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"A Terrific 'Take The Law Into Your Own Hands' Movie!" -- DVD Authority
"The Perfect Bloody Pick-Me-Up!" -- ModaMag
"The Perfect Bloody Pick-Me-Up!" -- ModaMag
Product Description
New York City factory worker Eddie Marino (Robert Forster, Oscar(r) nominee for JACKIE BROWN) is a solid citizen and regular guy, until the day a sadistic street gang brutally assaults his wife and murders his child. But when a corrupt judge sets the thugs free, Eddie goes berserk and vows revenge. Now there's a new breed of marauder loose on the city streets, enforcing his own kind of law. Blue Underground is now proud to present VIGILANTE in a pristine new 2K High Definition transfer from the original uncut and uncensored camera negative!
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Most Helpful Customer Reviews
17 of 17 people found the following review helpful
By G. Smith
Format:DVD
Let's get one thing straight. VIGILANTE is not the type of movie that will satisfy those who dislike violent genre films.
It is, however, the kind of picture that will thrill any fan of DEATH WISH, ROLLING THUNDER, THE EXTERMINATOR or any other '70s / early '80s revenge flick that has vigilantism as its main theme.
The acting in VIGILANTE is of a high quality, superb even for an exploitation film. In particular, Robert Forster shines as an everyday working Joe driven to the brink by grief and circumstance. Fred Williamson was never better (and is unlikely to be), while Joe Spinnell steals your attention in his two scenes.
Anchor Bay's DVD release of the film is nothing short of miraculous. The movie has been lovingly restored via George Lucas' THX process and the widescreen presentation looks superb. But the jewel in the crown is the audio commentary. Director William Lustig and the three actors have a whale of a time recounting the film's shoot, and so does the listener.
It is, however, the kind of picture that will thrill any fan of DEATH WISH, ROLLING THUNDER, THE EXTERMINATOR or any other '70s / early '80s revenge flick that has vigilantism as its main theme.
The acting in VIGILANTE is of a high quality, superb even for an exploitation film. In particular, Robert Forster shines as an everyday working Joe driven to the brink by grief and circumstance. Fred Williamson was never better (and is unlikely to be), while Joe Spinnell steals your attention in his two scenes.
Anchor Bay's DVD release of the film is nothing short of miraculous. The movie has been lovingly restored via George Lucas' THX process and the widescreen presentation looks superb. But the jewel in the crown is the audio commentary. Director William Lustig and the three actors have a whale of a time recounting the film's shoot, and so does the listener.
14 of 15 people found the following review helpful
Format:DVD
This is one of those action flicks that punches you right in the stomach. The villians in this movie are so darned nasty, you actually feel physically sick watching them do their dirty deeds. (I did, at least.) This just makes it that much sweeter, though, when Fred Williamson and Robert Forster step to the scene and start whooping tail. Vengence at its finest. If you've got the stomach for serious action and some good old fashioned justice, this flick is for you. Leonard Maltin is a punk.
11 of 12 people found the following review helpful
By cookieman108
Format:DVD
Is there anything more cinematically gratifying than seeing a pack of rabid, sadistic street punks getting exactly what they deserve on the alter of vigilante street justice? Probably, but I doubt many will argue the viscerally animalistic appeal of seeing some particular heinous thugs getting their heads handed to them vigilante style...which brings me to this film, Vigilante (1983), a relative late comer in the genre (who many believe started off with the very popular 1974 film Death Wish, starring Charles Bronson). Co-produced and directed by William Lustig (Maniac, Maniac Cop), who, incidentally, worked as an apprentice editor on the film Death Wish, Vigilante stars Robert Forster (Alligator, Jackie Brown) and exploitation film veteran Fred `The Hammer' Williamson (Mr. Mean, 1990: The Bronx Warriors). Also appearing is Rutanya Alda (The Deer Hunter), Richard Bright (The Godfather: Part III), Don Blakely (Brubaker), Joe Spinell (Forbidden Zone, Maniac), Carol Lynley (The Poseidon Adventure), Frank Pesce (Midnight Run), Steve James (The Exterminator), and legendary actor Woody Strode (The Man Who Shot Liberty Valance), who was pushing 70 at the time this movie was made, and looked about as fit as most men half his age.
As the film, touted as the `unrated director's cut', begins we see Fred Williamson's character (later we learn his name is Nick), laying it down for a group of people (and the audience) about how punks have taken over the streets. One gets a sense that he's `mad as hell, and he's not going to take it anymore'..."If you want your city back, you gotta take it! Dig it?!" Next we witness a woman suffering an attack as she returns home to her apartment building, then later we see the same thug on a street corner bragging about how lame the `system' is and how he'll never do any real time, which is about when Nick and a couple of other fellow pull up in a boogie van, unceremoniously snatch the perpetrator off the street (he was identified by a neighbor of the woman), and speed away (later we found out he got the beating, but good). After this we see scenes of Eddie Marino (Forrester), his wife Vickie, and their young son in a park, and they seem like a happy enough family, enjoying a modest existence...that is until a few days later when Vickie gets on the wrong side of some street punks, who end up following her home committing various acts of vile, unrestrained nastiness. The leader of the gang is caught and brought to trial, but due to criminally inept and corrupt system, the malicious mug gets off with probation, to which Eddie flies off the proverbial handle and gets himself thrown into jail under contempt of court charges (talk about adding insult to injury). Anyway, Eddie gets out, hooks up with Nick and his vigilante posse for some much needed retributory, skull-cracking violence and mayhem (it's so wrong, but it feels good).
While there are some very striking similarities to the film Death Wish, Vigilante, which was shot on location in New York, giving it a gritty sense of authenticity, surpasses that film in the aspect of graphic violence, but is it better? Hard for me to say, but it is just as enjoyable, despite a few perceived flaws. Robert Forrester presents a strong character, but he didn't seem all that put out after his family was brutalized...perhaps this is how is was meant to be, as he virtually exploded in court when the gang leader got off with a slap on the bum...still, it seemed odd, the lack of emotion give what happened (maybe it was a state of shock). It is interesting to watch his nearly unbelievably naďve character transform into a vengeance filled, borderline psychotic in a relatively short period of time. As far as Williamson goes, well, his character is pretty much the same as just about anything I've seen him in...is that bad? Not really, as I suppose a lot of that has to do with typecasting, but at least he's had plenty of opportunities to get it down, and can pound punks with the best of them. There are some great supporting roles especially from Joe Spinell, who plays the sleazy defense attorney (he has little screen time, but makes an impression), and Woody Strode, a convict who helps Eddie preserve the sanctity of his Hershey highway while in prison (there's a great sequence in here with Strode dishing out a serious hurting on two punks half his age). There's plenty of escalating violence in this film once things get moving, some of it quite graphic and visceral...there was even one scene this seriously desensitized viewer found quite shocking...I won't tell you which one (but if you've seen the film, you probably know what I'm talking about. The story bounces back and forth between the characters of Eddie and Nick, basically two sides of the coin, until Eddie realizes the only way he's going to get what he wants is through Nick's hands on approach to dealing with street crime. There's some superficial claptrap about the morality of street justice, but I hardly thought the film was interested in getting hot and heavy on the philosophical aspects, especially in terms of how the poorly legal system was portrayed (lazy, ineffectual, corrupt), its inclusion more related to something to drive the plot, rather than a focal point within the film...by the way, that trial was a complete joke, and that prosecutor, played by Ms. Lynley, was about the most useless I've ever seen...no wonder the gang leader, who had 22 prior arrests, had never been convicted...oh, she'd say it was because witnesses were too intimidated to come forth, but if that were true, the case would've never gone to trial in the first place as there wouldn't have been enough evidence (I'm not a lawyer, but I play one on TV)...I suppose if the judges were corrupt, she could make an argument for her inability to actually prosecute criminals, but watching her in the courtroom I got the sense she was just really sucky at her job. Overall the story is slightly uneven and a little superficial, but the pacing is tight and the film doesn't wear out its welcome keeping a lean running time (just under 90 minutes, but it felt shorter). The ending felt odd and abrupt, and left a few questions unanswered...I couldn't help feel that perhaps this was the intent, but then I wonder if I'm giving the story more credit in that aspect than it deserves as it tended to simplify a number of elements within the storyline, going for the easy, stereotypical view (especially of the lackadaisical justice system), rather than delving into the real issues that result in perceived injustices (or is it injusti? I can't recall).
Anchor Bay Entertainment provides an excellent widescreen (2.35:1), enhanced for 16X9 TVs, picture on this DVD, along with better than expected audio, available in Dolby Digital Surround 2.0 or Dolby Digital 6.1 DTS: ES. Special features are numerous including a commentary track with director Lustig, and actors Robert Forrester, Fred Williamson, and Frank Pesce. Also included are 7 theatrical trailers (including international ones), 4 radio spots, 4 TV spots, a promotional reel used to help initially finance the film, a still gallery, and 5X7 reproduction of the original theatrical poster art. All in all, a superior release of a decent film.
Cookieman108
As the film, touted as the `unrated director's cut', begins we see Fred Williamson's character (later we learn his name is Nick), laying it down for a group of people (and the audience) about how punks have taken over the streets. One gets a sense that he's `mad as hell, and he's not going to take it anymore'..."If you want your city back, you gotta take it! Dig it?!" Next we witness a woman suffering an attack as she returns home to her apartment building, then later we see the same thug on a street corner bragging about how lame the `system' is and how he'll never do any real time, which is about when Nick and a couple of other fellow pull up in a boogie van, unceremoniously snatch the perpetrator off the street (he was identified by a neighbor of the woman), and speed away (later we found out he got the beating, but good). After this we see scenes of Eddie Marino (Forrester), his wife Vickie, and their young son in a park, and they seem like a happy enough family, enjoying a modest existence...that is until a few days later when Vickie gets on the wrong side of some street punks, who end up following her home committing various acts of vile, unrestrained nastiness. The leader of the gang is caught and brought to trial, but due to criminally inept and corrupt system, the malicious mug gets off with probation, to which Eddie flies off the proverbial handle and gets himself thrown into jail under contempt of court charges (talk about adding insult to injury). Anyway, Eddie gets out, hooks up with Nick and his vigilante posse for some much needed retributory, skull-cracking violence and mayhem (it's so wrong, but it feels good).
While there are some very striking similarities to the film Death Wish, Vigilante, which was shot on location in New York, giving it a gritty sense of authenticity, surpasses that film in the aspect of graphic violence, but is it better? Hard for me to say, but it is just as enjoyable, despite a few perceived flaws. Robert Forrester presents a strong character, but he didn't seem all that put out after his family was brutalized...perhaps this is how is was meant to be, as he virtually exploded in court when the gang leader got off with a slap on the bum...still, it seemed odd, the lack of emotion give what happened (maybe it was a state of shock). It is interesting to watch his nearly unbelievably naďve character transform into a vengeance filled, borderline psychotic in a relatively short period of time. As far as Williamson goes, well, his character is pretty much the same as just about anything I've seen him in...is that bad? Not really, as I suppose a lot of that has to do with typecasting, but at least he's had plenty of opportunities to get it down, and can pound punks with the best of them. There are some great supporting roles especially from Joe Spinell, who plays the sleazy defense attorney (he has little screen time, but makes an impression), and Woody Strode, a convict who helps Eddie preserve the sanctity of his Hershey highway while in prison (there's a great sequence in here with Strode dishing out a serious hurting on two punks half his age). There's plenty of escalating violence in this film once things get moving, some of it quite graphic and visceral...there was even one scene this seriously desensitized viewer found quite shocking...I won't tell you which one (but if you've seen the film, you probably know what I'm talking about. The story bounces back and forth between the characters of Eddie and Nick, basically two sides of the coin, until Eddie realizes the only way he's going to get what he wants is through Nick's hands on approach to dealing with street crime. There's some superficial claptrap about the morality of street justice, but I hardly thought the film was interested in getting hot and heavy on the philosophical aspects, especially in terms of how the poorly legal system was portrayed (lazy, ineffectual, corrupt), its inclusion more related to something to drive the plot, rather than a focal point within the film...by the way, that trial was a complete joke, and that prosecutor, played by Ms. Lynley, was about the most useless I've ever seen...no wonder the gang leader, who had 22 prior arrests, had never been convicted...oh, she'd say it was because witnesses were too intimidated to come forth, but if that were true, the case would've never gone to trial in the first place as there wouldn't have been enough evidence (I'm not a lawyer, but I play one on TV)...I suppose if the judges were corrupt, she could make an argument for her inability to actually prosecute criminals, but watching her in the courtroom I got the sense she was just really sucky at her job. Overall the story is slightly uneven and a little superficial, but the pacing is tight and the film doesn't wear out its welcome keeping a lean running time (just under 90 minutes, but it felt shorter). The ending felt odd and abrupt, and left a few questions unanswered...I couldn't help feel that perhaps this was the intent, but then I wonder if I'm giving the story more credit in that aspect than it deserves as it tended to simplify a number of elements within the storyline, going for the easy, stereotypical view (especially of the lackadaisical justice system), rather than delving into the real issues that result in perceived injustices (or is it injusti? I can't recall).
Anchor Bay Entertainment provides an excellent widescreen (2.35:1), enhanced for 16X9 TVs, picture on this DVD, along with better than expected audio, available in Dolby Digital Surround 2.0 or Dolby Digital 6.1 DTS: ES. Special features are numerous including a commentary track with director Lustig, and actors Robert Forrester, Fred Williamson, and Frank Pesce. Also included are 7 theatrical trailers (including international ones), 4 radio spots, 4 TV spots, a promotional reel used to help initially finance the film, a still gallery, and 5X7 reproduction of the original theatrical poster art. All in all, a superior release of a decent film.
Cookieman108
Most Recent Customer Reviews
4.0 out of 5 stars
Gritty, Brutal Film in the Vein of Death Wish
Released in 1982, this film certainly takes a bleak and pessimistic tone towards rampant crime and law enforcement's lack of effectiveness in modern-day America. Read more
Published 24 days ago by Chad Radford
4.0 out of 5 stars
mess with the bull,you get the horn.
early 80's movie about a group of guys trying to clean up the neighborhood,and they do a good job of it.i love 80's movies so this is another to add to the collection. Read more
Published 5 months ago by thunderunner
4.0 out of 5 stars
Nasty and forgotten little exploitation gem
William Lustig, the director of Maniac and the Maniac Cop series, helms this nasty and sadly forgotten little exploitation gem from 1983. Read more
Published 11 months ago by N. Durham
2.0 out of 5 stars
vigilante
low budget filmaking not at its best. kudos to the film makers however for finding ways to finance a the film anyhow but really just a Death Wish knockoff. non original. Read more
Published 11 months ago by Dwayne Walker
5.0 out of 5 stars
RETRO JUSTICE
Sorta like Deathwish , but with a less complex lead character who teams up with like-minded cohorts. Corruption is the main ingredient to be dealt with. XLNT A/V.
Published 11 months ago by ERNESTO
5.0 out of 5 stars
Vigilante
You know I am not a fan of Fred Williamson and I thought this movie is probably another blame the Man movie but it's pretty good with some exceptions of blaming the lack of police... Read more
Published 12 months ago by Jose Lopez
4.0 out of 5 stars
Vigilante is a great, underrated exploitation flick!
This is a review of the Blue Underground Blu-Ray release of VIGILANTE.
Forster steals the show here. Read more
Forster steals the show here. Read more
Published on January 21, 2011 by Geekotron420
4.0 out of 5 stars
Surprisingly good
I was suprised how much i liked it. I think it was good. I think Fred Williamson was very good and the best
character in the film. He got charisma. Read more
character in the film. He got charisma. Read more
Published on November 17, 2010 by LoBo
4.0 out of 5 stars
One of the best vigilante movies of the 80's.
Academy Award nominee Robert Forster teams up with cult icon Fred Williamson and a team of other men to dish out street justice on the vicious attackers of Forster's family. Read more
Published on November 2, 2010 by The Internet Vigilante
2.0 out of 5 stars
A movie that is boring as hell with very little good action scenes
This movie has a good story and all, but its mass amount of filler, lack of action scenes, average action and its slow pacing that make it a bit boring to watch. Read more
Published on April 16, 2010 by M. L. Robbins
