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Viewing Olmsted: Photographs by Robert Burley, Lee Friedlander, and Geoffrey James
 
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Viewing Olmsted: Photographs by Robert Burley, Lee Friedlander, and Geoffrey James [Paperback]

Phyllis Lambert (Editor)
4.0 out of 5 stars  See all reviews (1 customer review)


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Book Description

February 15, 1997
Winner of the AIA 8th Annual International Architecture Book Award (Related Arts Category) and Winner of the 1998 Quill & Trowel Award, sponsored by the Garden Writers Association of America (GWAA)

interviews with the photographers conducted by David Harris


Winner of the 1998 Quill & Trowel Award, sponsored by the Garden Writers Association of America (GWAA)

Winner of the AIA 8th Annual International Architecture Book Award (Related Arts Category)


In 1988, the Canadian Centre for Architecture began an extraordinary photographic commission: to photograph the present state of the parks, private estates, subdivisions, and cemeteries designed by Frederick Law Olmsted (1822-1903), North America's most important landscape architect. Photographers Robert Burley, Lee Friedlander, and Geoffrey James spent seven years visiting and revisiting Olmsted's landscapes—from the best known, such as Central Park in New York and the Emerald Necklace in Boston, to the lesser-known Lake Park in Milwaukee and Mountain View Cemetery in Oakland. This book accompanies an exhibition of 160 photographs from the archive of over 900 images now in the CCA collection.

The photographers witnessed how the sites change from season to season and through the years. Burley was drawn to the interplay of public and private space within parks. He was also interested in how a fixed, relatively timeless element such as a bridge, juxtaposed with plantings that change by the day, provides a field in which human activity changes by the minute. Friedlander tended to explore the character of a space, how a slight change in viewing position or camera format can radically alter one's experience of it. James, who has devoted much of his career to photographing Italian gardens, was most caught up in rendering the physical sensation of moving through the sites, which are so different in character from formal European gardens.

The book features a prologue by Phyllis Lambert, essays by Paolo Costantini and John Szarkowski, 65 photographs from the exhibition (reproduced in color and duotone), interviews with the photographers conducted by David Harris, and a list of the sites photographed.

Distributed for the Candian Centre for Architecture/Centre Canadien d'Architecture

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About the Author

Phyllis Lambert is founder and director of the Canadian Centre for Architecture.

Product Details

  • Paperback: 119 pages
  • Publisher: The MIT Press (February 15, 1997)
  • Language: English
  • ISBN-10: 0262621169
  • ISBN-13: 978-0262621168
  • Product Dimensions: 10.2 x 10.2 x 0.5 inches
  • Shipping Weight: 1.5 pounds
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #2,746,518 in Books (See Top 100 in Books)

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5 of 6 people found the following review helpful:
4.0 out of 5 stars An insightful contemporary visual survey of Olmsted's parks, November 13, 1998
This review is from: Viewing Olmsted: Photographs by Robert Burley, Lee Friedlander, and Geoffrey James (Paperback)
Ultimately, Viewing Olmsted is a savvy and thought-provoking, yet diminutive picture book. The collaboration of three brilliant photographers under the sponsorship of the Canadian Centre for Architecture, it guides the reader down three highly personal, present day tours of legendary parks designed by Olmsted, the patron saint of American landscape architecture. Happily, though, its readers are left to intellectually fend for themselves as to meanings or implications of Frederick Olmsted's work, genius, and lasting influence as the man who designed such famous spaces as Central Park. Academics and artists will appreciate the fresh visual perspectives offered on the man's legacy, the sometimes soothing, sometimes haunting nature-by-design retreats for the urban soul. Those with more than a passing interest in the ways in which man interacts with his `natural' surroundings will appreciate vistas evocative of place rather than time. To the authors' credit, the book raises more questions than it answers, and is of a scale to fit neatly into a travel case. Far from definitive, the book is, nevertheless, a must have for architects, landscape architects, photographers, and Olmsted aficionados.
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