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| 1. Motet: Exsultate, jubilate, K.165 - 158a |
| 2. Varesco: Concert aria: Ch'io mi scordi di te?... Non temer, amato bene, K.505 |
| 3. Acis And Galatea: As When The Dove Laments Her Love |
| 4. Judas Maccabaeus: So Shall The Lute And Harp Awake |
| 5. Giulio Cesare: V'adoro, pupille |
| 6. Motet: Ave verum corpus, K.618 |
| 7. Vesperae solennes de confessore, K.339: Laudate Dominum (Psalm 117) |
| 8. Laudate pueri Dominum: Sit nomen Donini |
| 9. Cantana: Also Hat Gott Die Welt Geliebt, BWV 68: Aria: Mein glaubiges Herze (Ziegler) |
| 10. Cantata: Mein Herze Schwimmt Im Blut, BWV 199: Choral: Ich dein betrubtes Kind (Lehms) |
| 11. La Procession (Briseux) |
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Most Helpful Customer Reviews
13 of 14 people found the following review helpful:
5.0 out of 5 stars
Pure Delight,
By A Customer
This review is from: Victoria de los Angeles - Baroque & Religious Arias (Audio CD)
"...for perfect, really grand tradition, exquisite, almost divine singing, go to Victoria de Los Angeles in 'Baroque and Religious Arias,'" said Robert Levine in the January 1997 issue of Classical Pulse. And I cannot agree more. After listening to her Mozart, you wonder why her Mozart performances have been so under-represented on discs. Testament has done a tremendous job in bringing this extraordinary artist's buried treasures from the EMI archive. And one looks forward to more. Any documentation of her Elsa, or Donna Anna -- roles she is known to have performed?
3 of 5 people found the following review helpful:
5.0 out of 5 stars
Sung by an Angel.,
By A Customer
This review is from: Victoria de los Angeles - Baroque & Religious Arias (Audio CD)
Food for the soul,no matter how corny.As a 20-something,non-religous person is it gratifying to have this to fall back on when faced with everyday life and all the hazards it brings. What did the singers those days have that's so visibly absent from today's? Definitly not better technique or better recording enviroments. Could it be be that they were more well-rounded artistically,and that they had the space and TIME to do what they passionately believed in? Were they allowed to delve a bit deeper than the ones today? Coming back to the CD. Some people slag de los Angeles off as a soprano that should'nt have happened.But how could it not when you hear the'simpatico'and womanliness in that voice. Her German and English isn't idiomatic,but give me her spontanous chirping on the opening lines of Handel's'So shall the lute and harp awake'anyday,compared to the bland offerings today!
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