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Village on the Edge: Changing Times in Papua New Guinea
 
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Village on the Edge: Changing Times in Papua New Guinea [Paperback]

Michael French Smith (Author)
5.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

March 2002
Kragur village lies on the rugged north shore of Kairiru, a steep volcanic island just off the north coast of Papua New Guinea. In 1998 the village looked much as it had some twenty-two years earlier when author Michael French Smith first visited. But he soon found that changing circumstances were shaking things up. Village on the Edge weaves together the story of Kragur villagers' struggle to find their own path toward the future with the story of Papua New Guinea's travails in the post-independence era. Smith writes of his own experiences as well, living and working in Papua New Guinea and trying to understand the complexities of an unfamiliar way of life. To tell all these stories, he delves into ghosts, magic, myths, ancestors, bookkeeping, tourism, the World Bank, the Holy Spirit, and the meaning of progress and development. Village on the Edge draws on the insights of cultural anthropology but is written for anyone interested in Papua New Guinea.

"In Village on the Edge, Michael French Smith provides the reader with something rare and precious--a humane and sharply insightful view into the rich local world of a village in transition in Papua New Guinea." --- Bruce Beehler, Conservation International

"Michael French Smith spins a great yarn. He has an admirable ability to translate personal experiences into a meaningful message and can describe complex social phenomena in ways that the anthropologically uninitiated can understand and appreciate. I finished this book in just a few sittings and thoroughly enjoyed it." --- Richard Scaglion, University of Pittsburgh

"Michael French Smith's Village on the Edge is a heartfelt and perceptive account of a people facing enormous change. In essence, although this book concerns the people of Kragur Village, it tells the story of all of contemporary Melanesia. It is a unique work, elucidating a unique period of change among an extraordinary people." --- Tim Flannery, author of Throwim Way Leg: Tree Kangaroos, Possums and Penis Gourds


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Village on the Edge: Changing Times in Papua New Guinea + An Introduction to the Anthropology of Melanesia: Culture and Tradition + Tales of the Tikongs
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Editorial Reviews

Review

"A splendid ethnography for the general reader, for Papua New Guineans..., for students, and for seasoned anthropologists." -- Anthropos

"Both a reflective, personal memoir and well-researched scholarly work." -- The Independent, March 6, 2003

"If you have ever been curious about the working methods of cultural anthropologists, this is the book for you." -- The Washington Times, July 27, 2003

About the Author

Michael French Smith is a senior research associate with LTG Associates, Inc., a consulting firm that applies the methods of cultural anthropology to health and human services policy and management issues. He is the author of Hard Times on Kairiru Island.

Product Details

  • Paperback: 232 pages
  • Publisher: Univ of Hawaii Pr (March 2002)
  • Language: English
  • ISBN-10: 0824826094
  • ISBN-13: 978-0824826093
  • Product Dimensions: 9 x 6.1 x 0.6 inches
  • Shipping Weight: 11.2 ounces (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #157,434 in Books (See Top 100 in Books)

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22 of 22 people found the following review helpful:
5.0 out of 5 stars Dispela buk em i tok tru, March 14, 2003
By 
Robert S. Newman "Bob Newman" (Marblehead, Massachusetts USA) - See all my reviews
(VINE VOICE)    (REAL NAME)   
This review is from: Village on the Edge: Changing Times in Papua New Guinea (Paperback)
After almost a century of modern-style research, the world is not exactly short of ethnographies. You can find works on everybody from Indiana town dwellers to Sri Lankan fishermen. Papua New Guinea, as an area where a wide variety of cultures, some with Stone Age technologies, endured well into the 20th century, attracted the attention of anthropologists right from the start. There are a very large number of books on the country, starting with Malinowskis seminal works on the Trobriand Islands during and after WW I. Most, but not all, of them concentrated on investigations of what are often referred to as traditional cultures, if not primitive. Anthropologists, not unlike Western tourists, have often been lured by the exotic parts of the world where cultures extremely different from their own could be found. Bateson, Burridge, Glasse, Heider, Hogbin, Mead, Pospisil, Rappaport, Reay, Schieffelin, and Wagner to name a few, gravitated to Papua New Guinea, drawn perhaps by the chance to study people whose cultures were untouched by the West. Untouched is no doubt a relative word. A few others, especially Lawrence and Worsley, delved into the cargo cults, an aspect of Melanesian religion that sprang up in the wake of colonial pressures on traditional beliefs. Modern Papua New Guinea, with its Christianity, bureaucracy, development projects, education, corruption, urban crime, and population explosion, has not received so much attention. Until now. Michael French Smiths VILLAGE ON THE EDGE is a delightful new ethnography based on work in the same village in the mid-1970s and then in the late 90s. Based on the idea of observing change, because Kragur village, on Kairiru island, off the north coast of the country, has been changing rapidly for many decades, Smith succeeds brilliantly. To my taste, he strikes just the right note between popular writing and professional investigation. In a clear, jargon-less style, he covers many areas usually found in ethnographies, such as village structure, family structure, the economic and political system, and religious beliefs, but focusses on how all these things have changed. It is a down-to-earth, non-exotic picture of present dilemmas for the Kragur villagers who still, after over twenty years of independence, remain poised between a sharing, cooperative society based on personal ties and the money-based, more individualistic one introduced as a correct model by the West and emulated by educated, town-dwelling locals. Smith puts himself into the picture, admits to his predilections and difficulties. Refreshingly, he does not hide behind some false objectivity, but shows how he accepted certain privileges (and dealt with some problems) that came with being a whiteman. This honesty, coupled with a sense of humor and nice introduction of the flavor of Pidgin English or Tok Pisin, a national language in the country, made the book all the more appealing.

Melanesian societies often believed that knowledge-of magic or ritual-held the key to success in any endeavor, would be the best guarantee of prosperity. Those who had the best knowledge grew the best crops, caught the most fish, or had the most successful trading relationships. But, if many people in the village had that knowledge, then the whole village would be prosperous and successful. Thus, Kragur villagers, like most Melanesians, saw Western education as the way to go if they wanted to raise their standard of living, to obtain money and an easier life. Get Western education, prosper like the Westerners. In a way, Smith points out in the heart of the book, they have been proven right, but the results challenge the whole belief system that underlay their society. For them, if individuals prosper, but the village does not, the new knowledge has failed to produce the desired result. But as time goes by, as more individuals prosper, will not the old ideals completely fade, will not the old cooperative society vanish ? The village is on the edge.

I urge everyone interested in knowing what Papua New Guinea is like today to read this book. It should be on every reading list dealing with the modern Pacific, modern Melanesia, or dilemmas of development. If you are trying to attract students to the field of anthropology or to draw their attention to the process of writing ethnographies, you can hardly go wrong with VILLAGE ON THE EDGE.

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