few years, though, the spark seemed to have almost died out of his writing.

Well, it's back! I enjoyed "Victims." It was almost like meeting old friends again. Milo and Alex are back.

While the plot line wasn't a totally original one, Kellerman handled the story with aplomb, building the suspense, dropping clues, peeking inside the minds of monsters - which is really what he does so well.

The story was believable, even though horrifying. We didn't have to spend half a book reading about Alex's marriage problems or Milo's many idiosyncrasies. We got to read about the crimes, the psychology behind them, and the solving of said crimes.

Good job. I'm overjoyed that I got to read this as an Advanced Reading Copy.
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15 of 16 people found the following review helpful:
5.0 out of 5 stars Alex and Milo Investigate, January 31, 2012
Customer review from the Amazon Vine™ Program (What's this?)
Reviewers have been concerned about some of the recent Kellerman novels, believing that JK has stumbled a bit and not been up to his former standard. Not to worry. This is a superb new novel, its success coming from its faithfulness to its core elements.

Those core elements lie in the central conceit: the usefulness of a trained clinical psychologist to a grizzled, gay Robbery/Homicide lieutenant. Alex and Milo seem to be opposites and in many ways they are, but they work together beautifully and almost seamlessly. In Victims we get great dollops of both. This is their case and their story. Robin and her luthier business are far off in the distant background. Puppy dog Blanche makes an appearance or two, but this is not her story either; it's Alex and Milo's.

The plot arc is a sequential investigation--talking to people, checking records, driving from point a to point b, digging up the elusive truth, testing hypotheses, avoiding blind alleys. The body of a middle -aged woman is found. She has been eviscerated in an exotic, violent fashion. Everyone hated her. Suddenly the body of a man is found. He has been eviscerated in the same fashion as the woman. Everyone loved him? What in the world has happened here? And why?

The answers are found in the past and they center on a now-closed hospital for the deeply troubled, including the criminally insane. Alex once interned there and his experience and skills will be of considerable use in the investigation. The hospital also had a `special' wing for `special' treatments. Alex was dissuaded from ever visiting it. Could it still exist, in some form or other?

The investigation is fascinating and the narrative sparkles with great one-liners. I never thought Jonathan Kellerman was gone, but for those who did think so--he's back. And he and Milo are walking down some very mean streets with some very dark inhabitants.
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