Product Details

• Actors: Kristin Scott Thomas, Sean Penn, Anne Bancroft, James Fox, Jeremy Davies
• Directors: Philip Haas
• Writers: Belinda Haas, W. Somerset Maugham
• Producers: Arnon Milchan, David Brown, Davien Littlefield, Geoff Stier, Guido Cerasuolo
• Format: Closed-captioned, Color, NTSC
• Rated: PG-13 (Parental Guidance Suggested)
• Number of tapes: 1
• Studio: Polygram USA Video
• VHS Release Date: October 24, 2000
• Run Time: 115 minutes
• Average Customer Review: 3.2 out of 5 stars  See all reviews (17 customer reviews)
• ASIN: 6306010971
• Amazon Best Sellers Rank: #89,779 in Movies & TV (See Top 100 in Movies & TV)

Editorial Reviews

Amazon.com

Strangely reminiscent of Stanley Kubrick's Eyes Wide Shut, Philip Haas's Up at the Villa is a similarly insulated psychosexual drama detached from the larger world yet with consequences well beyond itself. As with Kubrick's final masterpiece, Up at the Villa is constructed around a self-centered character whose insecurities about marriage set a disastrous chain of events into motion. Kristin Scott Thomas plays Mary Panton, a comely Englishwoman staying at a villa in Florence, Italy, in the late 1930s. Sheltered by the goodwill of the British and American community there, Mary--with little money and few prospects for survival outside marriage--dithers over her uncertain destiny and dreams of independence.

Based on a novella by W. Somerset Maugham, Up At the Villa finds Mary forced to take charge of her life after a one-night stand with an Austrian immigrant (Jeremy Davies) leads to tragedy. Sean Penn plays a cavalier American playboy who helps her out in the nightmarish aftermath. Both he and Thomas approach Haas's artful film noir with intentionally mannered performances that blur the line between internal and external experience. The result is a kind of midnight journey through minefields of the subconscious.

Still, the film is not without weaknesses: getting a fix on Penn's roughly sketched character, for instance, proves unsatisfying given his clichéd roguishness. And Haas seems to be plucking derivative ideas from everywhere: there's a strange stretch in the second act in which he goes out of his way to make a Hitchcockian film that really does look and sound like a Hitchcock film. While the result is eerie, you have to wonder why Haas would be so blunt about it. --Tom Keogh

Customer Reviews

Most Helpful Customer Reviews

23 of 23 people found the following review helpful:

4.0 out of 5 stars Somerset Maugham's Novella comes to life, January 21, 2001

By 

Cabir Marc Davis (Amazon) - See all my reviews

This review is from: Up at the Villa (DVD)

We rented this video based on the legend on the cover, and didn't quite realize it would turn out to be the treat that it eventually was. This brilliant adaptation of a Somerset Maugham novella turns out to be one of the best things about 2000's art-film scene, though it has gone largely unnoticed, and even passed the eyes of critics without so much as a murmur.

That is sad, because 'Up at the Villa' features Kristin Scott Thomas in her strongest and most well-written role yet. This is an actress who deserved to pick up an Oscar for 'The English Patient', but her performance in this film beats that hollow. It also stands out because its a faithful reproduction of the character in the novella, making this feature one of the more successful book-to-movie transfers.

Sean Penn however, falters. In a role that could well be carried out by anyone from Henry Thomas to Harrison Ford, Penn is dull, lifeless and utterly uninteresting. However, his chemistry with Thomas is fodder enough to keep this film on its feet and the fast pace never slows down, even in the slower conversational segments. Set in Florence, Italy, the cinematography is flawless and the acting superb, though the real scene-stealer could well be Anne Bancroft, in a role that she walks through splendidly.

The story is simple : Scott Thomas is a penniless well-bred girl at the Villa of her beau, an aging man soon to be the Governor of Bengal (they are all British, by the way). Shes doing it solely for the money and the sense of security, as her last marriage was a total disaster and she 'doesn't believe in love anymore'. It takes Sean Penn, a smooth talking American to make her see that passion is what makes life worth living, and that one must take ones' chances. This lends the film a predictable and thoroughly plain ending (it even read quite plainly in the book, if I remember) but it works.

This film made me realize what a treasure we have in Kristin Scott Thomas. She has one of the most expressive faces and such an excellent sense of timing. She also carries herself with the most regal bearing, bringing to mind the days of Ava Gardner and Audrey Hepburn. No contemporary actress can hold a candle to Thomas - at least not in this film!

'Up at the Villa' should be seen for many reasons. One, its not often that an unsung movie of this calibre shows up. Second, the performances of all the female leads are outstanding, and third, the screenplay is the best I have ever witnessed the whole of this year. This is story telling at its' masterful best, and it should not be missed. Compelling, essential viewing.

13 of 14 people found the following review helpful:

4.0 out of 5 stars Up At The Villa, September 2, 2000

By 

"mjmilne" (vancouver, b.c. Canada) - See all my reviews

This review is from: Up at the Villa [VHS] (VHS Tape)

UATV is from a Somerset Maughin novella. It takes place as World War II reaches Italy. Kristin Scott Thomas plays a complex Mary Panton, widowed, in search of romance and a rich husband, who stays at her friend's Florence Villa. Sean Penn plays the catalyst, Rolly Flint, a dashing American playboy out for fun and frolic. But Mary Panton is about to accept a proposal from the older Sir Edgar (played by the worst actor I've seen in years, James, or is it Edward Fox, one of them can act, to quote another reviewer) and she spurns Flint's offer. She has four days to decide to accept the marriage proposal and thus change her life and move to India with Sir Edgar. In the meantime, Flint makes his play for her. But Mary makes a play for a penniless refugee, who is a restaurant Waiter turned terrible violinist. The violinist falls in love with our Mary and kills himself in the process. Why she would jump in the sack with this loser is beyond me and obviously the scriptwriter as well. There's no stisfactory lead-in to action here and the explanation that she wants to do something 'good' is too comical to be believed. But, hey, Penn gets her out of the mess!

Anne Bancroft is the light touch with thoughtfully-placed humour. The directing by Philip Haas is amateurish at best and is drastically annoying. A film school dropout could do better! Or perhaps it's the editing and the major continuity mistakes. But--and it's a BIG 'but'--the real pleasure is watching Kristin Scott Thomas in the lead role as Mary Panton. She's almost in every scene. Without her, the picture is a dud, but she raises it up beyond an Oscar Acadamy nod. Her acting is aggressive and carries the accolade of being in the vein of a new artistic style. Her acting/reaction during a possible rape scene is worth the price of admission, as is the scene in the small chapel with lemon trees. See it just for her! I hope the American Academy does give her a nod, a big one!

8 of 8 people found the following review helpful:

3.0 out of 5 stars Sumptuous but slight, September 5, 2002

By 

Steven Reynolds (Sydney, Australia) - See all my reviews
(REAL NAME)   

This review is from: Up at the Villa (DVD)

A sumptuously filmed, delightfully old-fashioned, but ultimately rather insubstantial adaptation of W. Somerset Maugham's novella of the same name. Mary Panton (Kristin Scott Thomas) must decide: does she play it safe and marry a stuffy Englishman (James Fox) for position and security, or does she follow her heart and take up with a charming but feckless married American playboy (Sean Penn)? A few days of melodrama involving sex, suicide and the menace of Italian fascism help make up her mind. The performances from Scott Thomas and Penn are solid, with Anne Bancroft, Derek Jacobi and Massimo Ghini delighting in minor roles, though Jeremy Davies is less convincing as an Austrian peasant. It's probably worth seeing just for Maurizio Calvesi's cinematography and Paul Brown's production design - the lavish villa and the ripening tomatoes at the tennis club are a treat. But highest honors surely belong to special make-up artist Joan Giacomin who transforms the talented but rather rough-headed Sean Penn into a veritable `40s matinée idol. Penn continues to shine, in roles like this one, with remarkable versatility.