Customer Reviews

Village Gorilla Head

5 star:		(4)
4 star:		(3)
3 star:		(1)
2 star:		(0)
1 star:		(0)

 

 

With all due respect to Mssrs Westerberg, Mars and Dunlap: all have produced great work since the Replacements folded. Chris Mars made some great one-man garage rock, with heavy echoes of '60's grunge (early Kinks, etc.). Slim Dunlap released the best Replacements song that never was ("The Ballad of the Opening Band"), and Paul has given us album after album of, well, trademark "Paul-ness." Heartfelt sandpaper vocals, ragged-but-right playing, sometimes reflective, sometimes fun, most often inbetween. And just for the record, I play all of their solo stuff pretty often, along with my Replacements records.

But Tommy has been different. Not content (or confident enough, maybe?) to be a solo artist, he formed Bash and Pop way back when, and released the great Faces/Stones inspired album 'Friday Night Is Killing Me.' Promptly dismissed by Sire records when the album didn't do well, he turned to old mate and Twin-Tone founder Peter Jesperson to release an EP by his second post-Mat's band, Perfect. The resulting 'When Squirrels Play Chicken' is a great slice of loose, garagey hard rock and punk, capped by a sloppy cover of "Crocodile Rock." By the time Perfect had recorded a follow-up, Jesperson's Medium Cool records was in limbo, and so was the album.

We all know what happened next: Tommy joined Guns'n'Roses. A few shows and A LOT of studio time later, G'n'R has yet to release more than one song, but Tommy got a record deal, and not only does this mark his de jure 'solo' debut, he has produced what is possibly the finest album by an ex-Replacement so far.

Why, you may ask? First of all, he breaks new musical ground and finds his own identity. The variety of styles on this album run from Big Star-esque plainative songs ("Without A View") to Dylanesque folk-pop ("Hey You") to good old fashioned pop-punk that made the Mat's what they were ("What's Your Motivation").

Second, he's finally got his own songwriting voice. Gone are the Westerbergisms of earlier efforts (ok, there's one, but it's minor), replaced with his own sense of song structure, heavily influenced by everyone from Alex Chilton to his current employer.

Third, this is easily the most heavily layered album by any ex-Replacement. Musically, it accomplishes what 'Don't Tell A Soul' only hinted at: complex, rocking, fully explored electric music with a bonfire in its belly. 'Don't Tell A Soul' mostly failed in this regard. 'Village Gorilla Head' fulfills the promise of that long-ago record: A hard, driving album, deeply complex, with massive intelligence and passion behind it.

I buy a lot of music, and I've got to say that this is possibly the best album I've bought in a year. As Jim Dickinson once said, "Tommy Stinson IS rock'n'roll." (And folk, and pop, and punk, and lots of other things.)

Buy this record. Tommy needs the cash.

Not to sound too redundant but Tim (9/08/04) really nailed the essence of this record in his more lengthy review.

This is an imaginative, creative, diverse and well produced rock record and I agree that this is absolutely one of the best albums of 2004! The sad part is that this is one of those projects that will go largely unnoticed.

VGH is a very palatable record that would be enjoyed by a vast audience if it were exposed. Tommy is not at all trying to recreate the Replacements althoguh there are a few songs that will remind you of why the Replacements were so great!

I love this CD. I 've bought everything Paul Westerberg has released while neglecting Tommy Stinson's work. Now I'm eagerly awaiting Stinson's next project. He is terrific here; thoughtful adult songwriting plus some raved up flat out rockers. I've been humming these tunes ever since I recieved the CD. It's great to discover new music again. I didn't know what to expect and now I'm a big fan.

As I was strolling down the music aisle of Border's at ten o'clock on a thursday night I stopped dead in my tracks. There on the shelf was a Tommy Stinson album. As a die hard Replacements and Westerberg fan I was amazed. Tommy had finally decided to venture off on his own. So of course I bought it; for 18.99 to be exact. I listened to it over and over and I was very impressed. The album is deffinetly influenced by Bob Dylan and Westerberg, but it is also full Stinson's own unique style. While the lyrics are a bit dry, his voice is great. I hope he has many more of these solo releases to come. In the meantime by VGH. You won't regret it. Oh yes and who else just released a new album? Why Paul of course! What a wonderful world.

There are about 4 or 5 decent songs on this record. The song OK is excellent. The rest are fair. The only real problem with this record is it sounds dated, like it was realeased in 1995 instead of 2005.

So I first saw Tommy Stinson in Lincoln Nebraska in 1982. He was pretty young, i'd guess like 15 to 17 years old. I am a big fan of the replacements and paul westerberg and Tommy Stinson. This record is softer than bash and pop, and perfect however its still very good. The songs are direct and to the point and he is a very good lyricist.

Tommy Stinson proves once again that he can easily stand alone and sound great. I just got this album last week and it sounds great. It's so much of his influences in his music. Great rhythms, melodies and lyrics. Tommy is a bad @ss no doublt about it. I will be listening to this album over and over many, many times. I love great music but it's so hard to find nowadays what with all the radio stuff, lack of a much better term, out there. And of course the ever-increasing lack of musical taste among the younger generation.

This album kept showing up on my "if you like that, you'd like this" lists. Since I consider The Replacements to be one of the most remarkable artists of the past 30 years and was in desperate need of some new music, I thought I'd give Tommy Stinson/Village Gorilla Head a try.

To be honest, I was ready to NOT like this album. The fact he was a former Replacements member actually played against him for me. In my jaded mind, this could have very easily been a typical cash grab from a member of a once mighty, but long-ago disbanded, act. Before I listened to this I (admittedly ignorantly) thought Paul Westerberg WAS The Replacements and that the other members might as well be session musicians. After all, this guy was "only" the bassist, right?! Wrong! Tommy Stinson seems to be extremely talented. Not only is his songwriting and instrumentation outstanding, Tommy Stinson's vocals are superb.

I try to avoid song by song critiques because there's nothing more individual than which songs stand out for someone and why. This album has flashes of what I love about Replacements music (e.g. the songs Something's Wrong and Someday could easily fit into the later-day Replacements catalog) but with a very contemporary feel. However, although the music seems to occasionally borrow from the Replacement's vibe, including some of that bare instrumentation, empty room ambience, and the occasional dark/cynical bends, there are songs that sound nothing like The Replacements (e.g. the very cool Peter Gabriel-ish, title track).

Admittedly I don't know enough about the inner workings of the Replacements to know how vital this guy was to their music. His association with them is probably now as big a burden as it is an asset to him. At the end of the day though, who cares, Tommy Stinson is clearly an outstanding artist in his own right and this album is excellent, without qualification or disclaimer.

(4.5 Stars)