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The Victorian Illustrated Book (Victorian Literature and Culture Series)
 
 
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The Victorian Illustrated Book (Victorian Literature and Culture Series) [Hardcover]

Richard Maxwell (Editor)
4.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

Victorian Literature and Culture Series June 22, 2002

Throughout the nineteenth century, but most intensely in the reign of Queen Victoria, England and Scotland produced an unprecedented range of extraordinary illustrated books. Images in books became a central feature of Victorian culture. They were at once prestigious and popular -- a kind of entertainment -- but equally a place for pondering fundamental questions about history, geography, language, time, commerce, design, and vision itself. Concentrating on the use of illustration in literature -- especially novels, poems, and children's books -- the essays collected in The Victorian Illustrated Book address a wide chronological and stylistic range of work. They offer fresh insights into such diverse topics as illustration in the books of Charles Dickens and William Morris, the use of words as images, the intersection of children's books and shopping, the use of maps in fiction, the decline of illustrated volumes after Queen Victoria's death, and the proposal that Victorian illustration was a major inspiration for modernist and postmodernist experiments with the form of the book.

Contributors:Steven Dillon, Bates CollegeNicholas Frankel, Virginia Commonwealth UniversityCharles Harmon, Loyola UniversityElizabeth Helsinger, University of ChicagoSimon Joyce, Texas Christian UniversityRichard Maxwell, Valparaiso UniversityRobert L. Patten, Rice UniversityJeffrey Skoblow, Southern Illinois University at EdwardsvilleKatie Trumpener, University of ChicagoHerbert Tucker, University of Virginia



Editorial Reviews

Review

A substantial, original contribution a considerable pleasure to read,... The Victorian Illustrated Book defines and goes a long way toward filling an important gap in scholarship on the history of nineteenth-century publishing. It will interest collectors and bibliophiles as well as students of publishing history, inter-arts relations, and Victorian studies.

(John O. Jordan, University of California, Santa Cruz, coeditor of Victorian Literature and the Victorian Visual Imagination )

About the Author

Richard Maxwell is Professor of English at Valparaiso University and the author of The Mysteries of Paris and London (Virginia) and editor of a new edition of A Tale of Two Cities.


Product Details

  • Hardcover: 440 pages
  • Publisher: University of Virginia Press (June 22, 2002)
  • Language: English
  • ISBN-10: 0813920973
  • ISBN-13: 978-0813920979
  • Product Dimensions: 9.5 x 6.5 x 1.4 inches
  • Shipping Weight: 2.1 pounds (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #2,488,846 in Books (See Top 100 in Books)

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4 of 5 people found the following review helpful:
4.0 out of 5 stars Glimpses of yesterday, January 2, 2004
This review is from: The Victorian Illustrated Book (Victorian Literature and Culture Series) (Hardcover)
When you think of Victorian Britain, what images come to mind? Well, those of sepia toned photographs from 1850 onwards. But invariably for most, illustrations from musty old tomes also arise. The first country with mass literacy still found cartoons and other illustrations useful in many books. Remember that for them, the cost of including these was far greater than for a modern publisher. The plummetting cost of images since the 19th century should not blind us to this. Thus, by inference, when you see the wonderfully chosen examples in this book, the very existence, as independently decided by different authors and publishers over the space of a century, gives some clue as to the value the illustrations were perceived to have.

Maxwell shows some very traditional religious illustrations that explicitly hark back to medieval monasteries. But he also shows illustrations, especially by Aubrey Beardsley, form the late 19th century, that would not look out of place in today's New Yorker. The clean, clear cuts of Beardsley eerily anticipate by a mere 20 years those of Heath Robinson and the associated, minimalist Art Deco architecture. By contrast, the book has other illustrations from early in the 19th century that unmistakably are redolent of the century that just passed on.

Nice.

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Inside This Book (learn more)
First Sentence:
DURING THE LATE Middle Ages, "illustration" meant spiritual or intellectual illumination. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
lesser arts, glittering plain, literal illustration, hook illustration, virgin page, term illustration, ideal book, graphic line
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, William Morris, Aunt Betsey, Charles Dickens, Earthly Paradise, Walter Scott, Miss Betsey, David Copperfield, Aubrey Beardsley, George Cruikshank, Henry James, Middle Ages, East End, Hablot Knight Browne, Hillis Miller, London Town, University of Chicago Press, Big Book, Cambridge University Press, Covent Garden, Crystal Palace, Department of Special Collections, Oxford University Press, Rider Haggard, Walter Benjamin
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