Soldier. Cop. Lawyer. Dismas Hardy’s done the tough jobs, and had some tough luck. Now he’s kicking back and tending bar at the Shamrock in San Francisco. But the past returns in the form of Rusty Ingraham—a former fellow prosecutor who drops by for a drink, warning Hardy that a perp they put away nearly ten years ago just got released…and might still be looking for revenge. Next thing Hardy knows, Ingraham’s houseboat becomes a murder scene, with a dead woman on board and Ingraham, presumably, at the bottom of the bay. To save himself, Hardy’s got to solve the case. But there’s more than one kind of payback, and it’s not just the ex-con who might have wanted it. Now, as he tangles with a mob enforcer, a rejected lover, and a renegade cop, Hardy is haunted by the knowledge that the later you pay, the steeper the price...
The Vig (Dismas Hardy)
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Editorial Reviews
From Publishers Weekly
Ex-San Francisco prosecutor Dismas Hardy (seen in Dead Irish ) seems to be mending his life as bartender and part-owner of a saloon, even spending more time with his ex-wife. Then prosecutor Rusty Ingraham appears with news that Louis Baker, whom he and Dis had sent away years ago, has been released from jail and is out to kill Rusty and Hardy. Within two days, a woman is murdered on Rusty's houseboat and Rusty is missing. Dis has a tough time convincing detective Abe Glitsky that Rusty has been killed by Baker. There are other suspects: the dead woman's husband; a cop driven from the force by Rusty; and a Mob loan shark. Hardy starts his own investigation--and an affair with a pregnant young widow. With a murder of a young drug-dealer, a Mob-like hit, a suicide and other felonies, the case turns in different directions before Dis nails the villain. A large cast, swift pacing and good local color--the bleak look at life in a housing project is riveting--fuel a gripping yarn.
Copyright 1990 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Copyright 1990 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Review
“THE PLOT TWISTS AND TURNS...Hardy is one of the more real and engaging characters in...crime solving.”—Los Angeles Times
“A LARGE CAST, SWIFT PACING, AND GOOD LOCAL COLOR...A GRIPPING YARN.”
—Publishers Weekly
“[Lescroart has a] sensitive touch with psychologically complex characters...a tense, tough, page-turning plot.”—Playboy
“A LARGE CAST, SWIFT PACING, AND GOOD LOCAL COLOR...A GRIPPING YARN.”
—Publishers Weekly
“[Lescroart has a] sensitive touch with psychologically complex characters...a tense, tough, page-turning plot.”—Playboy
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More About the Author
John Lescroart (pronounced "less-kwah") is a big believer in hard work and single-minded dedication, although he'll acknowledge that a little luck never hurts. Now a New York Times bestselling author whose books have been translated into 16 languages in more than 75 countries, John wrote his first novel in college and the second one a year after he graduated from Cal Berkeley in 1970
The only hitch was that he didn't even try to publish either of these books until fourteen years later, when finally, at his wife Lisa's urging, he submitted Son of Holmes to New York publishers--and got two offers, one in hardcover, within six weeks!
But about six years before that first hardcover publication, John's ambition to become a working novelist began to take shape. At that time, as Johnny Capo of Johnny Capo and His Real Good Band, he'd been performing his own songs for several years at clubs and saloons in the San Francisco Bay Area. On his 30th birthday, figuring that if he hadn't made it in music by then, he never would, he retired from the music business.
He'd been writing all along, and didn't stop now, although his emphasis changed from music first, prose second, to the other way around. Within two months of his last musical gig, he finished a novel, Sunburn that drew on his experiences in Spain. Since John didn't know anyone in the publishing world, he sent the manuscript to his old high school English teacher, who was not enthusiastic. Fortunately, the teacher left the pages on his bedside table, and his wife picked them up and read them. She loved the book and submitted it in John's name to The Joseph Henry Jackson Award, given yearly by the San Francisco Foundation for Best Novel by a California author. Much to John's astonishment, SUNBURN beat out 280 other entrants, including Interview With A Vampire, for the prize.
Though Sunburn wasn't to be published for another four years, and then only in paperback, the award changed John's approach to writing. He started to think he might make a living as an author, something he'd never previously believed possible for a "regular guy with no connections." He started paying for his writing habit by working a succession of "day jobs"--everything from a computer programmer with the telephone company, to Ad Director of Guitar Player Magazine, to moving man, house painter, bartender (at the real Little Shamrock bar in San Francisco), legal secretary, fundraising executive, and management consultant writing briefs on coal transportation for the Interstate Commerce Commission!!
John moved to Los Angeles and in the next three years finished three long novels, the last of them featuring a private investigator who shared the name Dismas Hardy (and very little else) with the man who would become John's well-known attorney/hero. Since he'd gotten Sunburn published without using a literary agent (an old friend had shown it to a secretary at Pinnacle Books in Los Angeles, who bought it), John went on submitting his work to New York over the transom, receiving many kind rejection letters, but no offers. Finally he realized that even if he wasn't fated to become a commercially successful author, he wanted to be involved in books and literature. So he enrolled in the Masters Program in Creative Writing at the University of Massachusetts at Amherst.
It was not to be.
While John and his wife, Lisa Sawyer, were preparing that summer to move to New England, he was paying bills by typing technical papers on coal transportation for a consulting firm. Asked by the boss what he thought of the paper, John commented that the argument it made wasn't very compelling and that it wasn't very well-written. His boss challenged him: could he do it any better? In a week, John re-wrote the 400-page draft, which went on to win before the ICC. This led to a "day job" offer that John couldn't refuse. Graduate school fell by the wayside.
But after a year and a half, even a lucrative day job had become a burden. Nothing would do for John by now but to write, but he had little time for writing with his high-paying, career-oriented job. Lisa suggested taking a look at some of the old manuscripts and submitting them--she remembered reading and liking Son of Holmes. How about that one? There was one 14-year-old yellowed and brittle copy of the manuscript left in the world--in the basement of their best man, Don Matheson's, apartment. Six weeks later, John had his first hardcover book deal.
Over the next seven years, back in Los Angeles again, John and Lisa were finally ready to start their family. During this time, John wrote several screenplays and published three more books while he held down a job as a word processing supervisor at a downtown law firm. He rose each day at 5:30 and went to a room they'd built in their garage, where he wrote four pages of his latest in two hours. Then he worked his nine-to-five, ate a bag lunch, and stayed downtown, typing briefs and pleadings at various other law firms until 10:00 or 11:00 at night.
Finally he was publishing, but he wasn't making a living. And then in 1989, at the age of forty-one, he took a break to go body-surfing at Seal Beach. The next day, he lay in a Pasadena hospital. From the contaminated sea water where he'd been surfing, he'd contracted spinal meningitis. Doctors gave him two hours to live.
John now looks back on his 11-day battle with death as the turning point in his career. He quit the last of his day jobs to move back to Northern California and to write full-time, with intense focus and a renewed dedication. The resulting books, richer in terms of theme and story, found a devoted readership and propelled him into the elite circle of bestselling authors--only twenty years to overnight success!
The only hitch was that he didn't even try to publish either of these books until fourteen years later, when finally, at his wife Lisa's urging, he submitted Son of Holmes to New York publishers--and got two offers, one in hardcover, within six weeks!
But about six years before that first hardcover publication, John's ambition to become a working novelist began to take shape. At that time, as Johnny Capo of Johnny Capo and His Real Good Band, he'd been performing his own songs for several years at clubs and saloons in the San Francisco Bay Area. On his 30th birthday, figuring that if he hadn't made it in music by then, he never would, he retired from the music business.
He'd been writing all along, and didn't stop now, although his emphasis changed from music first, prose second, to the other way around. Within two months of his last musical gig, he finished a novel, Sunburn that drew on his experiences in Spain. Since John didn't know anyone in the publishing world, he sent the manuscript to his old high school English teacher, who was not enthusiastic. Fortunately, the teacher left the pages on his bedside table, and his wife picked them up and read them. She loved the book and submitted it in John's name to The Joseph Henry Jackson Award, given yearly by the San Francisco Foundation for Best Novel by a California author. Much to John's astonishment, SUNBURN beat out 280 other entrants, including Interview With A Vampire, for the prize.
Though Sunburn wasn't to be published for another four years, and then only in paperback, the award changed John's approach to writing. He started to think he might make a living as an author, something he'd never previously believed possible for a "regular guy with no connections." He started paying for his writing habit by working a succession of "day jobs"--everything from a computer programmer with the telephone company, to Ad Director of Guitar Player Magazine, to moving man, house painter, bartender (at the real Little Shamrock bar in San Francisco), legal secretary, fundraising executive, and management consultant writing briefs on coal transportation for the Interstate Commerce Commission!!
John moved to Los Angeles and in the next three years finished three long novels, the last of them featuring a private investigator who shared the name Dismas Hardy (and very little else) with the man who would become John's well-known attorney/hero. Since he'd gotten Sunburn published without using a literary agent (an old friend had shown it to a secretary at Pinnacle Books in Los Angeles, who bought it), John went on submitting his work to New York over the transom, receiving many kind rejection letters, but no offers. Finally he realized that even if he wasn't fated to become a commercially successful author, he wanted to be involved in books and literature. So he enrolled in the Masters Program in Creative Writing at the University of Massachusetts at Amherst.
It was not to be.
While John and his wife, Lisa Sawyer, were preparing that summer to move to New England, he was paying bills by typing technical papers on coal transportation for a consulting firm. Asked by the boss what he thought of the paper, John commented that the argument it made wasn't very compelling and that it wasn't very well-written. His boss challenged him: could he do it any better? In a week, John re-wrote the 400-page draft, which went on to win before the ICC. This led to a "day job" offer that John couldn't refuse. Graduate school fell by the wayside.
But after a year and a half, even a lucrative day job had become a burden. Nothing would do for John by now but to write, but he had little time for writing with his high-paying, career-oriented job. Lisa suggested taking a look at some of the old manuscripts and submitting them--she remembered reading and liking Son of Holmes. How about that one? There was one 14-year-old yellowed and brittle copy of the manuscript left in the world--in the basement of their best man, Don Matheson's, apartment. Six weeks later, John had his first hardcover book deal.
Over the next seven years, back in Los Angeles again, John and Lisa were finally ready to start their family. During this time, John wrote several screenplays and published three more books while he held down a job as a word processing supervisor at a downtown law firm. He rose each day at 5:30 and went to a room they'd built in their garage, where he wrote four pages of his latest in two hours. Then he worked his nine-to-five, ate a bag lunch, and stayed downtown, typing briefs and pleadings at various other law firms until 10:00 or 11:00 at night.
Finally he was publishing, but he wasn't making a living. And then in 1989, at the age of forty-one, he took a break to go body-surfing at Seal Beach. The next day, he lay in a Pasadena hospital. From the contaminated sea water where he'd been surfing, he'd contracted spinal meningitis. Doctors gave him two hours to live.
John now looks back on his 11-day battle with death as the turning point in his career. He quit the last of his day jobs to move back to Northern California and to write full-time, with intense focus and a renewed dedication. The resulting books, richer in terms of theme and story, found a devoted readership and propelled him into the elite circle of bestselling authors--only twenty years to overnight success!
Customer Reviews
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Most Helpful Customer Reviews
19 of 19 people found the following review helpful:
5.0 out of 5 stars
good, gritty mystery,
By A Customer
This review is from: The Vig (Dismas Hardy) (Mass Market Paperback)
The customers who panned this book obviously thought of John Lescroart as a legal thriller writer only. But before he put Dismas back into the courtroom, Lescroart's books were sort of Irish Elmore Leonard mysteries. That may be jarring for people, but come on, folks! Are you really so bound into formula that your brains can't switch gears and enjoy this?The Vig is a fine mystery with a complex plot, endearing characters, and great dialogue. Anyone who can call this a Grisham wannabe isn't thinking, and recommending a Ludlum wannabe like The Day After Tomorrow is CERTAINLY comparing apples to cinder blocks.
20 of 21 people found the following review helpful:
5.0 out of 5 stars
A Two Day Read,
By
This review is from: The Vig (Dismas Hardy) (Mass Market Paperback)
Having started with later Lescroart books, I already knew Dismas Hardy, his main character. In the latter books he was already married to Frannie with hints about a troubled past. Going Back to The Vig at the beginning of the story he is getting back together with his first wife but still in his bummed out mode. He is tending bar with his friend Moses when Rusty Ingraham walks in one day telling him a tale about a con who is to be released that has promised to come looking to kill the both of them. Actually Rusty has come up with a complicated scam designed to allow him to disappear and Dismas to be the one to point the finger at the ex-con for killing him. There are several semmingly unrelated murders that keep going back to a mob enforcer who has been collecting "The Vig"...the ever increasing interest on loan sharking. Dismas' friend, Abe doesn't take the threat on Hardy's life seriously enough and it falls to Hardy to prove that Baker, the ex-con did not commit the murders he is accused of. The various characters are well developed and the story works well. The challenge of solving the mysteries helps to rehabilitate Dismas Hardy and sees him begin a relationship with Frannie who becomes his wife in future novels. If you didn't read it along the way, read it now. Lescroart is great reading.
7 of 7 people found the following review helpful:
4.0 out of 5 stars
Typical Dismas Hardy Story - Worth Your Time,
By
Amazon Verified Purchase(What's this?)
This review is from: The Vig (Dismas Hardy) (Mass Market Paperback)
This is one of the early books in the trials and tribulations of Dismas Hardy and even if you have read the later books, it is worth reading. The mystery created in the book is interesting, you learn the history of his eventual marriage to Frannie (which happens in other books), and you learn more about the relationship between Hardy and Lt. Abe Glitsky. Not a bad bargain for the price of a paperback.
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