Customer Reviews

Violin Dreams

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3 star:		(2)
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Violin Dreams, on the surface, is a simple book, recounting Arnold Steinhardt's life as a violinist from his first days of playing, up to his career as first violin of the Guarneri Quartet - the quartet, by the way, from whom I first "learned" the Beethoven quartets. The book also tells of Steinhardt's lifelong quest for the "perfect" violin. But this is only the surface of the book. Intentionally or not, Steinhardt's very simple prose conceals a sub-stratum of deep feeling, musical insight, and a man's search for meaning in his own life.

As a sports professional, I found Steinhardt's confrontation of the possible loss of his ability to play at all deeply moving. What are we, when the thing we have lived for is taken away? If we are nothing without our profession and our tools, then we are nothing with them - as Steinhardt points out.

Arnold Steinhardt, it turns out, is a great deal more than just his violin. He grows increasingly curious about the music behind the music - repeatedly, we return to the Bach Partita for Violin solo No. 2 in D minor, from which the chaconne becomes a touchstone of Steinhardt's "journey towards music", as Victor Gollancz once memorably put it. He travels to wonderful places such as Machu Pichu (on foot, which says something about the man). He pays homage to the luthiers of Cremona. He grows through friendships with some of the world's great musicians, and from friends less musically exalted. And each journey brings Steinhardt, and the reader, closer to music, and to something both basic and ennobling.

At the end the book, I was taken by surprise at how emotionally engaged I had become. John Steen has pointed out that the real purpose of the critic is to make us hear music better and to lead us to deeper engagement with it. Away from his violin, this is exactly what Arnold Steinhardt has done with this book. I loved it, am buying multiple copies to give to musical friends, and recommend it heartily.

Now back to practicing, with no hope of every playing at Mr. Steinhardt's level, but with an increased love of the instrument, and of making music.

A cd of the author playing Bach's Partita in D Minor forty years ago at the beginning of his career and recently on his Storioni violin accompanies VIOLIN DREAMS, a blend of memoir and violin history which recounts the author's affection for the instrument. From his first violin and early teachers to his rise to professional status, his journey accompanies a survey of the history and backgrounds of the world's great violin makers in a powerful and fine account.

Diane C. Donovan
California Bookwatch

This eminently readable book is a beautiful insight into the mind of one of America's most outstanding musicians and, coupled with the idee fixe of the great Bach Chaconne for Solo Violin it moves freely through centuries of great violins and a lifetime of contacts with many outstanding musicians of yesteryear. It is both inspiring and heartwarming!

This is the second of Steinhardt's autobiographical books, following "Indivisible by Four". Both books are warm personal accounts of the life of a gifted American musician who remains throughout an honest human being without pretense. Considering the wonderful contributions he has made to music and to the teaching of music, it is a pleasure to read more details written in his own conversational style. This book, with the accompanying CD of the Bach D-minor Chaconne, is a treasure.

As an old friend and colleague of Mr. Steinhardt, it was a special treat to read this, his second book. He combines the autobiographical story of his development as a top-notch violinist, with interesting facts about the violin.
One can glimpse the wonderfully good-natured, modest person behind the scenes, and place him both with the long line of great violinists on whom he drew, and the current generation of great musicians with whom he interacted.
I just sent the book to a good friend to read, and recommend it to anyone who is interested in music.

Charming and engrossing book about playing the violin and trying to come to terms with one of Bach's great masterpieces. In my opinion the book is at its best when it is about music and the violin - which is most of the time. I'm less convinced by the sections designed to give it universal appeal and at times the style gets a little too folksy. However, it is full of wonderful detail and has got me playing the Chaconne (in Steinhardt's impassioned performance on the CD) in the car all the time. And given me an entirely new understanding of what a violin is. And we see the true apostolic succession - that of the artist - the present standing upon the achievements of the past - we see that at work. The idea of dancing the Chaconne suffuses the book with a feeling of what it means to be human and mortal. A lovely work.

I have been a chamber music fan for over 50 years, and Arnold Steinhardt's playing has contributed to my enjoyment of the art over many of those years.

His first book gave me an appreciation of the challanges faced by chamber musicians. This new book is so much more! Here he puts into words just what music does for the soul, and (who thought it possible) greatly increased my appreciation of what I was hearing.

An added bonus is the CD! It amplifies much of the discussion in the book, though the book itself is a virtuosic performance! Thank you Arnold Steinhardt, for again enriching our lives!

I read Mr. Steinhardt's book in almost a single sitting. His explication of Bach's D minor partita, and particularly its final movement "chaconne" should be required reading for every serious, classical violinist. Despite my many years of involvement with the instrument, both as a dealer and amateur player, I was fascinated with Mr. Steinhardt's search for a suitable violin. Having heard the Budapest Quartet, it was a revelation to me that he acquired Joseph Roisman's fiddle; so appropriate that it would pass from one great quartet leader to another. A small error in the book was the date given for Jascha Heifetz's memorable Carnegie Hall debut; it was in October of 1917, not 1918. Aside from that
the book is a page turner, beautifully written and very personal.

Wonderfully well-written. Most musicians' books are loose collections of stories. Steinhardt has stories, but also architecture that binds everything together: dreams, the individual sound of every violin, the making of the violinist and musician, the Bach Chaconne. His dreams are both hilarious and beautiful. A terrific book, and you get a CD of Steinhardt playing Bach, besides.

Though this author writes in first person, there is seldom a feeling he is talking about "me". This is a wonderful first-person narrative.