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Violin Concertos of John Adams & Philip Glass

John Adams , Philip Glass , Christoph Eschenbach , Houston Symphony , Robert McDuffie Audio CD
4.6 out of 5 stars  See all reviews (16 customer reviews)

Price: $15.49 & FREE Shipping on orders over $35. Details
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Product Details

  • Performer: Robert McDuffie
  • Orchestra: Houston Symphony
  • Conductor: Christoph Eschenbach
  • Composer: John Adams, Philip Glass
  • Audio CD (August 24, 1999)
  • Number of Discs: 1
  • Label: Telarc
  • ASIN: B00000JXZT
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (16 customer reviews)
  • Amazon Best Sellers Rank: #128,803 in Music (See Top 100 in Music)

1. I. Quarter Note = 78
2. II. Chaconne: Body Through Which The Dream Flows
3. III. Toccare
4. I. Quarter Note = 104/Quarter Note = 120
5. II. Quarter Note = Ca. 96
6. III. Quarter Note = Ca. 150/Coda: Quarter Note = 104

Editorial Reviews

Product Description

Amazon.com

Leave it to Christoph Eschenbach and the Houston Symphony to deliver one of the more impressive classical discs of 1999: a pairing of the violin concertos of John Adams and Philip Glass. Hearing the works of these two American music mavericks side-by-side is a study in contrasts: Adams's postmodernist composition from 1993 is filled with spooky overtones, as the violin threads its way through the piece, always at the forefront. It doubles as a ballet (the NYC Ballet cocommissioned the piece), yet never forgets the traditional violin-concerto form. Glass's composition from the late '80s is less complex. It, too, is based around a traditional structure of three movements, but these are passages we've heard from the composer for the last decade, though never quite so well assembled.

Gidon Kremer has recorded two earlier discs featuring both the Adams and Glass concertos, but the sonics (especially on his Glass disc) are less impressive than they are here. Robert McDuffie's violin isn't as piercing as Kremer's--a shame during the eerily gorgeous second movement of Adams's piece--but there's a pleasant balance to this new disc, and the Houston Symphony sounds fantastic. All in all, it's a great package of two contemporary classical-music compositions everyone should hear. --Jason Verlinde


Customer Reviews

Most Helpful Customer Reviews
10 of 10 people found the following review helpful
5.0 out of 5 stars Ah, the Luxury of this Pairing of Concerti December 8, 2004
Format:Audio CD
John Adams and Philip Glass continue to be two of the more important composers of our time and how appropriate it is to have the luxury of both composers on one disc and with each composer's view of the violin concerto!

For some the Glass may be more immediately accessible, but for those who have yet to discover the glorious beauties contained in the mind of John Adams, just begin listening to this disc with the second movement of his concerto (Chaconne: Body through which the dream flows) and odds are you'll be hooked.

Robert McDuffie has a fine affinity to both these concerti and is technique is superb, his dexterity amazing! The other version of the Adams is a fine one by Gidon Kremer but in this case the orchestral collaboration with Christoph Eschenbach and the Houston Symphony is superior. In the Glass the orchestra plays with that signature pulsating glow that suits Glass' work. After the success of Glass' score for the film THE HOURS this concerto will doubtless become a concert favorite.

The sonics are excellent and the overall impact of this fine disc is as good as it gets for contemporary music. Highly Recommended. Grady Harp, December 2004
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28 of 35 people found the following review helpful
5.0 out of 5 stars Glass is eerily compelling September 20, 2002
Format:Audio CD|Verified Purchase
Let's start right off by saying that I grew up listening to, and loving, the traditional violin concerti. Give me Beethoven, give me Mendelssohn. (Spare me Tschaikovsky, please, I have heard that in performance so many times I'm finally tired of it.) I am not a huge fan of 20th century music, outside the popular Russians, film music, and band music. In fact, I come prepared to dislike Philip Glass. In fact, I DO dislike much of Philip Glass. The usual words I use when trying to describe Glass's music to those not familiar with it are "repetitive, monotonous, irritating, annoying." So when I found myself online at midnight ordering the album I had just heard on my local classical radio station, it was as much a shock to me as to anyone. But there I was - I couldn't stop myself. This violin concerto is - well, compelling. I couldn't stop listening. I found myself putting down my book and listening CLOSELY. It's difficult for me to pinpoint WHAT I liked about it - all I can do is keep repeating, it's compelling. It made me listen. It will do the same for you.
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6 of 6 people found the following review helpful
3.0 out of 5 stars The Adams Drags This Down July 12, 2009
Format:Audio CD
This superbly produced, performed, and recorded disk puts these two contemporary concertos together for the first time, with McDuffie and the orchestra digging into both pieces for all they are worth. To these ears, the Glass comes off as the more convincing and entertaining piece of music, with an especially affecting slow movement. Yes, some of the repetitions in the first movement are a bit too much; however, this is for the most part a fun piece to listen to, and the quality of the recording and performance are top-drawer all the way.

Try as I might, however, I was never able to get any satisfaction from the Adams piece. I was disappointed by Gidon Kremer's recording on Nonesuch (not because of his performance, but because of the music), and although the overall performance and recording on this new Telarc surpass that earlier recording, the composition itself is no more convincing. I have forced myself to listen to it many times in an attempt to let it break down my resistance, and I can report that the second movement has some moments of affecting beauty; however, to be honest, I must report that I still find the work overall to be disjointed and uninspiring.

I will readily concede that this is a most subjective judgment on my part, and I am sure that there are folks who appreciate this music much more than I do. Indeed, if you heard the Adams on Nonesuch and liked it, then you are most likely going to love this Telarc recording, and if you liked the old Telarc recording of the Glass, you are going to love this new Telarc recording.
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5 of 5 people found the following review helpful
4.0 out of 5 stars Here to say a good word for the Glass work May 29, 2001
Format:Audio CD
I concur very much with the favorable comments by "gtrain" and C. Anderson regarding the Adam's violin concerto. It's a finely crafted and performed piece. I would not say it's particularly easy to be enthralled with on first listening. I'm a fairly seasoned "classical" music enthusiast with broad tastes, but I've had to put some studied listening time in to get to enjoy the Adams. Now, considering Glass's version of a violin concerto, one just has to listen with different expectations. Yes, this is typical Glass style, takes about one second (or six pulsations) to recognize it as his. But hey, this is invigorating exciting, stuff. The first and third movements make great aerobic exersize background - real aural fuel power. And the slow movement is beautiful, maybe not so profound or complex, but wonderful, and "user-friendly" i.e. sounds nice the first time through.
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7 of 8 people found the following review helpful
5.0 out of 5 stars Adams and Glass at their best March 18, 2005
Format:Audio CD
Give me music that has creativity, virtuosity, originality, and passion, and I will promise to listen, regardless of how someone decides to label the music (including my above labels). Both of these violin concertos possess all of the above, and for someone who has always had problems appreciating the violin concerto, I find myself listening to this recording quite often. I tend to view Glass's works as seeming rather dark, brooding, and subjective/emotional. So it makes alot of sense that his music would work well within the context of a violin concerto where the soloist can step in an interpret this subjective world through his playing. And Adams' concerto seems just as interesting if not more sublime. I found the second movement both haunting and beautiful at the same time. In total I find this to be a wonderful CD, and am glad I took the risk of buying something I knew almost nothing about. Indeed, it is quite rare for me to hear either Adams or Glass even on a classical music station. Too bad because their music speaks more of the world we live in today, which is one reason why humanity at any given time chooses to listen to music in the first place.
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Most Recent Customer Reviews
5.0 out of 5 stars Former Minimalists Produce Beautiful Music
I have owned this CD for about ten years and it has become a favorite. Both concertos are splendid and I still get a thrill when I play this recording. Read more
Published 5 months ago by David Lindsay
5.0 out of 5 stars Effortless playing
On of my favourite pieces as a teenager, and one of my first forays into minimalism, was the violin concerto no.1 by Philip Glass. Read more
Published 14 months ago by Arnaud Wiehe
5.0 out of 5 stars Mesmerizing & Beautiful
This is simply exceptional music, exceptional composing, as well as beautiful and creative. If you love Violins, this compilation is for you; it is both orchestral and specific,... Read more
Published on September 24, 2011 by Egalitarian
4.0 out of 5 stars Adam's Best
First, I should say this is a wonderful cd. The sound, the playing and the directing are great. Eschenbach is one of the greatest: I have seen him directing Mahler's 1st and he can... Read more
Published on March 24, 2009 by Angel Gonzalez Rodriguez
5.0 out of 5 stars Smooth as Glass
I must admit it will probably take some getting used to the Adams concerto and I bought the disk for the Glass, but the Glass is well worth it. Read more
Published on March 6, 2009 by W. Jamison
5.0 out of 5 stars Awesome!!!!! Two Minimalist Violin Concertos at Once!!!
The violin has been the most popular instrument featured in concertos through ages. The traditional concertos such as those by Vivaldi and Bach are often played by many striving... Read more
Published on July 16, 2006 by Shota Hanai
5.0 out of 5 stars Marvelous recording of the Glass concerto
Philip Glass has been described as a "born composer for the theatre". He has shown himself to be very skillful at composing for voices, as his many operas and his choral... Read more
Published on May 6, 2004 by Robert Badger
5.0 out of 5 stars Glass' violin
Glass's violin concerto is not some sort of 20th century greatest-hits-easy-listening tune. Don't try it if you only see the dots in pointillism. Read more
Published on June 25, 2002 by Alex
4.0 out of 5 stars Glass sparkles
I'm new to minimalist music, and am in no way a critic. I found the Glass concerto completely enthralling. Read more
Published on March 20, 2002 by David Keyes
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