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The Vintage Book of War Fiction
 
 
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The Vintage Book of War Fiction [Paperback]

Sebastian Faulks (Editor), Jorg Hensgen (Editor)
5.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

Vintage Original August 27, 2002
In this powerful anthology, Sebastian Faulks, author of the international bestseller Birdsong, and Jörg Hensgen have put together some of the finest fictional writing about war in the 20th century. Whether reporting with sober clarity or raw despair, the assembled novelists each found a way to transcend the facts of death and metal, tanks and blood.

Many of the writers are concerned with battle, but others dwell on moments of calm, love, and friendship. From revolutionary Russia to Republican Spain; from the trenches of the Western Front to the skies over Korea and the jungles of Vietnam, this is a book filled with heroism and horror, savagery and compassion, and lightning-flashes of anarchic humor.

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Customers buy this book with "Daddy's Gone to War": The Second World War in the Lives of America's Children $39.04

The Vintage Book of War Fiction + "Daddy's Gone to War": The Second World War in the Lives of America's Children


Editorial Reviews

From Library Journal

War fiction isn't only storytelling with a degree of literary merit. It also offers important insights into the cultural, political, psychological, and socioeconomic conditions and nuances of the time and characters. This anthology of war fiction at its best features 40 short stories and novel excerpts by such noted writers as Ernest Hemingway, Heinrich Boll, Elizabeth Bowen, Kurt Vonnegut, Norman Mailer, Joseph Heller, A.D. Gristwood, Tim O'Brien, and many more. Against the background of major conflicts of the 20th century, readers are taken on a journey to such places as the trenches of World War I, the jungles of Southeast Asia, the European theater during World War II, and the Arabian Desert while the Persian Gulf conflict was raging (the Korean War, "the forgotten war," merits only one excerpt). Editors Faulks (Birdsong: A Novel of Love and War) and Hensgen appropriately note that many of the writers they included in this anthology used the novel format as no more than a device for what are in reality documentary accounts of what happened to them personally. Indeed, these war stories of soldiers, pilots, sailors, combatants, and civilians of all ages and walks of life are often fictionalized autobiographies, conveying the immediate horrors of war, the emotional damage it causes, and the best and worst in humanity. As no other work is similar to this one in terms of scope or style, it is highly recommended for both public and academic libraries.
Ali Houissa, Cornell Univ. Lib, Ithaca, NY
Copyright 2002 Reed Business Information, Inc.

From Booklist

Coeditor Hensgen did most of the work for this anthology of excerpts from war novels. That's good, because coeditor Faulks reveals his ignorance of the subject in his facile introduction. Hensgen's choices include the best-known writers from WWI, the Spanish civil war, WWII, Korea, Vietnam, and the Gulf War. One is quickly reminded of how skilled Hemingway, Mailer, and Remarque were, and Tim O'Brien's "How to Tell a True War Story" reaffirms the greatness of The Things They Carried. The excerpt from James Jones' Thin Red Line, about a soldier trying to take a "crap" in privacy and being attacked by a starving Japanese, steals the show for authenticity and gritty humor and underscores how Jones has been relentlessly underrated. There is much to like about this anthology; there's variety here and a degree of unpredictability, but there is also a number of weak entries, including those from Bruce Chatwin and Kay Boyle. Altogether, the result is a good anthology but not a great one. John Mort
Copyright © American Library Association. All rights reserved

Product Details

  • Paperback: 416 pages
  • Publisher: Vintage (August 27, 2002)
  • Language: English
  • ISBN-10: 1400030404
  • ISBN-13: 978-1400030408
  • Product Dimensions: 5.2 x 0.9 x 8 inches
  • Shipping Weight: 10.4 ounces (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #385,457 in Books (See Top 100 in Books)

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10 of 10 people found the following review helpful:
5.0 out of 5 stars A Cast of Notable Writers Escort You to the Hell of War, January 29, 2005
By 
Bohdan Kot (Washington, D.C.) - See all my reviews
(REAL NAME)   
This review is from: The Vintage Book of War Fiction (Paperback)
"The Vintage Book of War Fiction" spans the twentieth century from WWI, The Russian Revolution, The Spanish Civil War, WWII, The Korean War, and The Vietnam War to The Gulf War. The editors, Sebastian Faulks, a journalist and author of Charlotte Gray, and Jorg Hensgen, have done an excellent job of picking a star-studded cast of writers to illuminate the topic of war-Louis-Ferdinand Celine, Ernest Hemingway, Norman Mailer, Kurt Vonnegut, and Joseph Heller are some of the forty writers. But beware, reading this collection is more gloomy and full of despair than the depression wing of a Seattle psychiatric ward during its rainy season.

Despite its title, The Vintage Book of War Fiction has numerous offerings from writers who have been on the frontlines. Perusing the biographical selection one notices that some of the writing is not fiction but instead autobiographical. Vonnegut wrote the classic novel Slaughterhouse-Five based on his experiences as a prisoner of war viewing the destruction of Dresden by the Allied forces.

The horrors, maladies, rapes, destruction, bizarre humor and so on of war are present here in vivid color. Hiroshima Joe by Martin Booth graphically transports us to Hiroshima right after the nuclear bomb dropped. "On the floor of the tram cabin was a partly congealed liquid slush of greyish-brown matter in which lay some broken branches, stripped bare of their bark. It was more than a minute before he realized that the floor-covering had been people, the branches nude bones."

These stories are compelling, but they are also repelling, grotesque. But one continues reading; we are pushed forward by the same impulse that strains our neck to see a recent car accident. Faulks says, "Has ever there been such century for killing as the one we have just endured?" The collection is splendid because it illustrates the sheer carnage and the psychological bruises in an honest, thought-provoking manner. John Horne Burns says, "Then humanity fell away from me like the rind of an orange, and I was something much more and much less than myself . . ."

Yes, you will feel the intensity of experiencing the war and its aftermath up-close as if watching an IMAX in one's mind thanks to the cornucopia of superb writers. But the good listener will also digest the excerpts as a cautionary tale and fervently understand that man must be peaceful to continue and prosper in our present nuclear age.

Bohdan Kot

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